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12 Movie Moments of 2012: Shared Pop Culture History (Ted)

As well as counting down the top twelve films, I’m also going to count down my top twelve movie related “moments” of 2012. The term “moment” is elastic, so expect some crazy nonsense here. And, as usual, I accept that my taste is completely absurd, so I fully expect you to disagree. With that in mind, this is #2

When it comes to end of year “best of” lists, comedy seems to draw the short straw as a genre. Like some of the less earnest genres, comedy is far too easily overlooked in favour of something more “worthy” of attention. Seth MacFarlane’s Ted has been something of a contentious film this year. Depending on where you sit, the film is either the epitome of everything wrong with American comedy, or it was a refreshingly profane yet heartfelt breath of fresh air. I lean more towards the latter than the former, and I appreciated the way that it played to MacFarlane’s strengths – concealing a surprisingly sincere sentiment behind a cynical and glib exterior.

As such, it’s no surprise that the most effective sequence in the film – the opening credits – managed to play to both that side of MacFarlane and also to his wonderful ability to channel pop culture as something of a shared collective history. Call me sappy, but there was something wonderful about seeing Ted interact with Johnny Carson and watching Ted and John queue for The Phantom Menace in costume, that created a tangible sense of back story between the characters.

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12 Movie Moments of 2012: Missing Children (End of Watch)

As well as counting down the top twelve films, I’m also going to count down my top twelve movie related “moments” of 2012. The term “moment” is elastic, so expect some crazy nonsense here. And, as usual, I accept that my taste is completely absurd, so I fully expect you to disagree. With that in mind, this is #3

I was not as taken with End of Watch as some were. I enjoyed the film, and I think both Michael Peña and Jake Gyllenhaal gave superb performances, but I think that the decision to structure the arc of these two police officers was a bit of a mistake – as the film resorted to clichés like drug cartels putting out a hit on these two individual cops. The film started as an impressively grounded and candid exploration of what life must be like in the line of fire, but then it became a much more conventional film (albeit shot in an unconventional manner).

Still, when End of Watch was good, it was great. It was raw, powerful stuff that gave an impression of what it must be like to do that job day-in and day-out. At its best, it demonstrated the obvious toll that these small day-to-day incidents must take on those protecting and serving. Often it was the smaller sequences that worked best, those with little-to-no connection to the overriding “cartel” arc – the kinds of things that felt like the stuff that must confront officers of the law on a daily basis.

None was more powerful than the rather simple house call investigating the disappearance of two small children.

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12 Movie Moments of 2012: “… it has its moments…” (Men in Black 3)

As well as counting down the top twelve films, I’m also going to count down my top twelve movie related “moments” of 2012. The term “moment” is elastic, so expect some crazy nonsense here. And, as usual, I accept that my taste is completely absurd, so I fully expect you to disagree. With that in mind, this is #4

Wait, this game doesn’t happen until October.

Oh, it’s always October and November and March. So many futures and they’re all real, just don’t know which one will coalesce. Until then, they’re all happening, like this one. It’s my favorite moment in human history. All the things that had to converge for the Mets to win The World Series. They were in last place every single season until they won it all.

You said you had a gift for us…

That baseball for instance, thrown for the last hour of the game, manufactured in 1962 by the Spalding Factory at Chicopee Massachusetts, was aerodynamically flawed. Due to the horsehide being improperly tanned because Sheila, the tanners wife, left him for a Puerto Rican Golf pro that Sunday…

– J, Griffin and K discuss the Mets

Sometimes great scenes pop up in the most unlikely of places. I enjoyed each of three Men in Black films, even if I’d be reluctant to rank them as among the finest films of their given years, or to consider all three among great cinematic trilogies. I’d be lying if I said that I had been eagerly anticipating the release of Men in Black 3 this year, which turned out to be a solid and reliable popcorn film in a year featuring films that so often went to one extreme or the other. It won’t be a surprise entry on my top films of the year, but it does what it sets out to do, and is often charming doing so.

However, it’s always incredibly satisfying to find one striking or memorable scene in a film that is fairly easy to dismiss as “merely” entertaining. Men in Black 3 has one such scene, featuring the superb Michael Stuhlbarg as the alien Griffin, who has the unique ability to see throw time, weighing and considering probabilities and possibilities. With the capacity to see any moment in history, Griffin uses his gift… to watch the Mets. Somehow, that makes all the wondrous “wibbly-wobbly timey-wimey” stuff seem even more magical.

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12 Movie Moments of 2012: Dancing (Monsieur Lahzar)

As well as counting down the top twelve films, I’m also going to count down my top twelve movie related “moments” of 2012. The term “moment” is elastic, so expect some crazy nonsense here. And, as usual, I accept that my taste is completely absurd, so I fully expect you to disagree. With that in mind, this is #5

Sometimes it’s the simplest moments that stick in the memory. Monsieur Lahzar was a superb little French-Canadian film that went under the radar last year. It’s a film that I really recommend. Comedian Mohamed Fellag gives a wonderfully moving central performance as a replacement teacher helping his class deal with the suicide of his predecessor. The eponymous Lahzar is so buttoned down that it’s oddly affecting to watch him interact with the children, but it’s the smaller private moments that allow Fellag to really craft and define his character.

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12 Movie Moments of 2012: The Dark Knight Returns (The Dark Knight Rises)

As well as counting down the top twelve films, I’m also going to count down my top twelve movie related “moments” of 2012. The term “moment” is elastic, so expect some crazy nonsense here. And, as usual, I accept that my taste is completely absurd, so I fully expect you to disagree. With that in mind, this is #6

Ireland got an IMAX screen this year. Well, it had an IMAX screen before, but it shut down before The Dark Knight kick-started the whole “watching cool movies in IMAX” thing. Evidently, watching Liam Neeson talk about Everest wasn’t nearly as exciting as watching Batman flip over an articulated lorry. Christopher Nolan shot a large percentage of The Dark Knight on IMAX, but he shot even more of The Dark Knight Rises using the special cameras.

As such, I was delighted that Cineworld and The Irish Times organised a special screening of The Dark Knight Rises in early December, even though the cinema had only reopened after Nolan’s epic was available on blu ray. It’s an oft-cited criticism that the third part of Nolan’s Batman trilogy featured surprisingly little Batman. I’d disagree, and instead suggest that the film made excellent use of its large cast – and when Batman appeared on screen he carried the weight that he deserved.

The sequence in which Bruce leads the Gotham Police Department on a merry chase while pursuing Bane and his terrorists is the perfect example, a fantastically constructed action sequence that tells us pretty much everything we need to know about the cast at that moment in time.darkknightrises15a

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12 Movie Moments of 2012: “You’d Love My Boyfriend, He’s a Total Chick Flick Nut” (ParaNorman)

As well as counting down the top twelve films, I’m also going to count down my top twelve movie related “moments” of 2012. The term “moment” is elastic, so expect some crazy nonsense here. And, as usual, I accept that my taste is completely absurd, so I fully expect you to disagree. With that in mind, this is #7

I’m normally hesitant to involve politics in this blog. It is, after all, a blog about popular culture. Indeed, I am the first to complain about obnoxious celebrities standing on their soapbox espousing their political beliefs. It’s not that I disagree with them, or that they aren’t entitled to their opinion, I’m just uncomfortable with the idea that being famous makes you an expert to speak on a particular cause or issue. Still, in the spirit of Christmas, allow me one small digression.

That said, I couldn’t help but smile at the climax to ParaNorman, a solidly entertaining family adventure that took its own message to heart. Embracing the idea that there’s nothing scary about something just because it’s different than you, it earned the wrath of the extreme right because it dared to suggest that one of its character might be in a loving and stable homosexual relationship. It’s great to see a family film actual acknowledge that sort of diversity, particularly in a way that doesn’t sensationalise the matter in hand. It’s a damn funny one-liner to boot, and the fact that it’s willing to call the audience on their assumptions is particularly endearing.

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12 Movie Moments of 2012: Running (Shame)

As well as counting down the top twelve films, I’m also going to count down my top twelve movie related “moments” of 2012. The term “moment” is elastic, so expect some crazy nonsense here. And, as usual, I accept that my taste is completely absurd, so I fully expect you to disagree. With that in mind, this is #8

It is quite common to see New York presented in an unpleasant light. After all, Martin Scorsese’s films capture the metropolis at its very best and its very worst, and there are countless gangster films devoted to exploring the dark underbelly of a city that is easily one of the most recognisable in the world. I have never been to New York, and yet I feel like – through years of film-watching – I have come to know the city almost as if I have lived there.

As such, I was surprised when Shame managed to offer me a somewhat novel take on New York itself. The city is as much a character in the film as any of Steve McQueen’s supporting cast. (Indeed, Carey Mulligan even gets to perform an extended version of “New York, New York” in tribute to her co-star.) McQueen manages to craft a distinctly unpleasant and uncomfortable exploration of the city without resorting to any of the trite clichés that one associates with the horrors of urban living.

Indeed, one long single-take shot of Brandon running within the confines of the city offered a more powerful sense of urban anomie and isolation than I have ever seen before, presenting a cold blue city completely indifferent and unaware of the millions of people living within the city limits.

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12 Movie Moments of 2012: Throwing the Toys Together (The Avengers)

As well as counting down the top twelve films, I’m also going to count down my top twelve movie related “moments” of 2012. The term “moment” is elastic, so expect some crazy nonsense here. And, as usual, I accept that my taste is completely absurd, so I fully expect you to disagree. With that in mind, this is #9

The Avengers had its share of problems – it was weirdly paced; the Hulk’s character arc seemed to come a bit out of left field; Loki had no real sense of motivation; the film effectively undermined the wonderful ending to Thor; it didn’t really deal with any of the questions raised by Nick Fury’s actions; and Disney insisted that we call it Marvel’s Avengers Assemble in this part of the world, in case my grandmother might show up and wonder where “the nice chap with the umbrella” had gone. However, it also had its strengths, and these strengths were rooted in the fact that director Joss Whedon was keen not overly intellectualise the premise or the characters, and accepted the glee of knocking all those iconic toys together.

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12 Movie Moments of 2012: Joseph Gordon-Levitt Makes It Big (The Dark Knight Rises, Premium Rush, Looper)

As well as counting down the top twelve films, I’m also going to count down my top twelve movie related “moments” of 2012. The term “moment” is elastic, so expect some crazy nonsense here. And, as usual, I accept that my taste is completely absurd, so I fully expect you to disagree. With that in mind, this is #10

I know that Joseph Gordon-Levitt has been around a while. I was fond of the actor back when he was appearing on Third Rock From the Sun, which already seems like a lifetime ago. More recently, he appeared in perhaps the best romantic comedy of the last decade, (500) Days of Summer. He has been running his own production company, hitRECordjoe since 2009. Even last year the actor was headlining movies like 50/50. As such, it feels a bit disingenuous to suggest that he really burst on to the scene this year, but 2012 has been a great year for the actor, and it’s always great to see a deserving young talent emerge.

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Winners of the 2012 International On-Line Film Critics’ Poll

The International On-Line Film Critics’ Poll has just published the winners of their 2012 poll. I was honoured to take part, and I was very glad with most of the results. You can read the nominations here, but the winners are listed below. The superb Tinker Tailor Soldier Spy was the biggest winner – winning Best Film, placing on the Top Ten Films, taking home Best Director, securing Best Actor for a very deserving Gary Oldman, along with Best Cast and Best Adapted Screenplay to boot. A host of other wonderful films (including The Master) did very well as well.

Results after the jump.

Looks like we're all Smiley's people...

Looks like we’re all Smiley’s people…

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