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Non-Review Review: Pixels

Pixels has a fun concept.

The idea of video game characters invading the world is a delightfully gonzo piece of pop culture nostalgia. It is easy to see why Sony picked up the option for Patrick Jean’s 2010 short film, even if the concept was not new. Neither version of Pixels can quite measure up to Raiders of the Lost Arcade, the short that aired as part of Anthology of Interest II during the third season of Futurama. That ten minute short story captured the sheer unadulterated joy of a world under siege from its juvenile obsessions.

You are my sunshine...

You are my sunshine…

There are a lot of problems with Pixels. The most obvious is that it seems completely disinterested in its core concept as anything other than a vehicle for Adam Sandler. There is a lot of CGI and a number of recognisable pop culture references, but Pixels plays just like any other Happy Madison vehicle. It is an excuse to pair Adam Sandler up with a beautiful actress and pay for trips for friends and acquaintances around the world while making jokes that were tired when most of the audience was making them in the playground.

Pixels never embraces the goofy joy of an invasion of eighties video games, instead wallowing in the presence of washed up nineties hackery.

All the President's... People.

All the President’s… People.

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Non-Review Review: Grown Ups

It’s very difficult to offer a movie that takes a cynical “Hollywood type” back to their roots. There are many reasons. The most obvious is that the type of person making the movie is a cynical Hollywood type and there’s something of an irony about making a film about the roots they’ve lost contact with – oftentimes it is more difficult to offer a grounded version of reality than it is to depict an alien invasion or a thoroughly ridiculous premise. Grown Ups is the second film this year which sees Adam Sandler playing a character attempting to reconnect with the common man – perhaps a timely theme in light of the recession, when the glitz and glamour of Hollywood stand in even starker contrast to the day-to-day lives of regular folks. However, if I didn’t know better, I’d think Sandler (whose production company produced the film and who co-wrote the script) is having something of a midlife crisis.

Not exactly a deep pool of talent...

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Non-Review Review: Paul Blart – Mall Cop

I didn’t know that you were allowed like comedic protagonists anymore. I thought they were all meant to be immature, or pathetic, or passive-aggressive, or petty, or emotionally damaged. The last honest-to-goodness sympathetic lead character I remember in a large comedy was Steve Carrell’s wonderful turn in the 40 Year Old Virgin, years ago now. Here we have another small-screen comedian trying to find room for himself on the big screen, in a relatively light and simplistic comedy about mall security. It’s like a family version of Observe and Report. Except not. Not at all.

Don't worry, he's trained for this... Probably...

Don't worry, he's trained for this... Probably...

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