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Non-Review Review: The Incredibles

I think Pixar’s The Incredibles must stand as one of their best productions – alongside Finding Nemo, perhaps. It’s certainly one of their more conventional entries in the Pixar stable, in that it’s offered in the blockbuster format of the decade (superhero adventure), but – like the very best of their work – it’s so much more. A whole host of Pixar’s films – Toy Story and Finding Nemo chief among them – deal with the notion of paternal abandonment (though perhaps more fond of addressing the story of parents abandoned by kids, rather than kids abandoned by adults), but The Incredibles is perhaps the one which best deals with the challenges that managing a ‘functioning’ family.

That's one incredible family...

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Non-Review Review: Dogma

I have to confess that I have a soft spot for Dogma. It’s very much the black sheep of Kevin Smith’s “View Askew” trilogy (of six films), veering away from incorporating his trademark witty banter and dialogue with a relatively new philosophical and religious undercurrents. Dogma is, in fact, an odd film by any standard – one part “group on a quest” film akin to The Lord of the Rings, one part slapstick comedy and part indie introspective dramedy. Smith admittedly has great difficulty balancing the different demands on his script, pulling it one way or the other. It doesn’t always work, but the cocktail is certainly interesting and – truth be told – I am actually quite fond of the film.

Alan Rickman found himself winging it...

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