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Star Trek: Deep Space Nine – One Little Ship (Review)

“It was the sixth season, so why not do it?” observes Ira Behr, providing all the rationale the writing staff needed. “How many series can do a salute to Land of the Giants, to The Incredible Shrinking Man?” he demands. “We had to do this show! We owed it to all the schlock science fiction that had come before us. If we hadn’t done it, it would have been a crime – a creative crime, and, dare I say, a crime against humanity itself. And it just became clear to me, you know? Maybe the tumour moved a silly centimeter in my brain. But we just had to do it. And that was that.”

The Star Trek: Deep Space Nine Companion

Isolinear jungle.

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Star Trek: Deep Space Nine – Improbable Cause (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

Improbable Cause is an episode that should be a mess. It was originally conceived as a sort-of-sequel to Second Skin, building off Garak’s murder of Entek in that episode. The idea was that Garak would face the consequences of that action, with the Obsidian Order planning an assassination attempt. However, the script was incredibly difficult to break. The resolution felt contrived and forced, closing the story out with Garak blackmailing is adversaries into compliance using a never-before-referenced isolinear rod felt overly convenient.

With the script not working, desperate action was taken. It was decided to extend Improbable Cause into a two-parter at the last minute, tying it into the proposed sequel to Defiant. The decision was made so late in the production schedule that it was impossible to pull the script back out of production. Even though Improbable Cause aired after Through the Looking Glass, it was produced beforehand. Writer René Echevarria re-wrote the last two acts of Improbable Cause with The Die is Cast screenwriter Ronald D. Moore in a frenzy, to tie both parts together.

Everything burns...

Everything burns…

This is the very definition of “production nightmare.” It recalls one of those stories that you hear about blockbuster movies that start shooting without a finished script, or directors being locked out of the editing suite. By all accounts, Improbable Cause should have been a trainwreck held together by duct tape and good thoughts. Instead, there’s a credible argument that Improbable Cause is the strongest episode of the third season. It’s certainly the strongest episode broadcast since Star Trek: Voyager came on the air.

And that’s down to one simple fact: every single aspect of Improbable Cause works extraordinarily well.

Odo has the scent...

Odo has the scent…

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Star Trek: Deep Space Nine – Destiny (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

The biggest problem with Destiny is that it doesn’t feel fully-formed. The show plays more like a series of vignettes than a single story. There are some nice character beats, and a sense that Star Trek: Deep Space Nine is an ensemble show, but Destiny meanders far too much. It seems like it wanders around without any singular purpose, any strong central point to tether it.

Is it about Sisko’s relation to the title of “Emissary”? Is about peace between Bajor and Cardassia? Is it about O’Brien and flirty Cardassians? Is it about Kira’s faith and her position on Deep Space Nine? Is it about end time prophecies?

It seems to be about all these things, but with no real commitment to any of them above the others. The end result is that it’s not about any of them particularly well.

Picture perfect...

Picture perfect…

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Star Trek: Deep Space Nine – The Search, Part I (Review)

The September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

The Search, Part I is interesting. It is an episode that, in effect, serves as something of a second pilot for the show. It’s an episode that re-conceptualises the show, while taking a great deal of trouble to ensure that any new viewers will be brought up to speed. In fact, The Search is a rather disjointed two-parter as a whole. The first part feels like a lot of set-up with a cliffhanger tacked on to the end of the episode, while the second part is very clearly its own story.

It makes sense. At this point, Star Trek: Deep Space Nine is the only Star Trek on television. It’s a period that doesn’t last, and which is really just a scheduling fluke. The show’s second season continued on past the airing of All Good Things…, the final episode of Star Trek: The Next Generation. The third season began broadcasting before the airing of Caretaker, the pilot of Star Trek: Voyager. Star Trek: Generations was released somewhere in the middle. So the stretch where Deep Space Nine was “the only Trek on television” feels largely illusory.

Still, The Search, Part I feels like a conscious attempt to welcome any wayward Star Trek fans. Including, appropriately enough, new staff writer Ronald D. Moore.

Staring into space...

Staring into space…

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