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Non-Review Review: Watchmen (Theatrical Cut)

Probably the best we could have hoped for. Which is a guarded compliment at best. The movie has several gaping flaws, both as an adaptation of Alan Moore’s seminal work and also as a film in its own right. And yet it contains more interesting ideas than most prestige dramas, and at least two standout performances. The film is widely inconsistent, sometimes feeling too long in its gratuitous acton or sex scenes, but too short on the actual big ideas that make it thought-provoking. Ultimately, what ties the film down is also what props it up, in a manner: the fact that it is based on one of the most important books of the last quarter century.

Just the three of us...

Just the three of us...

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Non-Review Review: Paul Blart – Mall Cop

I didn’t know that you were allowed like comedic protagonists anymore. I thought they were all meant to be immature, or pathetic, or passive-aggressive, or petty, or emotionally damaged. The last honest-to-goodness sympathetic lead character I remember in a large comedy was Steve Carrell’s wonderful turn in the 40 Year Old Virgin, years ago now. Here we have another small-screen comedian trying to find room for himself on the big screen, in a relatively light and simplistic comedy about mall security. It’s like a family version of Observe and Report. Except not. Not at all.

Don't worry, he's trained for this... Probably...

Don't worry, he's trained for this... Probably...

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Non-Review Review: The Boat That Rocked

This is a movie that ends with a rendition of the classic Bowie pop number Let’s Dance, because it couldn’t fit it anywhere in its linear narrative amid all the time-specific pop and rock tunes. The movie has quite a bit in common with that most financially successful of songs from the Thin White Duke. It’s light, it’s breezy and it’s catchy, with just a hint of some extra darkness that is rarely found among its light and fluff compatriots. It’s also the work of an intensely talented artist (and, indeed, artists) who probably should be doing more innovative and important work, but we almost can’t blame them because it’s so much fun. Almost.

Quite a board walk...

Quite a board walk...

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Non-Review Review: Revolutionary Road

That was depressing. Really depressing. Soul crushingly depressing. What we have here is a good movie that flirts with greatness but never really comes to life. Perhaps Mendes is trying to evoke the dull lifelessness of suburban life, but the movie just doesn’t sparkle enough to engage the audience. Still, it holds two of the best performances of last year, and is never less than intriguing in its exploration of 1950s America.

Yep... Anyone want to bet things are going to work out better this time around?

Yep... Anyone want to bet things are going to work out better this time around?

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Non-Review Review: (500) Days of Summer

Romantic comedies generally suck. They’re predictable and formulaic. They don’t reflect the reality of relationships. They involved hackney cliché and coincidence. They never actually deal with any of the hurdles that real couples do. Sure, every once in a while there’s an exception like Chasing Amy or As Good As It Gets, but for the most part, I can’t stand the trite conventionalism of the romantic comedy genre. So, last night – as payback for dragging my girlfriend to District 9 – we saw (500) Days of Summer. Now I’m going to use four words I never saw myself using together in this combination: an innovative romantic comedy.

After the boys of Summer are gone...

After the boys of Summer are gone...

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Non-Review Review: 21

21 is a solid middle-of-the-road coming-of-age tale. It isn’t something as deep or insightful as Good Will Hunting or The Dead Poets Society, but it doesn’t aspire to be. It sets its ambitions relatively averagely: it wants to entertain and amuse rather than stimulate or provoke. Does it succeed at these somewhat modest ambitions? Somewhat.

"You know what I'm capable of... You seen se7en, right? 21 is three times se7en. You do the math."

"You know what I'm capable of... You seen se7en, right? 21 is three times se7en. You do the math."

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Non-Review Review: Angels & Demons

Well, the only way to go from The DaVince Code was up, right? Good, because this doesn’t go too far up, lest you get all excited. It’s a fairly run-of-the-mill chase movie without any charm or wit or intelligence (and severely lacking in logic, one might add). It commits the cardinal sin (he he, cardinal… geddit?) of thinking that it is far smarter than it actually is, and it never manages to be particularly exciting or engaging. Still, Ron Howard can’t completely hide his talent amid a jumble of half-baked action sequences and illogical clues.

Try as you may, you can't outrun the inevitable threequel, Hanks!

Try as you may, you can't outrun the inevitable threequel, Hanks!

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Non-Review review: Panic Room

We happened to catch Panic Room on TV3 last night. It’s interesting to watch in retrospect, considering that David Fincher was between the two high watermarks of his career to date (se7en and Zodiac – we can discuss The Curious Case of Benjamin Button later). It’s interesting to see Fincher play with the thriller genre in a much less radical way than he did with either of the films that sandwich it. What we’re left with might not necessarily be groundbreaking, but it is solidly entertaining.

Hell of a time for Jodie Foster to adapt to texting...

Hell of a time for Jodie Foster to adapt to texting...

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Non-Review Review: Transsiberian

This is another one of those movies that didn’t seem to make it to cinemas and instead found its way into Dad’s hands in extra vision (I blame the fantastic cast for that). It’s a story of lust, murder, drugs and Matryoshka dolls aboard the titular railway line. I wish I could make some sort of pun about the movie building momentum like a runaway freight train, but it doesn’t. It meanders and it wanders, never really going anywhere.

Trainspotting...

Trainspotting...

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Non-Review Review: Once

Maybe Once is that mythical “good Irish movie” that comes along roughly once every five years or so, or maybe I’m being a little soft on it, but I really enjoyed it when I caught it last night. It does have some rather glaring flaws, but it seems to work well despite them.

Tally ho(wth)...

Tally ho(wth)...

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