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The Spirit Archives, Vol. 5 (Review/Retrospective)

With The Spirit Archives, Vol. 5, we get our first real taste of what The Spirit looks like without Will Eisner. I’ve always felt like The Spirit belonged to Eisner in a way that very few iconic American comic book characters belong to a particular creator. The Spirit belonged to Eisner in the same way that The Adventures of Tintin belonged to Hergé. I am fond of Darwyn Cooke’s revival of the character, and there’s something interesting about the Kitchen Sink anthology series, but those exist mainly as curiosities or companion pieces to Eisner’s work on the character.

In many ways, this stretch of strips, published by Eisner’s staff and colleagues during his army service, feels the same sort of way. It’s more of a historical curiosity than an end to itself.

Lighten up…

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Non-Review Review: The Oranges

There’s an interesting film in here, somewhere. The Oranges teases the possibility of brutally exposing the seedy underside of suburban life, as we follow an affair between a married man and his best friend’s daughter, but The Oranges is far too shallow to land anything resembling a killing stroke. The adult cast is composed of talented veterans, but the script doesn’t give them much to do – instead The Oranges treats their children as the focal point, misjudging the talent of young actresses Leighton Meester and Alia Shawkat. It all feels too light, too cosy, and too willing to pick the low-hanging fruit to really create an interesting study of life in the ‘burbs.

Keeping it in the family...

Keeping it in the family…

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Star Trek: The Next Generation – The Last Outpost (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season, episode-by-episode. Check back daily for the latest review.

You know, a lot of people would argue that Star Trek is about understanding. That it’s about embracing and respecting cultures, even when they hold values different than your own. Sometimes that is to a fault, like in the last episode (Code of Honour) where Picard allowed his Chief of Security to engage in a fight to the death to avoid violating local custom. (Which he then violated by reviving the loser.) However, it appears that such open-mindedness only applies when you look and act appropriately human enough.

If you are a Ferengi, then your culture shouldn’t be respected and acknowledged. It should be mocked and ridiculed.

He’s all ears…

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Immatürity for Charity, 9:30pm, RTÉ 2, 27th December 2012

I received this and thought it was worth sharing, in aid of a good cause.

This Christmas, some of the best actors and film crew in Ireland have come together for a sketch-show comedy special in aid of St Francis Hospice, Raheny. Immatürity for Charity features a whole host of Ireland’s top thespians including Domhnall Gleeson, Brendan Gleeson, Amy Huberman, Robert Sheehan, Hugh O’Conor, Brian Gleeson, David Wilmot and many more. Their mission: to embarrass themselves with pride and embrace their immature side in comedy sketches that aim to raise money and awareness for the hospice.

Brendan Gleeson - IFC

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The Spirit Archives, Vol. 4 (Review/Retrospective)

As with the previous collection, the War looms large in The Spirit Archives, Vol. 4. While Eisner had been keenly following events in Europe from the start of the strip, things really come to a head here. These are the strips for the six months following the attack on Pearl Harbour, and – understandable – there’s a strong patriot undertone to everything here. Eisner would eventually put his patriotism into action when he was drafted, leaving his character in the hands of his staff – who dutifully kept the comic warm for him during his term of service. While Eisner’s early work on the strip isn’t quite as good as the work that would follow, and the shadow of the Second World War dominates, these are still fascinating stories told by a master storyteller.

Carrying on, naturally…

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Non-Review Review: Celeste & Jesse Forever

While it’s not quite as novel as the core idea might suggest, Celeste & Jesse Forever has a fascinating central concept. Most romances leave off after the initial courtship – the “and they lived happily ever after” all but printed at the bottom of the end credits. Celeste & Jesse Forever offers a somewhat skewered take on that. We begin at the end of a marriage, and follow the two central characters as they try to deal with living apart from one another. The movie isn’t as subversive as it could be, working hard to integrate conventional romantic formulas into this new framework, but it is something a bit different – and the concept carries it quite far. A winning central performance from Rashida Jones and a charming sense of humour help keep the movie interesting, even if it never quite commits fully.

Celeste & Jesse Forever is well worth a look, if only to demonstrate that there is room to tinker with the conventional formula for romantic comedies.

The long kiss goodnight...

The long kiss goodnight…

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Star Trek: The Next Generation – Code of Honour (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season, episode-by-episode. Check back daily for the latest review.

Remember how yesterday I said was hesitant to throw around adjectives like “worst” or “mind-numbingly” or any other similar sounding pejorative term? I was doing that so that when I did string them together to form a sentence or a description, it would carry a bit more weight. After all, Star Trek: The Next Generation didn’t have the strongest first season, as I keep noting apologetically in these opening paragraphs. However, Code of Honour is pretty dire by any measure, and it remains one of the low watermarks of the troubled first season.

Yes, I did type “one of”, but that doesn’t make Code of Honour any easier to manage.

Not quite steps to greatness…

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The Spirit Archives, Vol. 3 (Review/Retrospective)

Join us the December as we take a dive into the weird and wonderful Will Eisner Spirit Archives, the DC collections of the comic strip that helped define the medium.

At this point The Spirit had survived a year. That first year had seen Eisner establish the strip, lay down many of the rules that would define the comic for the rest of its impressive twelve-year run as a regular fixture in the Sunday papers. This third volume is hardly the most essential in the twenty-six volume set, but there’s a sense of confidence in the stories the Eisner is telling and how he is telling them. The strip arguably wouldn’t hit its stride until after Eisner left for the war, and came back with a broader range of experience, but one can see the roots of that later success even in these (relatively) early adventures.

We'll always have Damascus...

We’ll always have Damascus…

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International On-Line Film Critics’ Poll Nominees Announced…

The nominees for the 2012 International On-Line Film Critics’ Poll 2012 have been announced. Open to all films released in the United States between November 2011 and November 2012, it allows for a slightly different playing field than the Oscars typically does. It also means that I am (as a non-American) far more likely to have seen all the nominees, with only Lincoln yet to see among the Best Picture nominees. Anyway, I will be sending in my ballot soon enough, but take a gander at the full list of nominees below. It’s a strong list, to be sure.

iolfcp1

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Star Trek: The Next Generation – The Naked Now (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season, episode-by-episode. Check back daily for the latest review.

I stand by my original observation that it was a smart idea to set Star Trek: The Next Generation a century after Star Trek. After all, Gene Roddenberry’s original Star Trek was over two decades old by the time that Encounter at Farpoint aired. Twenty years is a long time in entertainment – it can feel like a century. The world had changed since Star Trek appeared, and setting the story in a brand new world with strong (yet not strangling) ties to the beloved original series allowed the best of both worlds.

However, the problem with the first season of Star Trek: The Next Generation is that it doesn’t quite realise this yet. It’s busy trying to do “Star Trek”, even though times have changed. The Naked Now, the second episode of the series, is the perfect embodiment of this problem. Star Trek: The Next Generation should have been establishing its own identity, rather than trying to simply emulate its predecessor.

Flying off into the sunset…

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