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It’s a funny world – Comic Con ’09 in retrospect…

It seems to have been a fairly average year at Comic Con – no big surprises (pleasant or otherwise), just solid confirmation of what us movie watchers had suspected all along. Contrary to what some suggested, apparently the Twilight fangirls didn’t ruin the experience for everyone. In fact, there were a whole host of fascinating insights on a whole slate of geek-interest projects. I don’t think anyone seems to have left particularly disappointed.

Fun with glow sticks...

Fun with glow sticks...

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Non-Review Review: Sweeney Todd

Ah, the musical. The genre of choice for middleaged women everywhere. One of those glamourous shallow callbacks to the golden era of Hollywood. I was intrigued when Tim Burton announced his next project was a musical – an adaptation of Sondheim’s Sweeney Todd. I was familiar with the myth of the man, but not the musical. I ended up being served a treat almost as fiendishly decadent as Mrs. Lovett’s meat pies: a little flaky and suspicious in places, and a lot more filling than it should be. Magical, macabre, magnificent. It’s isn’t classic Burton, but it’s certainly vintage.

Get ready for a close shave...

Get ready for a close shave...

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Non-Review Review: Public Enemies

I want to love this film. I really do. I enjoyed Miami Vice, so devoted am I to the cult of Mann and his study of the modern man lost in the world of violence and suffering. And Public Enemies has a lot going for it, it does. A fantastic cast, a better-than-fantastic lead, a solid script. On the other hand, the film is, technically speaking, a mess. And not the good kind of mess.

Don't get Christian Bale angry... He won't like you when he's angry...

Don't get Christian Bale angry... He won't like you when he's angry...

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Christian Bale & Johnny Depp’s Set Diaries from Public Enemies!

I’m not a big fan of posting stuff I find on-line at the blog (I’ll generally link to the article and offer my own reaction to it), but this was too fun to pass up:

Television Without Pity has this lovely photo journal contrasting Christian Bale and Johnny Depp’s approach to making Public Enemies. Click the link or the picture. It is one of the funniest film-related articles I’ve read in quite some time.

Check out our own review of the film here.

Then we stopped by a Steak n Shake for a Steakburger (I love those fucking things), but the waitress forgot my fucking chili. I knew it was going to be a problem when she didn't fucking write anything down. "It's all up here!" she said. FUCKING LIAR. How does someone get to become a waitress without the ability to remember a fucking order?

"Then we stopped by a Steak n Shake for a Steakburger (I love those f@!?ing things), but the waitress forgot my f@!?ing chili. I knew it was going to be a problem when she didn't f@!?ing write anything down. "It's all up here!" she said. F@!?ING LIAR. How does someone get to become a waitress without the ability to remember a f@!?ing order?"

Are Publishers of Embargoed Reviews Public Enemies?

Damn you, Billy Joel! No I’m stuck humming Leningrad! (Cold War kids are hard to kill, under their desks in an air raid drill!)

Anyway, it looks to be a relatively quiet week, cinema-wise. The calm before the proverbial storm when Transformers 2 arrives at the American Box Office. Us Europeans got it first and trust us – it ain’t that great. The real movie we’re looking forward to next weekend is Michael Mann’s Public Enemies. The king of crime dramas working with both Johnny Depp and Christian Bale on one of the most compelling true-crime stories in American popular history – what’s not to like? We’d tell you, but Universal is taking down all those early reviews, so we best be careful. I guarantee half the people reading this post will be lawyers from Universal.

Universal have a novel approach for dealing with reviewers breaking the embargo...

Universal have a novel approach for dealing with reviewers breaking the embargo...

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Does Christian Bale Suffer From Sean Penn Syndrome?

I like Christian Bale. Or at least, I want to like Christian Bale. Having watched him since American Psycho (joining relatively late in his career-to-date but earlier than most), I am continual impressed by the quality of his acting. Yet I find it very hard to refute when my brother begins justifying his hatred for the erstwhile Welsh thespian. Eventually – after much soul-searching – I figured out why. Christian Bale suffers from what might be termed ‘Sean Penn syndrome’. In short, he’s an incredibly talented douchebag.

Is this the face of a highly talented douchebag?

Is this the face of a highly talented douchebag?

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Start Spreadin’ the News…

It appears that Martin Scorsese’s on-again, off-again, on-again, off-again, on-again biopic of Frank Sinatra is back on again. I’ve been following the project during it’s languished history in, if not development hell, at least development limbo.

To be honest, I was most excited about the Robert deNiro iteration of the project. That supporting cast sounded fantastic. Now it’s been confirmed, how do I feel? Well, good, to be honest.
It’s odd that the end of a director’s career would show more breadth than the early years, but the last decade has seen an astonishing broadening of Scrocese’s pallete. We’ve had a Hollywood biopic (The Aviator), a historical epic (Gangs of New York), spiritual drama (Silence), a conventional thriller (Shutter Island) and even an old-style mob yarn (The Departed). Sure he’s experimented before – the seemingly anomolous Age of Innocence now makes sense as a precursor to Gangs of New York, The Doors still stands out as an odd choice in his career – but that string of wildly-variable-in-genre films seems unprecedented. Even the most conventional choice in that lineup (The Departed) seems oddly out of sync with his early mob exploits (Goodfellas, Casino). So, why is this relevant?

After so much variety, I look forward to a bit of vintage Scorsese. A biography of a Los Vegas lounge singer with ties to the mob seems to be relatively familiar ground. This doesn’t mean I’m writing off any of his impressive slate of Oscar-buzz-generating releases already on the horizon – the release of any Scorsese film is cause to celebrate – but this film has been discussed and talked about for so long that it’s hard not to especially anticipate it. Sure, his last “dream project” was Gangs of New York that met with a somewhat muted critical reception, but I felt the director’s love with the material in every frame.

The casting rumours have begun again with many media outlets suggesting Johnny Depp or Leonardo diCarpio. I’m happy with either – I trust Scorcese on this. Both are incredibly competent actors who would do the material proud. I think diCaprio has done his best work with Scorsese – though he did deserve an Oscar nod for Revolutionary Road – and I think that Depp and Scorsese would make a fantastic team. Hell, I’d even trust the director with John Travolta.

It is Scorsese’s dream project after all. I’m just tagging along for the ride.