mcu | the m0vie blog

New Escapist Column! On How “Secret Invasion” Finally Foregrounds Nick Fury…

Posted on June 22, 2023 by Darren

We’ll be running weekly reviews of Secret Invasion at The Escapist. To start with, the premiere.

Secret Invasion is notable as the first Marvel Studios project to truly foreground Nick Fury, a character who has been essential to the shared universe dating back to the closing credits of Iron Man. It’s interesting that it took the shared universe fifteen years to build a narrative around Samuel L. Jackson. Secret Invasion adopts an interesting approach to the character, treating him as an avatar for the increasingly beleagured media franchise, a veteran and hero that might be over the hill with his best years behind him.

You can read the piece here, or click the picture below.

Filed under: Television | Tagged: continuity, marvel, mcu, nick fury, secret invasion, superhero fatigue, veteran | Leave a comment »

New Escapist Column! On “Transformers: Rise of the Beasts” and Boring Blockbuster Third Acts…

Posted on June 9, 2023 by Darren

I published a new In the Frame piece at The Escapist this evening. With the release of Transformers: Rise of the Beasts, it seemed like as good a time as any to reflect on one of the blights on modern big-budget blockbusters: the bland computer-generated third act throwdown in a big empty space with no sense of geography or texture.

In recent years, it has become increasingly common for these sorts of spectacles to climax with a gigantic final battle in a vast computer-generated wasteland, with no defining features or landmarks, but instead just a big empty space with no sense of where objects are in relationship to one another. Rise of the Beasts is perhaps the most egregious example of the trend, but there are plenty of others: Shang-Chi and the Legend of the Ten Rings, Avengers: Endgame, Avengers: Infinity War, Black Panther. It’s a hollow, empty, cardboard world.

You can read the piece here, or click the picture below.

Filed under: Movies | Tagged: Battle, cgi, civilians, Computer-generated imagery, computer-generated wastelands, death, destruction, finale, in the frame, marvel, mcu, rise of the beasts, scale, spectacle, the escapist, third act, transformers, urban devastation, war on terror | Leave a comment »

New Escapist Video! On Phase 4 as Marvel’s Midlife Crisis…

Posted on March 14, 2023 by Darren

We’re thrilled to be launching a fortnightly video companion piece to In the Frame at The Escapist. The video will typically launch every second Monday, and be released on the magazine’s YouTube channel. And the video will typically be separate from the written content. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

This week, with the recent launch of Ant-Man and the Wasp: Quantumania, we took a look back at Marvel’s Phase 4, trying to make sense of one of the shared universe’s most disjointed and uneven phases.

Filed under: Movies, Television | Tagged: age, Comics, demographics, films, imperial phase, in the frame, marvel, mcu, meaning, midlife crisis, Movies, phase 4, popularity, success | Leave a comment »

New Escapist Column! On Hitting “Peak Marvel”…

Posted on February 24, 2023 by Darren

I published a new In the Frame piece at The Escapist this evening. With the reports that Disney+ will only be streaming two Marvel shows this year and the decision to move The Marvels out of summer and into November, it’s interesting to contemplate whether we’re already past “Peak Marvel.”

“Peak Marvel” is a reference to “peak oil”, referring to the point at which production reaches its apotheosis, where there is so much content being produced that it is unsustainable for any number of reasons. The Marvel Cinematic Universe remains one of the most successful multimedia franchises ever, but it has been flooding the market for the better part of two years. There are signs, both in the wider industry and within the brand itself, that this model is not sustainable. The question is what comes next.

You can read the piece here, or click the picture below.

Filed under: Movies, Television | Tagged: ant-man and the wasp: quantumania, blockbuster, Content, film, in the frame, loki, marvel, Marvel Studios, mcu, peak, peak marvel, the escapist, the marvels, volume | Leave a comment »

New Escapist Video! “Ant-Man and the Wasp: Quantumania is a Buggy Start to Phase 5”

Posted on February 16, 2023 by Darren

I’m thrilled to be launching movie and television reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a five-minute film review of Ant-Man and the Wasp: Quantumania, which was released in cinemas this weekend.

Filed under: Movies | Tagged: ant-man and the wasp: quantumania, film, mcu, Movie, review, the escapist | Leave a comment »

New Escapist Column! On The “Ant-Man” Movies as the Most Marvel of the Marvel Movies…

Posted on February 13, 2023 by Darren

I published a new In the Frame piece at The Escapist this evening. With the upcoming release of Ant-Man and the Wasp: Quantumania, it seemed like a good opportunity to take a look back at Ant-Man and Ant-Man and the Wasp, and the way in which these films – for better and worse – feel like the statistical mean of the Marvel Cinematic Universe.

Part of what in interesting about the Ant-Man movies is how little they actually adapt from the source comics, largely marginalising characters like Hank Pym and Janet Van Dyne in favour of porting over out-of-continuity characters like Hope van Dyne. They deliberately structure themselves to avoid key character and plot beats from the comic book franchise, and so offer the purest distillation of the adaptation storytelling of the comic book film franchise. The Ant-Man franchise is the Marvel Studios franchise that feels most generic, most cribbed together using the studio’s narrative shorthand.

You can read the piece here, or click the picture below.

Filed under: Movies | Tagged: ant man and the wasp, ant-man, ant-man and the wasp: quantumania, characters, comic books, continuity, in the frame, Marvel Studios, mcu, paul rudd, storytelling, the escapist | Leave a comment »

New Escapist Column! On the “Back to Basics” Message in the Marketting of “Ant-Man and the Wasp: Quantumania”…

Posted on January 13, 2023 by Darren

I published a new In the Frame piece at The Escapist this evening. This week saw the release of the final trailer for the upcoming Ant-Man and the Wasp: Quantumania. What was most interesting about the trailer was the extent to which it contained no surprises or teases. It was a very matter-of-fact “this is what the movie is” trailer.

It’s an interesting approach, particularly for a studio that takes pride in keeping secrets and teasing the audience. The trailer for Quantumania looks very much like a blueprint for the movie, mapping a lot of its character and narrative arcs very clearly, including a third act twist. It’s an approach that feels a little desperate, very much in keeping with the general sense of how Marvel Studios has been packaging and selling Phase Five. The past two years have seen some small erosion in the studio’s cachet, and the trailer for Quantumania feels like the studio trying to convince audiences that it still adheres to the old template.

You can read the piece here, or click the picture below.

Filed under: Television | Tagged: advertising, ant-man, comic books, in the frame, Marvel Studios, mcu, paul rudd, popularity, the escapist, trailer | Leave a comment »

New Escapist Column! On “Eternals” as an Anti-Superhero Epic…

Posted on December 28, 2022 by Darren

I published a new piece at The Escapist this week. Because it’s that gap between Christmas and New Year, there’s been a bit of editorial leeway. And so, I got to write a little bit about Eternals, one of the more interesting and complicated recent Marvel Studios blockbusters.

Eternals doesn’t quite work. It’s important to acknowledge that upfront. However, the movie is interesting because of how it engages with superheroes. Eternals is not so much a superhero movie as it is a movie about superheroes. It’s about these stories that dominate the popular consciousness, this web of corporate-controlled mythology in which so much modern culture is tangled. It asks what the function of these characters and these stories should be.

You can read the piece here, or click the picture below.

Filed under: Movies | Tagged: characters, chloé zhao, Eternals, evolution, growth, marvel, Marvel Studios, mcu, mythology, status quo, superheroes, the escapist | Leave a comment »

New Escapist Column! On “Black Panther: Wakanda Forever” and How the MCU Grew Up With Its Audience…

Posted on November 17, 2022 by Darren

I published a new piece at The Escapist earlier this week. With the release of Black Panther: Wakanda Forever, and the end of Phase 4, it seemed like a good opportunity to take a look at one of the more interesting trends within the modern Marvel Cinematic Universe: the way that it has grown up with its audience.

The audience that went to see Iron Man fourteen years ago are no longer teenagers, or even young adults. They are now adults, many of whom will have settled down and started families. It is entirely possible that a couple who went to see The Incredible Hulk on their first date ended up taking their child to Thor: Love and Thunder. One of the more interesting aspects of the modern MCU has been the way that its plotting and themes have evolved to reflect that, with many of its once roguish heroes becoming biological or surrogate parents.

You can read the piece here, or click the picture below.

Filed under: Movies | Tagged: adults, adventure, age, audience, children, family, growth, maturity, mcu, parents, the escapist | Leave a comment »

New Escapist Video! On “Black Adam” and the Debate Over Superheroes Killing…

Posted on November 14, 2022 by Darren

This week, we took a look at the debate over superheroes killing, which is a major thematic point in the recent blockbuster Black Adam. It’s an interesting point of discussion, but one that often overlooks and misses the larger trend within the superhero genre. That sort of debate doesn’t happen over other pulp heroes, like cowboys or gangsters or pirates, so what is it that makes superheroes a special case?