I published a new In the Frame piece at The Escapist this evening. With the release of Spider-Man: Across the Spider-Verse, it seemed like a good opportunity to delve into what the movie is about, particularly its relationship to other recent superhero movies.
After all, what is the point of superhero movies? What are they about? What purpose do they serve? In recent years, the superhero genre has come to be shaped by the language of militarism and law enforcement, treating superheroes as cops and soldiers who just happen to wear masks. Across the Spider-Verse is a film largely about grappling with the legacy of that trend, in which the central villains are “an elite strike team” of “all the best Spider-People” whose job it is to maintain the status quo, no matter how many innocent people suffer to maintain the established order.
You can read the piece here, or click the picture below.

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435. Star Trek Into Darkness (#—)
Hosted by Andrew Quinn and Darren Mooney The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.
This week, JJ Abrams’ Star Trek Into Darkness.
Captain James T. Kirk has been in command of the USS Enterprise for a year. In that time, he has not lost a single service man. Kirk is angling for the hottest new assignment – a five year mission of exploration into uncharted territory – when a terrorist attack masterminded by a rogue Starfleet Security Officer throws everything that Kirk thinks he knows into doubt.
At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.
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