christian bale | the m0vie blog

Monkey Business: Could Andy Serkis Win An Oscar?

Posted on August 16, 2011 by Darren

Okay, I think we all know the answer is “no.” I thought better than to try to pretend there was the slightest hint of even a nomination. However, considering some of the chatter around Serkis’ performance in the superb Rise of the Planet of the Apes, I can’t help but wonder if the Academy will everrecognise motion-capture performances with acting nominations. After all, where does the line end between the performance of the actor, and the special effects work put in by the technical team?

Serkis folk...

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Filed under: Movies | Tagged: Academy Award, Academy of Motion Picture Arts and Sciences, andy serkis, avatar, burke and hare, christian bale, David Oyelowo, Freida Pinto, James Franco, john lithgow, king kong, Morgan Freeman, motion capture, Natalie Portman, planet of the apes, Rise of the Apes, Rupert Wyatt, Tom Felton, zoe saldana | 10 Comments »

Justice for the JLA: Warner’s New Stand-Alone Superhero Team-Up…

Posted on April 4, 2011 by Darren

News broke during the week that Warner Brothers are planning a new Justice League movie, apparently for 2013. Reportedly Ryan Reynolds has not been approached to play the Green Lantern in the film, and – based on comments from both film makers – it’s unlikely that Zack Snyder’s Superman reboot or The Dark Knight Rises will play into the film in any meaningful way. One might consider that something of a marketing faux pas, as that would represent a fairly intense lead-in into the movie (as opposed to the four-odd years Marvel has been teasing The Avengers). Indeed, it has been suggested that the proposed Justice League movie might stand entirely on its own two feet, completely distinct from the superhero movies that Warners are churning out. If this sounds familiar, it’s because this was exactly the plan with the company’s last aborted attempt at a Justice League film.

Justice for all?

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Filed under: Movies | Tagged: Batman in film, christian bale, Christopher Nolan, ensemble, film, green lantern, jla, justice league, Movies, ryan reynolds, spotlight, superhero ensemble, superman, teams, Warner Bros, zack snyder | 2 Comments »

Can a Sequel Spoil the Original Film More Than a Remake?

Posted on March 10, 2011 by Darren

So, the rights to Blade Runner have been sold. However, us on-line film nerds are being told to breathe easy, because the rights that were sold explicitly do not include the option to remake or “reimagine” or “reboot” the classic Ridley Scott film. However, is that really that much of a comfort? Surely a terrible sequel can tarnish an original film just as much as a terrible remake?

Concept art from Blade Runner by Syd Mead

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Filed under: Movies | Tagged: Alcon Entertainment, batman, blade runner, christian bale, Darth Vader, gus van sant, ridley scott, starsky & hutch | 5 Comments »

Leo the Lion: Melissa Leo’s Self-Funded Oscar Campaign…

Posted on March 7, 2011 by Darren

Melissa Leo took home the Best Supporting Actress Oscar last Sunday night and I was quite happy about the decision, to be honest. She was great in The Fighter and – although I personally would have though Hailee Steinfeld from True Grit would have made a more deserving winner – it wasn’t a bad result. In the lead-up to her win, Leo garnered a fair amount of publicity from the fact that she took out her own “For Your Consideration” advertisements, most of it, to be honest, quite derisive. But you know what? I’m okay with that. After all, who else was going to do it for her?

Perhaps not the most Consider-ed move...

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Filed under: Movies | Tagged: Academy Award, christian bale, colin firth, For Your Consideration, Hailee Steinfeld, Halle Berry, Harvey Weinstein, helen mirren, Melissa Leo, Oscars, pimping, Saving Private Ryan | 6 Comments »

Metro Film Fight Club: The Fighter

Posted on February 23, 2011 by Darren

The wonderful folks over at Ross v. Ross asked me to contribute a very special edition of Film Fight Club, going over the ten Best Picture nominees. I stood in the corner for The Fighter, Marky Mark and what is left of Christian Bale. You can pick up a copy in the morning, or check it out here.

I got this guy in my corner...

UPDATE: Guess what just got put on the IMDb Hitlist? If you guessed Robert Rodriguez’s shoe ad, you guessed correctly, but that’s beside the point. Yep, we’re up there. Thanks to everyone for inviting me to take part, and it was a pleasure to cover the race with a bunch as witty, clever and insightful as that selection.

Filed under: Movies | Tagged: Academy Award, Academy Award for Best Picture, christian bale, david fincher, Fighter, King's Speech, mark wahlberg, Melissa Leo | 2 Comments »

Non-Review Review: Heat

Posted on February 15, 2011 by Darren

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “nineties noir” – I’ll be looking at two of the finest noir-inspired films of the nineties.

I do what I do best, I take scores. You do what you best, try to stop guys like me.

– Neil McCauley to Vincent Hanna

I’ll be honest and concede that, right off the bat, I have a lot more love for Heat than most. Don’t get me wrong, I don’t labour under the assumption that it’s a poorly-received film (it’s rare to find someone who will concede that they dislike it), but I still have a stronger affection for Heat than the vast majority of viewers. I was only ten years old when Heat was released, and I think that was a big a moment for me. My ten-year-old self was familiar with big, sprawling epic sagas, but I think I used to believe that these sorts of epics were reserved for stories set in times long past. I think, in my innocence (or foolishness, depending on how kind you wish to be to my younger self), I felt that epic stories didn’t really happen anymore.

And then I saw Heat, which somehow managed to take an epic, sprawling narrative style which – at the time – I could only remember from films like Dances With Wolves or Cleopatra or Gone With The Wind, and applied it to cops and robbers. If I were to construct a list of films which helped me fall in love with cinema, Heat would be on there. Pretty high, too.

It's a whole different ballgame...

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Filed under: Non-Review Reviews | Tagged: al pacino, christian bale, Christopher Nolan, dark knight, film, Film noir, film nori, films, For the Love of Film Noir, For the Love of Film Noir blogathon, For the Love of Film Noir: The Film Preservation Blogathon, heat, Heat (1995 film), johnny depp, L.A. Takedown, michael mann, Movies, review, robert deniro, Sam Giancana, Sheldon Turner, Vincent Hanna | 4 Comments »

Is There Method to the Madness: Christian Bale’s Weight & Method Acting

Posted on February 10, 2011 by Darren

Christian Bale is losing a massive amount of weight again for his role in the upcoming Concrete Island. It’s rather topical, given that the actor took time out of an interview to lambaste those who would deride his massive amount of weight loss for The Fighter:

‘To be honest, I find it laughable that it’s considered to be some f—ing gimmick — it’s so patronizing. For God’s sake, do people not understand what a pain it is to do? It’s as though it’s some comment about, ‘Oh it’s easy for him, because he’s done it a bunch of times.’ It’s not easy, it’s not fun — it’s horrible.”

In fairness, I think Bale misses the general thrust of the argument when he makes the (entirely fair) point that it’s a very difficult process. I don’t think anybody will argue that such control over his own body mass is easy (as, if it were, I’d probably choose to be the epitome of physical fitness, but it doesn’t work that way). I think the general question is whether such a large fluctuation in weight adds a benefit to his roles that is worth the physical strain. Is there a gain for the pain, so to speak?

What's the skinny?

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Filed under: Movies | Tagged: acting, actor, Actors Studio, christian bale, Concrete Island, Constantin Stainislavski, Constantin Stanislavski, craft, Daniel Day-Lewis, Fighter, films, Lee Strasberg, mark wahlberg, marlon brando, matt damon, Method Acting, Movies, Oscars, robert deniro, Stainislavski Method, Stanislavski Method, Stella Adler, the fighter, the Method, Weight loss | 9 Comments »

Non-Review Review: The Fighter

Posted on February 7, 2011 by Darren

The Fighter comes from a long line of Oscar-friendly boxing films. From Rocky through to The Cinderella Man to Raging Bull and beyond, filmmakers seem to see something poetic in the boxer. A figure in the ring, usually from a disadvantaged background, fighting because it’s the only thing that they know what to do. There’s a noble simplicity to the sport, a brutal honest that one seldom finds in football (American or otherwise), basketball or baseball. There’s always something touching about watching a protagonist beat the odds, and boxing films thrive on the literal nature of their conflict. I can’t say that The Fighter adds anything new to the long established “Oscar boxing film”, but it does have one advantage: the sheer volume of talent in its corner.

How does it measure up?

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Filed under: Non-Review Reviews | Tagged: Academy Award, christian bale, David O. Russell, Fighter, film, Homer Simpson, mark wahlberg, Melissa Leo, Micky Ward, Movie, non-review review, review, Rocky Balboa | Leave a comment »

Non-Review Review: Batman – Under the Red Hood

Posted on December 6, 2010 by Darren

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. This is one of the “stand-alone” animated movies produced by the creative team that gave us the television shows.

You did it! You found a way to win and everybody still loses!

– The Joker

The story of Batman, boiled down to its most essential elements, is a tragedy. He’s a character defined by hurt and loss – the suffering and failures he has endured while fighting simply to stay alive in an uncertain world. The reason that the animated Batman: Under the Red Hood works so well is because it manages to capture that observation perfectly in its relatively tight runtime. Over the course of the movie, Batman has several of his rather glaring failures touted out in front of him and – what’s more – faces the possibility that he may himself end up obsolete.

The joke’s on Batman…

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Filed under: Non-Review Reviews | Tagged: a death in the family, animation, batman, batman: under the hood, batman: under the red hood, Black Mask, bruce greenwood, bruce timm, christian bale, comic books, dark knight, dc animated universe, dcau, dick grayson, film, Jason Todd, john dimaggio, joker, judd winick, kevin conroy, Red Hood, robin, superheroes, the joker, the red hood, under the hood, under the red hood | 2 Comments »

Non-Review Review: Terminator Salvation

Posted on September 13, 2010 by Darren

There are perhaps some franchises which really shouldn’t endure after the departure of the creative brain behind the operation. Some would argue that The West Wing should have ended after Aaron Sorkin departed, and I would argue that Warner Brothers should probably reboot Batman after Nolan leaves, rather than continuing his saga (since there’s no way they’ll let that franchise lie fallow). Terminator is perhaps another example. The first two films are iconic, towering science-fiction masterpieces which perfectly blend big ideas with visceral thrills – The Terminator is a tightly constructed urban thriller, while Terminator 2: Judgement Day helped define what a blockbuster should look like. However, once Cameron departed, the franchise was somehow allowed to continue limping on. After the really awful Terminator 3: The Rise of the Machines, I was willing to let the series die. However, somehow we got a fourth movie. And, despite all my misgivings and preconceptions, it isn’t bad. It isn’t great, but it isn’t terrible.