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Thor by Walt Simonson Omnibus (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.” We’re also taking a look at some of the notable stories featuring individual Avengers.

Read our review of The Avengers here.

Walt Simonson’s run on Thor is one of the truly great Marvel runs of the eighties – along with Frank Miller’s take on Daredevil and John Byrne’s tenure on The Fantastic Four. It’s great to have that entire run – and the Baldar the Brave miniseries – collected in one absolutely giant omnibus, which stands as one of the greatest accomplishments of Marvel’s collected editions department. Did I mention that it has been lavishly recoloured for the occasion? Because it has. And it’s spectacular.

A snake in the grass (and pretty much everywhere else)...

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The Thick of It – Series II (Review)

The wonderful folks at the BBC have given me access to their BBC Global iPlayer for a month to give the service a go and trawl through the archives. I’ll have some thoughts on the service at the end of the month, but I thought I’d also take the opportunity to enjoy some of the fantastic content.

My expert would totally disprove that.

Who is your expert?

I don’t know, but I can get one by this afternoon. The thing is, you’ve been listening to the wrong expert. You need to listen to the right expert. And you need to know what an expert is going to advise you before he advises you.

– Malcolm explains how advisers work to Hugh

In its sophomoric three-episode season, The Thick of It remains a shrewdly-observed and immensely funny political satire. It’s a very British send-up of the sort of idealism inherent in drama like The West Wing, a show where everything is so murky and uncertain that the script is highly improvised and even the camera wobbles. While it’s still as funny as it was in its first season, though, I have to confess that the second season didn’t quite grab in the same way. The first season represents one of the most cynical explorations of mainstream politics that I have ever seen, but it actually seems relatively optimistic when measured against this much more scornful second cluster of episodes.

The series that coined the phrase “Malchiavelli”…

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Gideon’s Daughter (Review)

The wonderful folks at the BBC have given me access to their BBC Global iPlayer for a month to give the service a go and trawl through the archives. I’ll have some thoughts on the service at the end of the month, but I thought I’d also take the opportunity to enjoy some of the fantastic content.

Stephen Poliakoff’s companion piece to Friends and Crocodiles, airing just a month after that original drama film, Gideon’s Daughter feels like it owes a lot to a bunch of fascinating central performances. While Robert Lindsay provides the only on-screen evidence of a link between the two projects, reprising his role as an embittered old writer here, Poliakoff’s two stories are thematically linked, as the author focuses a lot of his frustrations on meaningless celebrity culture. This time, however, he sets the stories in the late nineties, allowing him to explore what he undoubtedly sees as the vulgarity of the millennium celebrations and to subtly examine the national outpouring of grief offer the loss of Princess Diana, while telling a rather simple story of a father and his daughter.

All tied up...

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The Thick of It – Series I (Review)

The wonderful folks at the BBC have given me access to their BBC Global iPlayer for a month to give the service a go and trawl through the archives. I’ll have some thoughts on the service at the end of the month, but I thought I’d also take the opportunity to enjoy some of the fantastic content.

The British sure know their political comedy. The Thick of It is something like a spiritual successor to the cult British political comedies Yes, Minister and Yes, Prime Minister, from the mind of creator Armando Iannucci. Iannucci is perhaps best known for his work with Steve Coogan on the character of Alan Partridge, and there’s a lot of the same awkward comedy here. Perhaps it’s best to describe The Think of It as the ideological opposite of The West Wing, a bucket of cold British water chucked over America political idealism. It’s crass, profane, cynical, sly and absolutely brilliant.

Thick and thin...

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Wallander: One Step Behind (Review)

The wonderful folks at the BBC have given me access to their BBC Global iPlayer for a month to give the service a go and trawl through the archives. I’ll have some thoughts on the service at the end of the month, but I thought I’d also take the opportunity to enjoy some of the fantastic content.

And so we reach the end of the first season of the British adaptations of Henning Mankell’s acclaimed Swedish crime novels. Wallander is a series that is probably much stronger than it really should be, offering ninety-minute-long mysteries that are produced the standards of feature films. Director Philip Martin returns after directing the first episode to helm the final in the first trilogy of adaptations. (There would be a second set of three broadcast in 2010 and another set of three to be shown in 2012.) Strangely enough, this final episode actually manages to give a significant amount of depth to the title character, finally suggesting a role worthy of the depth Branagh imbues into it.

We've got a hit on our hands...

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Wallander: Firewall (Review)

The wonderful folks at the BBC have given me access to their BBC Global iPlayer for a month to give the service a go and trawl through the archives. I’ll have some thoughts on the service at the end of the month, but I thought I’d also take the opportunity to enjoy some of the fantastic content.

Firewall feels a bit more like a conventional little mystery thriller, especially measured against Sidetracked, the pilot episode of Wallander. It’s very much a conventional television “whodunnit” (or, perhaps, a “whydunnit”), with our lead character opening an investigation into a fairly simple case, but asking a series of questions that point towards something all-together larger. It does feel a bit lighter than its direct predecessor, but that’s not necessarily a bad thing. After all, it retains the two key virtues of the series. Kenneth Branagh is still on fine form as the eponymous detective, while the Swedish scenery is still absolutely haunting.

Hitting a brick Wallander...

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Wallander: Sidetracked (Review)

The wonderful folks at the BBC have given me access to their BBC Global iPlayer for a month to give the service a go and trawl through the archives. I’ll have some thoughts on the service at the end of the month, but I thought I’d also take the opportunity to enjoy some of the fantastic content.

In hindsight, it’s very hard to divorce Wallander from The Girl With the Dragon Tattoo. Both are Swedish murder mysteries exploring the darker side of what one character here terms “the great social experiment”, both involve uncovering old secrets buried in the past, and both are adapted by the production company Yellow Bird. In fact, the BBC adaptation of Henning Mankell’s novels actually debuted a year before the theatrical release of that other hugely influential Scandinavian thriller. Featuring a blistering centre performance from Kenneth Branagh and absolutely superb production, I think that the BBC’s production of Wallander actually stands in fairly good company.

Out in the field...

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Ten Best Movie Moments of 2011…

I’ve compile my list of my own favourite films of 2011, but I thought I’d take the opportunity to outline my own favourite movie moments of 2011 – those breathtaking sequences when I was glad to be setting in a darkened room surrounded by strangers. Sometimes it’s easy to forget the raw combination of images and sounds can have such a dramatic effect on you, moving you and bringing you to from the height of joy to the depths of sorrow. I’m very happy with 2011 as a year for cinema, and these are just ten reasons why.

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My Best of 2011: Thor, Daddy Issues & The Triumph of Optimism…

It’s that time of the year. To celebrate 2011, and the countdown to 2012, I’m going to count down my own twelve favourite films of the year, one a day until New Year’s Eve. I’m also going to talk a bit about how or why I chose them, and perhaps what makes this list “my” best of 2011, rather than any list claiming to be objective.

Thor is number five. Check out my original review here.

This is perhaps one of my “what the…?” picks, one of my choices that will seem especially random, and a blockbuster highly unlikely to show up in any other critic or commentator’s “best of 2011” of “end of year” countdown lists. However, I think there’s a lot to like about Branagh’s adaptation of Marvel’s faux-Shakespearean hammer-wielding Norse God, and I think it works so well because Branagh seems to acknowledge the same sentiment that Stan Lee tapped into when creating The Mighty Thor: the idea that superheroes are a modern American mythology, a vehicle with which to explore the hopes and fears of the modern world through a fantastical prism, something that can be traced back to the pantheon of old. While the best superhero films explore this sense of relevance, I admired the way that Thor managed to embrace it in the most abstract manner, tracing it back to that earliest and most basic type of story: the story of fathers and sons.

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Non-Review Review: Harry Potter and the Chamber of Secrets

Harry Potter and the Chamber of Secrets works much better as an episodic collection of scenes than a single story. It’s prone to fluctuate between rather brilliant moments and a few misfires here and there. It definitely feels extremely childish, as if the studio was attempting to construct a G-rated Raiders of the Lost Ark, with the John Williams soundtrack adding to the effect, the set design of the eponymous chamber looking like some forgotten archeological tomb, and even Julian Glover being afforded a small cameo (okay, he was in Indiana Jones and the Last Crusade, but the point stands). It’s strange to look back at the second instalment, after all that has unfolded since, and look at how much more juvenile and simplistic it all seems in retrospect.

Malfoy drives stick...

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