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281. Idi i Smotri (Come and See) (#106)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Lee Murkey, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Elem Klimov’s Idi i Smotri.

As the Second World War rages, the inhabitants of Belarus prepare for the sweeping advance of the Nazis from the West. A young boy named Flyora dreams of joining the local partisans so that he can fight in the guerilla war against the hostile invaders. However, Flyora quickly discovers that war is not a place for heroes, and that any childhood innocence will soon be left behind.

At time of recording, it was ranked 106th on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Column! On How “Fantastic Beasts” Fails to Capture the Magic of “Harry Potter”…

I published a new In the Frame piece at The Escapist this evening. With the upcoming release of Fantastic Beasts: Secrets of Dumbledore, it seemed like a good opportunity to take a look back at one of the more inert major franchises of the past decade or so.

The success of the Harry Potter movies made the extension of the franchise inevitable; and the intellectual property has expanded into theme parks and stage shows. However, the attempts to expand the world into feature films has met with frustrating results. So far, the Fantastic Beasts franchise has felt a little lifeless and inert, a blockbuster franchise driven by exposition and apocalyptic spectacle, rather than allowing the audience to really immerse themselves in the world as they did with the earlier stories.

You can read the piece here, or click the picture below.

New Escapist Video! “Sonic the Hedgehog 2 is an Adequate ’90s Family Movie”

I’m thrilled to be launching movie reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute film review of Sonic the Hedgehog 2, which is in theatres in the U.K. and Ireland on Friday and in the United States next week.

279. The Conversation (#—)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Ciara Moloney and Dean Buckley, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Francis Ford Coppola’s The Conversation.

Harry Caul is one of the best surveillance operators in America. However, when Harry finds himself in possession of a potentially inflammatory recording with very real consequences, he finds hismel at a crossroads. Can the professional eavesdropper remain a passive observer in the drama unfolding around him, or will events force him into a more active role?

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Column! On What the Netflix Marvel Shows Bring to Disney+…

I published a new In the Frame piece at The Escapist this evening. With the arrival of the Netflix Marvel streaming shows on Disney+ last week, it seemed like a good opportunity to take stock of where the service’s brand was at.

Disney has established a reputation as a family-friendly company, often outsourcing its more adult-oriented fare to distinct subsidiaries with their own identities. This is arguably less sustainable in the streaming age, as companies are consolidating and the key to a streaming service’s viability might lie in the variety of its content. So Disney+ finds itself at a crossroads, forced to chose between its long-term appeal to a diverse array of audiences and its parent company’s history of wholesome family entertainment. The arrival of the Netflix Marvel shows provide a challenge and an opportunity.

You can read the piece here, or click the picture below.

New Podcast! The TARDIS Crew – Andrew Cartmel’s Doctor Who and deconstructing children’s television…

I was thrilled to be invited to join the great Ben and Baz Greenland for an episode of their new podcast, The TARDIS Crew.

The guys invited me on to talk about a number of subjects, but we eventually settled on a discussion of the Sylvester McCoy and Andrew Cartmel era of Doctor Who. In particular, the way in which Cartmel and his creative team capitalised on the creative strengths of the production at a point where the show was very much on its last legs. Understanding the limitations of the family science-fiction show, and the question of how it could or couldn’t compete in an increasingly special-effects-given genre, Cartmel landed on a radical approach to Doctor Who: a deconstruction and subversion of children’s television.

You can listen directly to the episode below or by clicking here.

New Escapist Column! On “The Batman” as a Movie About Life Lived Behind Screens…

I published a new In the Frame piece at The Escapist this evening. With The Batman continuing to perform well at the box office, it seemed like an opportunity to take another look at the film.

Much has been made of how much The Batman owes to David Fincher’s se7en and Zodiac. However, the film also owes a lot to the director’s work on both Fight Club and The Social Network. At its core, The Batman is a story about masculine violence and what happens when life is lived behind a screen. The result is a film that manages to riff on some of the most interesting films of the past quarter-century, filtering them through the lens of the superhero genre and reframing them for a modern context.

You can read the piece here, or click the picture below.

New Escapist Column! On How “Star Trek: Picard” Remixes “The Voyage Home”…

I published a new piece at The Escapist this evening. We’re doing a series of recaps and reviews of Star Trek: Picard, which is streaming weekly on Paramount+. The third episode of the second season released this week, and it seemed like a good opportunity to take a look at the series.

One of the interesting aspects of the second season of Star Trek: Picard has been the way in which it has been drawing more overtly from classic Star Trek tropes, with the season taking a number of cues from Star Trek: First Contact. With the third episode, the season reveals some method to this approach, offering a reframing of the movie’s basic premise that places a greater emphasis on the familiar narrative template employed by Star Trek IV: The Voyage Home.

You can read the piece here, or click the picture below.

New Podcast! Your Feature Presentation – “What Does The Batman Say About Super Heroes?”

The Escapist have launched a new pop culture podcast, and I was thrilled to join Jack Packard for the sixth episode. Jack and I discuss The Batman.

New Escapist Column! On “Obi-Wan Kenobi” and Why It’s Okay for Pop Media to Be Dark…

I published a new In the Frame piece at The Escapist this evening. With the first trailer and initial press for Obi-Wan Kenobi, it seemed like a good opportunity to take a look at the troubled production.

In January 2020, it was announced that filming on Obi-Wan Kenobi had been delayed at the last minute, with the season’s scripts thrown out and a new showrunner brought in. In an interview with Entertainment Weekly, Kathleen Kennedy confirmed that this was the case, that the initial scripts had been junked because they contrasted with the hopeful and uplifting tone that Disney wanted for the show. However, it’s interesting to wonder whether a show like Obi-Wan Kenobi really must be optimistic and uplifting, or whether it is sometimes okay for populist entertainment to strike a tone that suits its story.

You can read the piece here, or click the picture below.