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New Escapist Column! On “The Best of Both Worlds” as the Moment that “The Next Generation” Came of Age…

I published a new In the Frame piece at The Escapist yesterday evening. Because The Best of Both Worlds, Part II aired thirty years ago on Thursday, it seemed only right to take a look back at one of the most beloved stories in the Star Trek franchise.

The Best of Both Worlds, Part I is widely accepted as one of the best cliffhangers in television history. However, the episode is really the culmination of the growth and development of Star Trek: The Next Generation. The spin-off had a rocky first couple of seasons, but really came into its own during a much more ambitious and consistent third year. That third year built inexorably towards that cliffhanger, demonstrating the effectiveness of that approach to storytelling.

You can read the piece here, or click the picture below.

Star Trek: Myriad Universes – Shattered Light: The Embrace of Cold Architects by David R. George III (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films.

It’s amazing to think what happens if you shift events just a little to the left or a little to the right. Part of what’s most fascinating about David R. George III’s The Embrace of Cold Architects is that the alternate universe isn’t created by altering the outcome of any major event. Instead, the alternate universe is created by shifting a single date slightly forward in time. Moving one event out of its original context – in this case the conference from The Offspring – and transposing it later into the third season of the show has any number of radically unforeseen side effects.

Of course, this all feels like very clever meta-commentary by author David R. George III. As much as The Embrace of Cold Architects is about shifting around the order of events inside the narrative, it’s also about shifting around the framing structure itself. The Embrace of Cold Architects doesn’t just offer a glimpse of what might have happened had certain events within the framework of Star Trek: The Next Generation occurred out of their previously-established context, it is also about reimagining The Next Generation itself.

Quite a lot of The Embrace of Cold Architects feels like glimpse of an alternate version of The Next Generation, one where the show itself has been shifted so that it might be written in the context of the War on the Terror.

st-shatteredlight

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Star Trek: The Next Generation – The Ron Jones Project & The Best of Both Worlds OST (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

In 1991, The Best of Both Worlds got a CD soundtrack release. It was incomplete, running just under forty-seven minutes. (Five minutes music would be included on The Ron Jones Project and 2013 would see a release of a more complete two CD set running fifty-five minutes.) However, this was the first soundtrack album released for Star Trek: The Next Generation since Dennis McCarthy’s score to Encounter at Farpoint in 1988.

The music for The Best of Both Worlds is iconic. In the Regeneration documentary included with the blu ray release of the episode, Seth McFarlane jokes about hiring Ron Jones on the strength of that closing sting. The impressive orchestral score to The Best of Both Worlds remains one of the most instantly recognisable soundtracks in the Star Trek canon. And yet it was written by a composer who was on his way out the door.

Of the twelve discs in The Ron Jones Project soundtrack collection covering the episodes scored by Jones, only three include scores for episodes that aired after the second part of The Best of Both Worlds. (And the third-to-last disc only features one episode from the fourth season.) So, what happened?

tng-ronjones12

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Star Trek: The Next Generation – The Best of Both Worlds, Part I (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

So we’re here. It’s the end of the third season of Star Trek: The Next Generation, the season where the show really kicked into gear. After a decidedly uneven first and second seasons, where moments of brilliance blended with hours of tedium, the show had really pulled its act together. Even the weakest hours of the season where still competently produced, the average quality increased significantly and the stronger episodes just hit it out of the park.

The Best of Both Worlds is really just the cherry on top. But it’s one hell of a cherry.

He's looking right at us...

He’s looking right at us…

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The Best of Both Worlds: A Retrospective

I am Locutus – of Borg. Resistance – is futile. Your life, as it has been – is over. From this time forward, you will service – us.

– Locutus introduces himself

I only found out last week that The Best of Both Worlds is twenty years old this June. For those unfamiliar with the title, it’s the two-part episode of Star Trek: The Next Generation, which represented both the franchise’s first real cliffhanger (there was a two-part episode of the original series, but that was simply to incorporate a framing device around the original unaired pilot, The Cage – which featured an (almost) completely different cast) and the first real showcase of perhaps the franchise’s most iconic antagonists, the Borg. It’s also a damn good two hours of television.

Picard could always spot a square...

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