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New Escapist Column! On “M.O.D.O.K” as a Breath of Fresh Air…

I published a new In the Frame piece at The Escapist on Friday evening. With the release of M.O.D.O.K. on Hulu, it seemed like a good opportunity to take a look at this unusual addition to the Marvel television canon.

M.O.D.O.K. is not a perfect show, but it is a breath of fresh air. In particular, it arrives in a cultural landscape that is becoming increasingly homogeneous and consolidated, existing as one of the last projects produced by Marvel Television before it was swallowed by Marvel Studios. As such, it is a Marvel adaptation with a distinct aesthetic. More than that, it is a comic book adaptation that is completely and utterly unashamed of its comic book roots. It is a show that revels in the inherent absurdity of comic books in a way that puts many higher profile adaptations to shame.

You can read the piece here, or click the picture below.

New Escapist Video! On “The Falcon and the Winter Soldier” as a Response to “The Winter Soldier” and “Civil War”…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with every second Monday article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film channel – so if you can throw a subscription our way, it would mean a lot.

This week, following the end of The Falcon and the Winter Soldier, it seemed like a good time to take a look back on the series and in particular its relationship to the larger Marvel Cinematic Universe. In many ways, The Falcon and the Winter Soldier is a show that exists in conversation with the larger Captain America franchise.

New Escapist Column! On “The Falcon and the Winter Soldier” in Conversation with the MCU…

I published a new In the Frame piece at The Escapist yesterday evening. With the wrapping up of the first season of The Falcon and the Winter Soldier, it seemed like a good time to take a look back at the show’s first season – and, in particular, how it positions itself within the larger Marvel Cinematic Universe.

The Marvel Cinematic Universe is thirteen years old this May. It spans 24 films, a handful of television series and almost a dozen separate film franchises. That is a lot of baggage. Indeed, it seems like the MCU has reached a point where the baggage of its earlier installments exerts almost as much gravity as the source material itself. The Falcon and the Winter Soldier feels like a prime example of this, with the series very much engaged in conversation with the films in the Captain America franchise.

You can read the piece here, or click the picture below.

New Escapist Column! On “The Falcon and the Winter Soldier” and “Captain America 4″…

I published a new In the Frame piece at The Escapist this evening. With the announcement that Anthony Mackie would be reprising his role as Sam Wilson in Captain America 4, it seemed like a good opportunity to take stock of what is happening with Marvel’s streaming series.

Disney have long insisted that streaming represents the future of the company, investing heavily in bringing their existing brands to the medium. However, even with the boost that the pandemic has brought to streaming, there is a question to be asked about where the future of the Marvel Cinematic Universe lies. Are shows like WandaVision and The Falcon and the Winter Soldier paving the future of the MCU? Or are they just commercials for big-ticket feature films?

You can read the piece here, or click the picture below.

New Escapist Video! “A Marvelous Escape” – Falcon and the Winter Soldier – “The Whole World is Watching” Discussion…

With a slew of Marvel Studios productions coming to Disney+ over the next six months, The Escapist has launched a weekly show discussing these series. I’ll be joining the wonderful Jack Packard and the fantastic KC Nwosu to break down WandaVision, Falcon and the Winter Soldier and Loki as they come out.

This week, we take a look at the fourth episode of Falcon and the Winter Soldier, which I continue to really like, even with some caveats about possible “both-sides-ism.” It’s continues to be an interesting and clever reworking of certain flawed elements of both Captain America: The Winter Soldier and Captain America: Civil War.

New Escapist Column! On How “WandaVision” Lags Behind “Legion” and “Crazy Ex-Girlfriend”….

I published a new In the Frame piece at The Escapist this evening. Today marked the release of the WandaVision finale, so it seemed like a good opportunity to take a look at the season as a whole, and where it stands in terms of the modern television landscape.

One of the most striking aspects of the first half of WandaVision‘s first season was the skill and fidelity that the show demonstrated in recreating classic television sitcoms. The show’s basic conceit found the characters journeying through television’s history and hurdling towards the present. Unfortunately, WandaVision stumbled when it hit the present, particularly when compared to two relatively recent shows tackling similar themes and working in similar genres blending fantasy and reality as meditations on trauma and mental health problems: Legion and Crazy Ex-Girlfriend.

You can read the piece here, or click the picture below.

New Escapist Video! On the Multiverse is the Way of the Future…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with the Monday article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film channel – so if you can throw a subscription our way, it would mean a lot.

This week, we took a look at the emergence of the multiverse, which appears to be the future of various shared cinematic and television universe. Why is this idea suddenly so popular? What does it mean? What does it hold for the future?

New Escapist Column! On the Multiverse as the Future of Franchising…

I published a new In the Frame piece at The Escapist this evening. The past few months have seen a lot of attention directed at the multiverse, with a suggestion that both Warner Bros. and Disney would be embracing it as a storytelling model going forward.

This shift is interesting, given how much effort these companies have build into fashioning internally consistent shared universes, singular narratives unfolding across dozens of films building inexorably towards a climactic pay-off. However, this shift towards the multiverse feels like a logical response to any number of market forces: the shattering of the idea of the monoculture in the midst of the streaming wars, the pull of nostalgia, and the demands of the actors making these movies. It’s a new world. Actually, it’s several new worlds.

You can read the piece here, or click the picture below.

New Escapist Video! “Wanda-Full Tonight”…

With a slew of Marvel Studios productions coming to Disney+ over the next six months, The Escapist has launched a weekly show discussing these series. I’ll be joining the wonderful Jack Packard and the fantastic KC Nwosu to break down WandaVision, Falcon and the Winter Soldier and Loki as they come out.

This week, we take a look at the fifth episode of WandaVision, including the tropes and conventions of eighties sitcoms, the Full House allusions, who the real bad guy is, and – of course – that universe-cracking closing cameo.

New Escapist Video! On Why Chris Evans Returning to the MCU Would Be a Bad Idea…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with the Monday article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film channel – so if you can throw a subscription our way, it would mean a lot.

This week, with rumours that Chris Evans might be returning to the role of Steve Rogers, I took a look at why this would be a bad thing for the Marvel Cinematic Universe, which has the opportunity to push ahead and evolve in a way that the comics never have been.