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Non-Review Review: Please Give

Please Give is an interesting little dramedy, with some very well-observed points and a strong cast. It’s smart, it’s biting and it’s quite funny in places, with its wry commentary on some of the more cynical aspects of the human condition. However, I do find myself wondering why the lead characters, wonderfully superficial and weighted down by various forms of guilt, are really worth caring about at.

No mean Peet...

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The Borgias (Premiere Review)

I have to admit, I expected The Borgias to be significantly trashier than it actually was. Instead, the show seems to be something of a more mature and considered big brother of The Tudors, instead of serving as an Italian twin. That’s an observation, and not praise or criticism – there’s something to be said for the energy that cheap blood and sex can instill into even the most flaccid television show, and attempting a slightly more restrained tale of political intrigue is a far more difficult matter. Still, The Borgias has two distinct advantages: Jeremy Irons, and Neil Jordan.

Oh, he just can't wait to be Pope...

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Same Movie, Different Audience & The Variables of the Movie-Going Experience…

I saw Rise of the Planet of the Apes again. I was with a relative who hadn’t seen it, and I thought I’d tag along. Part of it was to determine whether the fact that I so thoroughly enjoyed the film had been a fluke, perhaps due to relatively low levels of anticipation going in, but also because it was a good movie, and one I thought might be worth watching again. Truth be told, I enjoyed the film as much the second time, perhaps even more. However, something occurred to me while I was watching it – the audience I was with reacted quite differently to one or two key moments, which (to be honest) also impacted how I looked at those scenes. I don’t think it radically altered my opinion of the film, but I found it interesting to note how watching the film with a different group of people could lead to a slightly distinct viewing experience.

Paws for thought?

Note: This article, by its nature, will include spoilers for two key moments in Rise of the Planet of the Apes. I suspect, if you’ve seen the film, you know which ones I am talking about. If you haven’t seen the film, I recommend you do before reading the article.

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Non-Review Review: Phone Booth

Phone Booth is proof that the high-concept thriller isn’t quite dead yet. A concept that had been floating around Hollywood for decades (with the master of suspense himself, Alfred Hitchcock, lined up to direct at one point), it seemed that – with the decline of the phone booth and the rise of mobile phones – perhaps the window in which to tell the tale might be closing. Of all the directors to bring the tale to the screen, I don’t think I ever would have expected Joel Schumacher to make one of the most intense and superbly intimate little thrillers ever written to the screen.

There's a lot on the line...

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Justice League International: Volume 4 (Hardcover) (Review/Retrospective)

In light of the massive DC reboot taking place next month, launching with a Geoff Johns and Jim Lee run on a new Justice League title, I thought I’d take a look back at another attempt to relaunch the Justice League, emerging from the then-recent Crisis on Infinite Earths.

Hm. Typical. Just as DC stops collecting Justice League International in these nice little hardcovers, I find that the series is getting back into the sort of swing and rhythm that I really loved about the superb first volume, but which became hard to maintain in equilibrium through the second and third collections. The last two books have veered just a little bit too much into sit-com territory for me. Don’t get me wrong, I like the humour that Giffen and deMatteis bring to the book, but I think it works better as a counterbalance to some nice superhero spectacle or drama, rather than being allowed to run free. The wonderfully wicked, occasionally subversive and often amusing sense of humour is in full effect in this collection, but it also features some nice character-centred storytelling, the type of refreshingly not-too-serious, but never completely out of control, approach that made the first few issues so damn appealing.

The new line-up...?

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Non-Review Review: Uncle Buck

Uncle Buck doesn’t represent a career high for any of the major players involved, with John Hughes have any number of more iconic films behind him, and more enjoyable family comedies ahead of him, and John Candy enjoying the space the movie affords him, but somewhat restricted by the material. That said, the film represents an enjoyable little comedy with a strong cast, a good central performance and marks an interesting transition point for Hughes, who had cut his teeth on teenage comedy dramas before transitioning to write more mainstream comedic fare.

This is not a drill...

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Thoughts on Documentaries and Objectivity…

I caught The King of Kong at the weekend and I really enjoyed. It’s a fantastic underdog tale set in a fascinating subculture that really deserves to be seen. However, the movie was beset by claims after the fact that it had been somewhat unfair to Billy Mitchell, the reigning Donkey Kong champion who found himself cast in the role of villain. While fictional movies take liberties with their characters all the time, I can’t help but wonder what sort of standard should apply to documentaries. They obviously require some basis in fact, but to what extent is possible to be entirely fair and objective in bringing any subject to screen?

Something to chew on...

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Non-Review Review: The King of Kong – A Fistful of Quarters

I think part of the reason that The King of Kong: A Fistful of Quarters works so well is because it takes any number of well-loved and popular story-telling tropes concerning the conflict between a hard-working underdog and an exclusive and elitist authority, and then plays them out against one of the most brilliantly ridiculous backdrops possible. Professor Wallace Sayre, a political scientist at Columbia University once made the observation that “in any dispute the intensity of feeling is inversely proportional to the value of the issues at stake.” So perhaps we shouldn’t be so surprised that a competition over a videogame world record should capture these ridiculous grand themes with such skill, and a wonderful sense of humour.

Steve's game for a challenge...

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Non-Review Review: The Ring

The Ring is actually a surprisingly effective horror when measured on its own terms, as well as being perhaps the most successful American adaptation of a Japanese horror. I would make the case that the film isn’t a patch on the original Ringu, but it’s to director Gore Verbinski’s credit that he attempts to subtly distinguish his film from the one that inspired it, while remaining true to the spirit of that classic cult horror.

Watts going on here?

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Non-Review Review: Ringu

There are a handful of movies I will forever associate with a particular viewing experience – and some with the first time I had seen a given movie. I remember, for instance, seeing Star Wars: The Empire Strikes Back for the first time with my father in the local cinema during its nineties re-release. When I think of Bram Stoker’s Dracula, I recall the time I had to sit in the hall while the grown-ups watched it. Anytime I see The Shining, I think back to watching it in the wee hours of the morning with gran and granddad. The Japanese cult horror Ringu is something of a similar experience.

All's well that ends well...

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