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Garth Ennis’ Run on Punisher MAX – Born (Review/Retrospective)

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

There are comic book characters that are so closely tied to one particular writer that you pity anybody trying to write them. The X-Men have Chris Claremont (although I do love Grant Morrison’s New X-Men run), Daredevil has Frank Miller (although he also has Brian Michael Bendis and Ed Brubaker), Hulk has Peter David and (I firmly believe) Green Lantern has Geoff Johns. Somehow, through some fluke, occasionally comic book characters manage to stumble across a writer who fundamentally understands them. I’d argue that this is the benefit of having these characters survive in print – none of these runs were by the original authors. Anyway, to get to the point, the Punisher has Garth Ennis.

The last Castle...

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Geoff Johns’ Run on Justice Society of America – The Next Age, Thy Kingdom Come (Parts I, II & III) & Black Adam and Isis

With the Justice Society of America perhaps the most high-profile title excluded from DC’s upcoming relaunch, I thought I’d bid them farewell by taking a look at writer Geoff Johns’ second run on the title.

The Justice Society of America is one of those titles that DC does so well, one based on legacy. Admittedly Marvel has made some attempts in recent years (The Immortal Iron Fist stands out as a big example, as does Ed Brubaker’s Marvels Project – focusing on the World War II heroes adopted into Marvel’s pantheon), but DC have always handled the nostalgia so well. In fact, the relaunch of the Justice Society of America was prompted by the outstanding success of James Robinson’s original superhero generational saga, Starman. This collection represents the first set of arcs from the third volume – writer Geoff Johns was a veteran from the second volume, which (along with his writing on Flash) brought him to mainstream attention. So he knows the cast of characters and their world inside out.

Pin-ups...

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Justice League International: Volume 2 (Hardcover) (Review/Retrospective)

In light of the massive DC reboot taking place next month, launching with a Geoff Johns and Jim Lee run on a new Justice League title, I thought I’d take a look back at another attempt to relaunch the Justice League, emerging from the then-recent Crisis on Infinite Earths.

I loved the first collection of Justice League International (even though I don’t think the book was called Justice League International yet). It was the perfect example of fun self-aware superhero comics that didn’t need to wallow in grime and darkness to feel confident in themselves. It was wry and cheeky, but still sincere enough that it never seemed too cynical. And, in fairness to Giffen and deMatteis, they actually told some good stories with nice grasps on the characters involved. This second collection can’t help but feel a little bit lighter, somehow, less significant – too tied up in other things to have enough fun on its own terms. Which is a shame.

Built on a solid foundation...

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Why Does It Matter That Spider-Man is Black?

It’s interesting the odd way that comic books occasionally overlap with the mainstream. Mainly, it appears to be when a death is involved, like the coverage that Ed Brubaker’s The Death of Captain America inspired, or the pop culture impact of Grant Morrison’s Batman R.I.P. (or even Jonathan Hickman’s death of Johnny Storm in The Fantastic Four). These week, we’ve had a minor media storm over something a bit different: a new character taking an established identity. Most mainstream media outlets weren’t interested in the resurrection of Bucky Barnes to replace Steve Rogers, nor Dick Grayson donning the cowl in Batman & Robin. However, there’s been a storm in a teacup brewing over the fact that the new lead in Ultimate Spider-Man is black.

Why on Earth is this such a big deal?

The only colours I associate with Spider-man are blue and red...

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Captain America Lives! Omnibus (Review)

In celebration of the 4th of July and the release of Captain America: The First Avenger this month, we’re jumping into Marvel’s comic book alternate history and taking a look at the star-spangled avenger every Wednesday this month.

I have to say, I am genuinely quite pleased with how they’ve been chunking up Ed Brubaker’s well-loved run on Captain America for these oversized omnibus editions. Each of the three omnibus editions – Captain America, The Death of Captain America and, now, Captain America Lives! – represent an act in his over-arching story, with the status quo continually changing and shifting. The first set of issues closed with the assassination of Steve Rogers, while the second set saw Bucky Barnes assuming the mantle in Steve’s absence and defeating the Red Skull. So the third collection returns Steve Rogers to the Marvel Universe. Does it make me a bad person if I kinda don’t want the original character back so soon?

Stars and stripes...

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The Marvels Project (Review/Retrospective)

hIn celebration of the 4th of July and the release of Captain America: The First Avenger later this month, we’re jumping into Marvel’s comic book alternate history and taking a look at the star-spangled avenger every Wednesday this month.

Truth be told, I’m not sure what to make of The Marvels Project, a miniseries from Ed Brubaker. Brubaker has been doing acclaimed work on Captain America for some years now, so I guess I almost figured that The Marvels Project would be an extension of that – a period piece set during the Second World War which would allow perhaps the definitive Captain America author to put his own stamp on that iconic comic book origin. For better or worse, this isn’t really that story – sure, Steve Rogers’ early career is covered, but as one small section of a much larger puzzle. Far more than the origin of Captain America, The Marvels Project is the origin of the Marvel Universe.

Carryin' the torch...

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Like a Good Kick in the Side: Sidekicks and Superheroes – a Childish Combination?

Let’s be honest, a lot of the early superhero movie adaptations – from Richard Donner’s Superman to Tim Burton’s Batman – played fast and loose with the source material that they were drawn from. There wasn’t really the same sense of fidelity that one sense at work in modern comic adaptations, the sense that modern audiences are geeky enough to accept concepts like superhero nostalgia or deconstructions of comic book heroism without having to “sanitise” them for mass consumption. There’s a sense that there’s relatively little that can be deemed “too geeky” or “too corny” for a mainstream audience, at least not if done in the proper manner. However, there is one concept which still seems a little too “out there” for popular audiences: that of the kid sidekick. Captain America: The First Avenger cast its sidekick as 27-year-old Sebastian Stan, rather than the teenager of the comics. Why are we so embarrassed by this one element of superhero lore?

Compare and contrast...

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Ghost Rider by Jason Aaron Omnibus

You’re the divine wrath of God himself, Johnny Blaze. Yet you spend all your time cruising around the U.S. of A. Did you really think that was the only country God cared about?

– Sara, The Last Stand of the Spirits of Vengeance

Ghost Rider is a strange character. Created in the seventies, he saw his stock take a huge increase in value during the nineties in the era of “darker and edgier” heroes before slowly fading down to relative obscurity. The closest the character has come to mainstream success has been the god-awful Nicolas Cage Ghost Rider film. So, he makes a strange choice to receive a Marvel Omnibus, somewhat comparable to the Omnibus collecting  The Immortal Iron Fist a few years back. The prestige format is usually reserved for the best of the best, high profile runs (past and present) on characters of either historical importance or receiving a feature film in the coming year. Jason Aaron is a creator rising in prominence, but it still seems a strange choice to publish his Ghost Rider run in the format. That said, it is perhaps the best run ever written on the character.

Head-to-head, skull-to-skull...

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Captain America 101: An Introduction to the Star-Spangled Avenger…

I did a post a little while back that was intended to serve as an introduction to the world of the Green Lantern, what with the movie coming out this year. The post proved so popular that I thought I’d take perhaps put a similar post together on Captain America. The first trailer for Captain America: The First Avenger premiered at the Super Bowl yesterday, so it seems to be the perfect time for a bit of an introduction to the star-spangled superhero. Check out the 30-second spot below.

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Realm of Kings (Review/Retrospective)

This is the fifteenth in a series of comic book reviews that will look at the direction of Marvel’s shared universe (particularly their “Avengers” franchise) over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of continuity.

Realm of Kings is a strange little chapter in the cosmic saga that Dan Abnett and Andy Lanning have been drafting. It seems to exist not really as a story in its own terms (although it does contain some interesting narratives) but rather as a bridge between War of Kings and The Thanos Imperative. It’s essentially the story of an attempt to find stability in a radically warped universe, one turned upside down by recent events. It feels somewhat smaller in scope than the other events that the pair have produced, not that there’s anything wrong with that. In fact, it’s nice to see a series exploring the consequences and aftermath of what has occurred, rather than simply pushing on right into the next big thing. While Realm of Kings does focus on “the Fault” opened at the climax of War of Kings that will become a galactic threat in The Thanos Imperative, the three miniseries are at their best when they explore the consequences of the political instability that the intergalactic war has produced.

That's gonna be Thor tomorrow...

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