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Non-Review Review: 28 Days Later

Welcome to the m0vie blog’s zombie week! It’s a week of zombie-related movie discussions and reviews as we come up to Halloween, to celebrate the launch of Frank Darbont’s The Walking Dead on AMC on Halloween night. So be sure to check back all week, as we’ll be running posts on the living dead.

I know there’s some debate as to whether this is actually a zombie movie – what with the “infected” not technically being dead and all (not to mention the running) – but I think it feels like a “zombie” movie, even if the creatures aren’t necessarily zombies. I’m going to be entirely honest here and confess that while I was impressed with Trainspotting, it was 28 Days Later which confirmed to me the Danny Boyle was a talent to watch. Not just for offering a film which feels different yet never inaccessible, but also for his ability to shift genre – The Beach confirmed him as a quirky almost-indie director, but 28 Days Later demonstrated that he could bring the same talent to low-budget horror. More than that, he constructed a shrewd little film which feels more like a George A. Romero film than any of his more recent efforts.

Danny Boyle's on fire...

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Non-Review Review: Perrier’s Bounty

Mark O’Rowe wrote a play that I had the pleasure of seeing last year called Terminus. The piece, featuring four characters narrating sensational events occurring in and around the city of Dublin in thick Northside accents and with distracting amounts of elloquence, obviously became something of a cult hit – so much so that it returned to the Abbey (our national theatre) earlier this year. I mention this purely because O’Rowe has very much fashioned the script for this Irish film from the same cloth as his theatrical success. The same elements which I enjoyed in Terminus I enjoyed in Perrier’s Bounty, and the same elements I didn’t enjoy were just magnified by the transition to film.

Parting shots?

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Non-Review Review: Into The Storm

In my defense, I haven’t seen the original 2002 movie The Gathering Storm, to which this movie serves as a sequel – but I think the movie (as a historical piece) stands very well on its own two feet. Besides, aside from the producers (the brothers Scott, obviously attempting to follow Spielberg into the World War II market) and writer (Hugh Whitemore), the series has little in common with its illustrious predecessor. The director is new. The roles have been recast. If it weren’t for the linking theme of the word ‘Storm’ in the title and the fact that this movie picks up where the other left off (at least chronologically), there would be nothing to really tie it down. So, with the confession that I have not seen the original made-for-TV movie, what did I think of Into The Storm?

churchill

Cry Havok! And let slip the insurance-selling dogs of war!

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Non-Review Review: In Bruges

Possibly one of the best depictions of Irish humour that I’ve seen captured in celluloid, In Bruges is a fascinating little story of honour, loyalty, stupidity and a small little town in Belgium. The movie was a highlight in the very solid pantheon of 2008. Featuring a sharp script, a fantastic cast and some really lovely scenery, the movie stabnds as one of the best comedies I’ve seen in yonks. And a yonk is a long time.

bruges

Irish charm...

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Welcome to the Academy!

Wow.

The Academy might actually be serious about changing things. I was indifferent about the expansion of the Best Picture category, and a bit miffed about the demotion of the Honorary Awards to an event outside the regular show, but today’s list of new members of the Academy gives me a little cause for hope. These are the people who will vote on the nominees in coming years and I’m actually surprised: I recognise most of the names. Don’t get me wrong, these are only 134 new members in an organisation of 5000. This announcement by itself won’t move the Oscars back to the centre of popular culture where they belong, but – if the Academy can stick to its guns on this one – it may prove a better way of incorporating mainstream tastes than simply doubling the size of the Academy’s net.

Marlon Brando with his trophy... and his Oscar...

Marlon Brando with his trophy... and his Oscar...

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