Spider-Man: Into the Spider-Verse is an amazing Spider-man movie.
There is no other way to describe it. Into the Spider-Verse is a clean lock for the best superhero film of the year, neatly leapfrogging the superlative Black Panther. Into the Spider-Verse is also the best animated film of the year, placing comfortably ahead of The Breadwinner or Incredibles 2. In fact, it seems fairly safe to describe Into the Spider-Verse as the best feature film starring Spider-Man since Spider-Man II. Even that feels like hedging, and would be a very closely run race.

Just dive on in.
Into the Spider-Verse is a creative triumph. It is a fantastically constructed movie, in virtually every way. The film’s unique approach to animation will inevitably dominate discussions, and understandably so. Into the Spider-Verse is a visually sumptuous piece of cinema that looks unlike anything ever committed to film. However, the film’s storytelling is just as impressive if decidedly (and consciously) less showy in its construction. Adding a phenomenal cast, Into the Spider-Verse is just a film that works in an incredibly infectious and engaging way.
Into the Spider-Verse does whatever a Spider-Man movie can. And then some.

Suits him.
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Filed under: Non-Review Reviews | Tagged: animation, anxiety, archetypes, comic books, Comics, continuity, creativity, diversity, familiarity, film, modernity, Movies, reality, review, spider man, spider-man: into the spider-verse, storytelling, the kids are lit | 6 Comments »