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Star Trek: Deep Space Nine – Improbable Cause (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

Improbable Cause is an episode that should be a mess. It was originally conceived as a sort-of-sequel to Second Skin, building off Garak’s murder of Entek in that episode. The idea was that Garak would face the consequences of that action, with the Obsidian Order planning an assassination attempt. However, the script was incredibly difficult to break. The resolution felt contrived and forced, closing the story out with Garak blackmailing is adversaries into compliance using a never-before-referenced isolinear rod felt overly convenient.

With the script not working, desperate action was taken. It was decided to extend Improbable Cause into a two-parter at the last minute, tying it into the proposed sequel to Defiant. The decision was made so late in the production schedule that it was impossible to pull the script back out of production. Even though Improbable Cause aired after Through the Looking Glass, it was produced beforehand. Writer René Echevarria re-wrote the last two acts of Improbable Cause with The Die is Cast screenwriter Ronald D. Moore in a frenzy, to tie both parts together.

Everything burns...

Everything burns…

This is the very definition of “production nightmare.” It recalls one of those stories that you hear about blockbuster movies that start shooting without a finished script, or directors being locked out of the editing suite. By all accounts, Improbable Cause should have been a trainwreck held together by duct tape and good thoughts. Instead, there’s a credible argument that Improbable Cause is the strongest episode of the third season. It’s certainly the strongest episode broadcast since Star Trek: Voyager came on the air.

And that’s down to one simple fact: every single aspect of Improbable Cause works extraordinarily well.

Odo has the scent...

Odo has the scent…

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Star Trek: Voyager – Ex Post Facto (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

Ex Post Facto has a lot of problems.

It has logical problems. It has plot problems. It has character problems. It is difficult to fit within the framework of Star Trek: Voyager. It feels like a retread of A Matter of Perspective, a less-than-successful effort from the first season of Star Trek: The Next Generation that Michael Piller produced. It is a bit of a mess, a bit too casual about everything, a bit too contrived.

And yet, despite all this, it almost works. Almost.

"This isn't the head massage I asked for!"

“This isn’t the head massage I asked for!”

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Star Trek: Voyager – The Cloud (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

The Cloud feels more like a first season episode than Time and Again and Phage did. Star Trek: Voyager has ploughed fairly effectively into its first season, primarily by treating it as the eighth season of Star Trek: The Next Generation. However, the first season has been falling into a regular pattern so fast that pausing for forty-five minutes to do some awkward and ill-defined character work doesn’t feel like a bad idea.

The Cloud is an awkwardly constructed piece of television that feels like it’s interested in building up this ensemble. As such, the pacing suffers, and the episode makes a number of awkward mistakes along the way, but it still feels like it is at least trying to do something worthwhile.

Shaking things up around here...

Shaking things up around here…

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Star Trek: The Next Generation – Brothers (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

Brothers is Star Trek: The Next Generation getting back to business at usual. Well, not quite usual, but close enough. Following the monumental season-bridging epic that was The Best of Both Worlds and the breathing space afforded by Family, Brothers is a good old-fashioned science-fiction adventure story revolving around one of the show’s most popular character and really written to satisfy a laundry list of Star Trek tropes and conventions.

Although its notable for maintaining a thematic consistency that is threaded through the fourth season, and also for affording Brent Spiner to play three different roles, the most striking aspect of Brothers from a production point of view is the fact that it is written by Rick Berman. Berman had been serving as producer on the show since Encounter at Farpoint, but this was his first scripting contribution. He’d only write one more episode of The Next Generation before the show went off the air.

Given Berman’s production style, it feels strangely appropriate that Brothers is so carefully and meticulously structured and constructed.

"Let's put a smile on that face..."

“Let’s put a smile on that face…”

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Star Trek: The Next Generation – Family (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

He’s still out there. Dreaming about starships and adventures. It’s getting late.

Yes. But let him dream.

– Robert and Marie try to figure out what all this “Star Trek” milarky is about

Starry, starry night...

Starry, starry night…

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Star Trek: The Next Generation – The Best of Both Worlds, Part II (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

The Best of Both Worlds, Part II was always going to feel like a bit of an anti-climax. After all, the show had spent so much time building up the Borg as this implacable and undefeatable adversary. In Q Who?, it had taken the interference of a god-like entity to allow the Enterprise a chance to escape their unstoppable foe. In The Best of Both Worlds, Part I, the Enterprise had been able to run for a while – but the Borg eventually caught up with them and took what they wanted.

Since The Best of Both Worlds, Part II was never going to end with the Borg destroying Earth, and since Star Trek: The Next Generation was never going to be a show willing to exact a dramatic cost high enough to justify victory against such overwhelming odds, the resolution to the two-parter was never going to live up to the heightened drama and impossible stakes suggested by The Best of Both Worlds, Part I.

Still, the second part of the adventure is charming and exciting enough that it never completely falls apart. While the resolution to the crisis does seem a little trite and convenient, The Best of Both Worlds hangs together as the show’s best two-part adventure until at least Chain of Command in the sixth season.

A Number One fan?

A Number One fan?

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Star Trek: The Next Generation – Season 3 (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

The third season is on a very short list of contenders for “the best season of Star Trek ever produced.” Maybe one or two other Star Trek: The Next Generation seasons make the list, maybe the first two seasons of the original Star Trek and maybe two seasons of Star Trek: Deep Space Nine. From beginning to end, the third season of The Next Generation hangs together remarkably well, churning out consistently entertaining adventures and several runs of truly classic episodes.

There are two main stretches in the season where the show produces episodes that could legitimately be ranked as the best of The Next Generation. The first comes around the midpoint of the season, from Yesterday’s Enterprise through to Sins of the Father, all episodes that would not look out of place on a “top ten episodes of The Next Generation” list. The second runs from Tin Man through to Sarek. And that’s ignoring the wonderful gems scattered throughout the season, from The Defector and The Hunted through to The Best of Both Worlds.

Of course, one of the most impressive aspects of the third season is the fact that the consistent quality visible on the television screen belies the chaos unfolding behind the scenes. The third season was a deeply troubled year of television, with plenty of unfortunate conflicts and moments of sheer desperation from the creative team. Perhaps the most wonderful demonstration of how far the show has come is obvious in the consistent professional quality of the output.

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Star Trek: The Next Generation – The Best of Both Worlds, Part I (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

So we’re here. It’s the end of the third season of Star Trek: The Next Generation, the season where the show really kicked into gear. After a decidedly uneven first and second seasons, where moments of brilliance blended with hours of tedium, the show had really pulled its act together. Even the weakest hours of the season where still competently produced, the average quality increased significantly and the stronger episodes just hit it out of the park.

The Best of Both Worlds is really just the cherry on top. But it’s one hell of a cherry.

He's looking right at us...

He’s looking right at us…

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Star Trek: The Next Generation – Sarek (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

Sarek is a rather wonderful episode of Star Trek: The Next Generation. It’s a celebration of the franchise’s history, but without being overwhelmed by the weight of continuity. It’s also a heart-breaking story about an old man coming to terms with his mortality, assessing the legacy that he leaves behind and the future he had hoped to shape. The beauty of Sarek, then, is the way that the episode ties these two threads together – offering a rather touching metaphorical exploration of Gene Roddenberry’s own influence on the franchise and his own deteriorating health.

Back to the future...

Back to the future…

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Star Trek: The Next Generation – The Offspring (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

The Offspring is an absolutely wonderful piece of Star Trek. In many ways, it is a spiritual successor to The Measure of a Man, the breakout show of the second season. (This similarity was one of the factors that led writer and script editor Melinda Snodgrass to harshly dismiss it as “fairly obvious and tired and stupid” in Captains’ Logs: The Unauthorized Complete Trek Voyages.) Sitting between two of the more epic and sweeping stories in the third season, The Offspring is a touching little story about parenting and childhood, and a nice character episode for Data.

It remains one of the most touching episodes of Star Trek: The Next Generation ever produced, and a fitting debut for both future staff writer René Echevarria and soon-to-be-prolific Star Trek director Jonathan Frakes.

Building a loving family...

Building a loving family…

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