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On Second Thought: Alien Resurrection (Special Edition)

To celebrate the release of Prometheus in the United States this week, we’ll be taking a look at the other movies in the Alien franchise.

So this is Earth, huh?

This is Earth.

– Call and Ripley try not to sound too disappointed…

I am not the biggest fan of Alien: Resurrection. I think it is, to be frank, a mess of a film – the result of a director and a writer who seem a very poor fit for one another, with Jeunet’s macabre design aesthetic at odds with Whedon’s sardonic irony. It would take a fairly radical reworking of the film to solve that fair fundamental tonal dissonance… and the Special Edition is not that much of a reworking. Indeed, Jeunet himself has gone of record stating that his own definitive version the film was the original theatrical cut. He introduces the Special Edition on the superb anthology collection with that confession, “The special edition version you are about to watch is not the director’s cut, because the director’s cut is the version you watched in theatres in 1997.”

So it’s no surprise that while the Special Edition does add a bit more shading, nuance and complexity to the film, it doesn’t salvage it.

Not quite what the doctor ordered…

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Non-Review Review: Alien vs. Predator – Requiem

To celebrate the release of Prometheus in the United States this week, we’ll be taking a look at the other movies in the Alien franchise.

Alien vs. Predator: Requiem is pretty close to indefensible. I’m not the biggest fan of the original Alien vs. Predator, but I’ll concede the film throws a few interesting ideas into a disappointingly generic and less-than-enthusiastic monster mash run-around. While the first film wasn’t original, it at least looked to acknowledge its hokeyness in places. In contrast, the sequel is just soul-destroyingly mundane, taking anything that had been unique or compelling or interesting about these two iconic movie monsters and rendering it all completely pointless as it devolves them to the equivalent of generic teenager slasher villains.

Death of a franchise…

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On Second Thought: Aliens (Director’s Cut)

To celebrate the release of Prometheus in the United States this week, we’ll be taking a look at the other movies in the Alien franchise.

It seems that James Cameron’s Director’s Cut of Aliens is the only alternate cut of an Alien film preferred by any of the directors. Ridley Scott has gone on record stating that he considers Alien: The Director’s Cut to be an “alternative” cut of the film intended for long-time fans. David Fincher has explained that the only way he’d produce a version of Alien³ that he’d be happy with was if he were to shoot it from scratch. Jean-Pierre Jeunet believes that the theatrical cut of Alien: Resurrection is his preferred version of the film. So it seems that Cameron is the only director who has been able to successfully reintegrate material to produce what he feels to be a definitive version of the film.

And, to be honest, I’d agree. Aliens: The Director’s Cut is probably the best example of how to enhance an already superb film through the addition of previously excised material.

On LV-426, everyone can hear you scream…

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Non-Review Review: Alien vs. Predator

To celebrate the release of Prometheus in the United States this week, we’ll be taking a look at the other movies in the Alien franchise.

I like cheesy movies. I have a fondness for those old fashioned mix-and-match creature features from back in the day. I have a remarkable tolerance for some of those incredibly awkward B-movie adventures featuring relatively bland characters trapped in a strange and slightly illogical situations. As such, I’m probably a bit fonder of Paul W.S. Anderson’s creature-feature fight-night beat-’em-up schlock-fest Alien vs. Predator. I’m not so fond that I’d argue it’s a good movie – in fact, I’d readily concede that it’s a disappointing lifeless husk of a movie. However, I will concede that there are some interesting concepts and ideas buried quite deeply in the middle of that film.

Natural born predators…

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Looking at it Sideways: 2012, The Year of Unconventional Franchise Narratives…

By now I think we’ve all become quite familiar with the cycle of Hollywood movie franchises. I’m not inherently opposed to the concept – I think that Sturgeon’s Law applies at least as much to original and independent films as it does to big-budget franchise films. The prospect of movie sequels, reboots, prequels and remakes isn’t a new thing, after all. Hollywood has always had a tendency to emulate financially successful movies, finding a way to exploit the movie property to maximise the profit off the back of it. It’s an inherently commercial prospect, but virtually any form of mass media must be in order to be viable. However, I’ve been fascinated with how the Hollywood franchise train seems to be working this year – it seems like we’ve been getting stuff that’s a little different than the conventional reboots, sequels and remakes.

It’s a whole other universe out there…

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Non-Review: Alien Resurrection (Theatrical Cut)

To celebrate the release of Prometheus this week, we’ll be taking a look at the other movies in the Alien franchise.

I always feel a little hint of trepidation when I return to a movie that I know I didn’t like the first time. Part of me is reluctant to watch it again, even for the purposes of examining what exactly went awry during production, while some small part of me holds out hope that the film might be redeemed – that I might somehow magically get it the second time around. So, completing a marathon rewatch of Ridley Scott’s Alien and the sequels it spawned, I left Alien: Resurrection until last.

Unfortunately, it was just as flawed and messy as I remember it.

Reflecting on his behaviour…

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Non-Review Review: Prometheus

Prometheus is an impressive science fiction thriller. Indeed, its weakest link is its attempt to “line-up” with Scott’s original Alien, as its own interesting ideas end up caught up in an attempt to throw knowing winks and nods towards an overly eager audience. “look! green gooey possibly acidic blood!” the movie seems to cry or “gee! that illustration looks familiar!” The problem is that these feel like distractions from a plot that is compelling and fascinating when explored on its own merits. Still, it feels like a worthy science fiction film in its own right, a fitting hybrid of Scott’s Alien with his Blade Runner, daring to pose interesting existential and philosophical questions about humanity’s place in the universe.

David is a piece of work…

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On Second Thought: Alien³ (The Assembly Cut)

To celebrate the release of Prometheus this week, we’ll be taking a look at the other movies in the Alien franchise.

Alien and Aliens are, quite rightly, considered classics of the science-fiction horror subgenre, superbly constructed examinations of the monsters lurking in the darkness. Unfortunately, the two sequels, Alien³ and Alien Resurrection are not so highly regarded. One would imagine that producing a film about a monster in the future really wouldn’t be that difficult, but the films were both dogged by their own pre-production turmoil. In particular, this third film went through several painful iterations before reaching the big screen – and, even then, there was a sense that nobody was especially happy with the result.

However, this series of films has also benefited from a great deal of affection, attention and examination from both creators and fans. As such, it isn’t really a surprise that even the creators have returned to help patch them up from time to time, lovingly repairing and restoring and updating the installments in this landmark franchise. While Alien³: The Assembly Cut is not a literal Director’s Cut, it does afford the viewer a rare insight into what David Fincher’s version of the film might have looked like.

Back against the wall…

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Non-Review Review: Aliens (Theatrical Cut)

To celebrate the release of Prometheus this week, we’ll be taking a look at the other movies in the Alien franchise.

I think Aliens might be my favourite James Cameron movie. Of course, the guy has any number of iconic movies vying for that position – The Terminator and Terminator 2 both come to mind, for example – but I can’t help but admire how efficiently the director constructed his first big budget motion picture. Regardless of its place within an iconic science-fiction franchise, Aliens is practically a guidebook on how to effectively construct a movie, from writing the script to directing the action and absolutely everything in between. It’s hard to look at Aliens as anything less than a complete triumph, no matter which angle you examine the film from.

Queen bee…

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On Second Thought: Alien (Director’s Cut)

To celebrate the release of Prometheus this week, we’ll be taking a look at the other movies in the Alien franchise.

Alien: The Director’s Cut is a curious beast. It’s more of an alternate cut than a director’s cut of Ridley Scott’s iconic Alien. It actually runs a few seconds shorter than the original theatrical cut of the film, although it contains more than five minutes of different footage. While five minutes of footage can have a significant impact on the final cut of a film, I’d be hard-pressed to argue that they add considerable depth to Scott’s science-fiction masterpiece. Aliens: The Special Edition re-inserted scenes that expanded and developed the themes of Cameron’s sequel, while Alien³: The Assembly Cut offers a glimpse of a movie far different from the one released. In contrast, Alien: The Director’s Cut… doesn’t really do much of anything. It’s just an alternative to the theatrical edition.

Ship shape?

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