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Non-Review Review: Spider-Man – Into the Spider-Verse

Spider-Man: Into the Spider-Verse is an amazing Spider-man movie.

There is no other way to describe it. Into the Spider-Verse is a clean lock for the best superhero film of the year, neatly leapfrogging the superlative Black Panther. Into the Spider-Verse is also the best animated film of the year, placing comfortably ahead of The Breadwinner or Incredibles 2. In fact, it seems fairly safe to describe Into the Spider-Verse as the best feature film starring Spider-Man since Spider-Man II. Even that feels like hedging, and would be a very closely run race.

Just dive on in.

Into the Spider-Verse is a creative triumph. It is a fantastically constructed movie, in virtually every way. The film’s unique approach to animation will inevitably dominate discussions, and understandably so. Into the Spider-Verse is a visually sumptuous piece of cinema that looks unlike anything ever committed to film. However, the film’s storytelling is just as impressive if decidedly (and consciously) less showy in its construction. Adding a phenomenal cast, Into the Spider-Verse is just a film that works in an incredibly infectious and engaging way.

Into the Spider-Verse does whatever a Spider-Man movie can. And then some.

Suits him.

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Non-Review Review: The Intern

The Intern is a likeable, competent movie about likeable, competent people doing likeable, competent things.

What is most remarkable about Nancy Meyers’ latest effort is the fact that there is no real tension at play here. Sure, there’s a three-act structure; there are revelations; there are insecurities; there is crying. However, it seems like everybody in the movie wants nothing more than to get along with everybody else in the movie. Sure, there are the obligatory comedy screw-ups and miscommunication, but there’s never a real sense of risk or stakes as the movie wanders politely from one work-related crisis to another.

Nobody gets too bent out of shape...

Nobody gets too bent out of shape…

It is not an approach that makes for particularly compelling or exciting viewing. Indeed, the characters populating The Intern seem terrified about the idea of getting anybody’s blood pressure up; whether that of septuagenarian Ben Whittaker or the prickly mother of executive Jules Ostin. Everybody involved in The Intern, including the characters themselves, are professionals. Sure, mistakes happen and people mess up, but it’s not the end of the world. There is something oddly comforting in that, even if nobody watching The Intern will be on the edge of their seat.

In the end, The Intern is a lot like the eponymous character; it is steady and reliable, amicable and inoffensive. It looks smart and it knows just what to say. Everybody’s just wary about getting that heart beating a little too hard.

"You feel tense..."

“You feel tense…”

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The X-Files – Chimera (Review)

This September, we’re taking a trip back in time to review the seventh season of The X-Files and the first (and only) season of Harsh Realm.

There is a sense of fatigue about the seventh season of The X-Files.

It makes a certain amount of sense. After all, seven years is a long time in television. It is a particularly long time when the staff are churning out more than twenty episodes in a year. One hundred episodes is typically considered the threshold for syndication success, but The X-Files crossed that with Unusual Suspects back in the fifth season. By this point, The X-Files is comfortably past one hundred and fifty episodes of television. That is a lot of television. Assuming one were to watch it straight through, that’s nearly five straight days of television.

Quoth the raven...

Quoth the raven…

There comes a point where it feels old and outdated, where the sense of novelty and excited has faded to familiarity and dull routine. There comes a point where it feels like there is not much to talk about, because the show has already said a lot of what it has to say about a particular subject. It could be described as a “seven-year-itch”, but there is a reason why shows that last longer than seven seasons tend to rotate actors and producers more frequently than The X-Files has. Occasionally a blood transfusion is necessary to reoxygenate the blood.

Chimera is a perfectly solid episode of television. It is produced to the high standards of The X-Files, directed very well, and written in an efficient manner. However, it feels like it is covering a lot of well-trodden ground for the show with nothing new to say. Chimera feels like it is simply echoing sentiments the show had clearly articulated as recently as the sixth season; a curious blend of Terms of Endearment and Arcadia, but without the novelty or nuance of either. The X-Files has begun to feel as familiar as the rows of suburban houses it so fears.

Food for thought...

Food for thought…

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