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Non-Review Review: The Manchurian Candidate (2004)

I actually quite enjoyed Jonathan Demme’s 2004 remake of The Manchurian Candidate, even if it seems to lack the same clear political bite of the novel and original film version of the tale. In many respects, Demme’s film adaptation is a triumph of atmosphere, featuring a superb cast and a perpetual sense of uncertainty. While its politics seem a bit less provocative and engaging than the source material, Demme is still a superb film maker. There’s a wonderful sense of unease and discomfort that seems to pervade every frame of the film, with the politics of the movie perhaps the only facet that is never unclear.

The naked truth…

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Non-Review Review: Rampart

Rampart features a powerhouse central performance from Woody Harrelson as corrupt Los Angeles Police Officer Dave Brown. Harrelson manages to take a character who should be (and is) reprehensible, and yet manages to imbue him with the faintest sense of tragedy. However, the problem is the movie that takes place around Brown. Brown’s story is an inherently tragic one, a relic of a by-gone era trapped in his own self-destructive pattern. He’s not dynamic or proactive, and so reacts to the world around him. While director Oren Moverman populates the film with any number of iconic and recognisable character actors, the film can’t help but feel a lot too sterile, a little too inert. We’ve seen this story before, and while Harrelson’s performance is compelling, the film around him is not.

He’s got this police thing working gangbusters for him…

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Non-Review Review: Magic Mike

Magic Mike has a lightness of touch that’s been missing from a lot of Steven Soderbergh’s recent work. It’s nowhere near as ambitious as Contagion was, but that isn’t necessary a bad thing from the perspective of the film about male stripper living a rock and roll lifestyle. While Magic Mike won’t get any marks for originality, it does manage to feature two impressive performances and has a refreshing sense of “fun”about it. It a solidly entertaining and diverting piece of entertainment, executed with considerable skill that helps distract from its relatively conventional nature.

It’s getting hot in here…

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Non-Review Review: Brave

Brave is certainly a significant improvement upon Cars 2, even if it doesn’t necessarily measure up the finest films in the Pixar stable. Part of the problem is the sense that, for the first time, the studio is telling a story that isn’t really their own. I know that particular films in the studio’s history owe a great deal to certain influences (The Incredibles to The Fantastic Four, for example), but Brave really feels like the studio is very much trying to put its own take on the conventional “Disney Princess” movie. While the results are certainly interesting, it never feels like Braveis entirely comfortable with itself. While the film is, technically speaking, quite impressive, it does feel like it never quite strikes the right balance.

The right to bear arms…

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Non-Review Review: Batman! (1966)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I have to confess, I think that Adam West’s Batman! gets a bit of an unfair time from comic book aficionados, movie fans and even casual pundits. In the years since the iconic movie and television show, fans have acted like camp and comedy are elements that have no place in the world of the Caped Crusader. There is – of course – a reason for that. Darker portrayals have since come dominate Batman’s characterisation, from Tim Burton’s Batman to Frank Miller’s The Dark Knight Returns to Christopher Nolan’s The Dark Knight. However, I think one of the most endearing aspects of Batman as a pop culture icon is his ability to adapt. “I’m whatever Gotham needs me to be,” Batman tells Gordon at the climax of The Dark Knight. Sure, sometimes we need him to be a staunch and iconic hero triumphing against adversity. Other times we simply need him to whip out the Bat Shark Repellent.

Batman was “Urk-ed” by the Penguin’s plan…

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Non-Review Review: The Dark Knight Rises

Note: Here’s a spoiler-filled, more detailed version of my review of The Dark Knight Rises. If you want a spoiler-light look at the film, click here.

It’s here. Christopher Nolan has defied the law of superhero trilogies, which seemed so natural that it was akin to gravity. The Dark Knight Rises might not be the perfect piece of cinema, but it does perfectly wrap up Nolan’s Dark Knight trilogy, with enough grace, wit and intelligence to avoid the problems that faced other superhero threequels. While it falls a little short of The Dark Knight, mainly because of what it lacks rather than what it fails at, The Dark Knight Rises manages to make some telling observations about its central character, while proving an epic for our time.

The Dark Knight was the best mainstream film to explore the War on Terror, and The Dark Knight Rises might be the best movie about the social implications of the current economic strife – the philosophy of the “1%.” Finding a way to handle both the political allegory and the central character’s myth in under three hours is no small accomplishment, and Christopher Nolan once again demonstrates why he’s one of the best directors working today. Nobody blends blockbuster scale and aesthetic with sophistication and suspense nearly as well as Nolan.

The Dark Knight Returns?

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Non-Review Review: The Dark Knight Rises

If you’ve already seen the film, there’s a more in-depth, spoiler-filled version available here.

It’s here. Christopher Nolan has defied the law of superhero trilogies, which seemed so natural that it was akin to gravity. The Dark Knight Rises might not be the perfect piece of cinema, but it does perfectly wrap up Nolan’s Dark Knight trilogy, with enough grace, wit and intelligence to avoid the problems that faced other superhero threequels. While it falls a little short of The Dark Knight, mainly because of what it lacks rather than what it fails at, The Dark Knight Rises manages to make some telling observations about its central character, while proving an epic for our time.

The Dark Knight was the best mainstream film to explore the War on Terror, and The Dark Knight Rises might be the best movie about the social implications of the current economic strife – the philosophy of the “1%.” Finding a way to handle both the political allegory and the central character’s myth in under three hours is no small accomplishment, and Christopher Nolan once again demonstrates why he’s one of the best directors working today. Nobody blends blockbuster scale and aesthetic with sophistication and suspense nearly as well as Nolan.

The Dark Knight Returns?

Note: There will be some spoilers in this review. I won’t summarise the plot, but I will discuss some plot points. I won’t spoil any twists, but I may quote some dialogue. Don’t worry, I’ll warn you when I’m digging into the story itself below.

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Non-Review Review: Batman – Year One

 

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

With the release of The Dark Knight Rises just around the corner, it makes sense for Warner Brothers to capitalise on one of the greatest influences on Nolan’s trilogy. Frank Miller’s take on Batman – as defined in Year One and The Dark Knight Returns – was bold, brash, clever and iconoclastic. So it’s only fair that both stories are receiving animated adaptations for Warner Brothers. While Batman: Year One might be little more than a shot-for-shot and line-by-line adaptation of Frank Miller’s origin for the Dark Knight, there’s absolutely no shame in that. Year One is perhaps my favourite Batman story, and I think it’s one certainly worth telling.

“I shall become a bat…”

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Non-Review Review: Teen Wolf

Teen Wolf is quite possibly the single strangest werewolf movie I have ever seen. I would love to have been a fly-on-the-wall at that pitch meeting:

Teen movies are all the rage this year, sir.

And werewolf films have been trending up since The Howling.

Now if there were only some way to combine the two.

As the name implies, Teen Wolf is the story of a teenager who discovers that he has hair in places where he didn’t have hair before. Lots of places. The film does an… interesting job using a conventional movie monster as an exploration of teenage “otherness”, and I actually like the film’s second act is completely off-the-wall, but even the considerable charisma of Michael J. Fox isn’t quite enough to salvage a muddle mix of eighties clichĂ©s, knock-off eighties theme songs, and confusion about the movie’s rather basic “be yourself” metaphor.

Scott’s attempt to grow a beard has gone horribly wrong…

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Non-Review Review: Shrek 2

Shrek 2 is quite entertaining. It’s not nearly as good as the original Shrek, but it doesn’t feel quite as tired or stale as the two films that would follow. There’s still an endearingly subversive streak to the film, and the series hasn’t quite evolved into the very thing it was originally mocking. While it is charming, witty and intelligent, there’s a case of diminished returns. In particular, this time around, the series is growing increasingly dependent on pop culture references and cheesy “in-joke-y” references. While, again, not quite as bad as the two films that would follow, it’s a sign of things to come. Still, despite that, Shrek 2 has its heart in the right place, and continues the original’s spirited deconstruction of the Disney fairytale franchises. It’s only slightly diminished by the fact that it is gradually evolving into one itself.

Happily ever after?

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