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Toying With Ideas: Is Woody a Gift from Andy’s Father?

This came up in conversation with the better half about a week ago while we were discussing Toy Story 3. I happened to mention a theory I’d heard some time back that the reason that Woody was so important to Andy (as opposed to say, Rex or Mr. Potato Head) was because Woody had been handed down to the child from his father – giving him extra emotional weight since the father figure is notably absent from all three films (implying he and Andy’s mom could be divorced, he could be dead, or they simply never lived together – although he could just as easily have happened to be absent for every moment we were watching). I quite liked the idea that Woody had been around more than a generation, although my better half was somewhat less fond of the idea. Still, I think it’s a really interesting way to look at the film.

Could I be any father from the truth?

Note: This post contains spoilers for the end of Toy Story 3. But you should have seen it already. If you haven’t, go see it, then come back and share your thoughts.

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Non-Review Review: The Incredibles

I think Pixar’s The Incredibles must stand as one of their best productions – alongside Finding Nemo, perhaps. It’s certainly one of their more conventional entries in the Pixar stable, in that it’s offered in the blockbuster format of the decade (superhero adventure), but – like the very best of their work – it’s so much more. A whole host of Pixar’s films – Toy Story and Finding Nemo chief among them – deal with the notion of paternal abandonment (though perhaps more fond of addressing the story of parents abandoned by kids, rather than kids abandoned by adults), but The Incredibles is perhaps the one which best deals with the challenges that managing a ‘functioning’ family.

That's one incredible family...

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Non-Review Review: Toy Story 3

At this stage of my life, I’ve figured out that Pixar are like an old friend you see but once a year. You almost take them for granted until you meet up with them – and they’re filled with amazing stories of adventure, fun and whimsy. Somehow they always have the most exciting tales and wonderful way of spinning their yarns, but they’re also strangely intimate – perhaps it’s because you feel almost like you’ve grown up with them. And then they make you cry. Possibly like a little girl. Who am I to judge, my eyes are still red. And you leave knowing that you’ll see them again around about the same time next year, to share more wonderful fantasies and stories – but you can never hear the same story twice.

Yes Ken Do...

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Non-Review Review: Monsters Inc.

If you don’t love Pixar, you should see a doctor immediately. Because you clearly have no heart, which can lead to all manner of unpleasant complications. Okay, maybe Monsters Inc. is one of the more conventional entries in Pixar’s animated canon, but it’s an example of how – even when being as close to conventional as they can – Pixar are still absolutely incredible, blowing all the other major American animation studios out of the water.

Scarily good...

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Proof that Pixar are Awesome…

After being the subject of the most heart-warming film news story of last year, Pixar have found yet another way to my heart strings just before the release of Toy Story 3.

Imagine being a kid writing a letter to a hero, someone they were a huge fan of. This kid wrote a letter to Pete Doctor, the director of Monsters Inc. Now, imagine actually getting a letter back in return. Imagine getting this letter back return. Awesome, no?

The full story can be read here, but that’s pretty awesome, isn’t it?

Toying With Us: Pixar’s Animation Legacy

This is one of my entries on the latest cross-blogging event, tracking down some of the most overrated movies of all time. It’s being run by Mike over at You Talking to Me. I can’t spoil the list by giving you any of the other titles, but I did take a quick look at Spider-Man‘s legacy earlier in the week.

I love Toy Story. I love Toy Story II even more. I am anticipating Toy Story III with baited breath. I adore Pixar. The only two films they’ve produced that fall short of excellence (in my opinion) are Cars and A Bug’s Life and both are still above average as films go. So it may seem odd to critique the legacy of perhaps the first great computer animated film – but this is a strange world we live in. Think about it, though. Pixar have essentially killed conventional animated films – at least in this part of the world.

Computer-generated animation spreads its wings...

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Have We Stopped Making Children’s Films For Children?

The three biggest children’s films under discussion at the moment are Pixar’s Up, Wes Anderson’s The Fantastic Mr. Fox and Spike Jonze’s Where The Wild Things Are. These three films have generated a debate about who exactly family entertainment should be aimed at, and whether are not there are themes (rather than content) which should be taboo for films that would appear to be aimed at children. More importantly, these three films have sparked a flurry of complaints or criticisms from adults who claim they are far too mature for younger audiences. So, are we really only making these films for big kids?

Watch out, here comes the Politically-Correct-allo!

Watch out, here comes the Politically-Correct-allo!

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Non-Review Review: Up

Pixar, how I love you. If Up isn’t the film of the year so far, it’s pretty damn close. Don’t let the fact it’s a far more conventional film than Wall-E fool you – it is just as emotionally honest (it is odd how true to human feelings Pixar can be while running with more outlandish ideas). Pixar have always dealt with real experiences through metaphor – from the fear of middle-age in The Incredibles to the concerned single-parenthood of Finding Nemo – but this movie is particularly upfront about what it’s dealing with. That honesty is almost as endearing as the magical imagination which elevates the film like so many helium-filled balloons.

Almost a clear sky...

Almost a clear sky...

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Non-Review Review: Toy Story (3D)

I caught a screening of Toy Story 3D in Cineworld last night. It was amazing. Not for the new 3D effects – which were, admittedly graceful and understated rather than garish and intrusive – but just for the joy of seeing two old friends back on the big screen, where they belong. The rerelease of the movie has garnered a lot of discussion about what the best Pixar film is, with many suggesting that this original film may take the crown. While Toy Story isn’t the best of that studio’s filmography, it remains a highlight. To infinity and beyond, indeed!

Toyz in da Hood...

Toyz in da Hood...

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Toy Story 3D x 2

Hey, Disney, wassup? Seriously. I know I live in Ireland and that ripping off people is the norm, but c’mon? Everywhere else seems to be receiving Toy Story 3D as a double feature including Toy Story and Toy Story 2 in a four-hour epic? Instead, I have to fork out €10 twice to see two movies I’ve already seen and I can’t even make a decent weekend afternoon of it. We’re getting the first Toy Story rendered in 3D today, but we have to wait until Christmas for the second one.

Buzz isn't the only person the joke is on...

Buzz isn't the only person the joke is on...

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