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New Escapist Video! “Shadow and Bone – Review in 3 Minutes”

I’m thrilled to be launching 3-Minute Reviews on Escapist Movies. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute television review of the new Netflix streaming series Shadow and Bone.

New Escapist Video! “A Marvelous Escape” – Falcon and the Winter Soldier – “Truth” Discussion…

With a slew of Marvel Studios productions coming to Disney+ over the next six months, The Escapist has launched a weekly show discussing these series. I’ll be joining the wonderful Jack Packard and the fantastic KC Nwosu to break down WandaVision, Falcon and the Winter Soldier and Loki as they come out.

This week, we take a look at the penultimate episode of Falcon and the Winter Soldier, which is very much a breather episode before the big series finale. There’s a lot to unpack here, and it’s a fun and broad discussion.

New Escapist Column! On the Redemption of Baron Zemo in “The Falcon and the Winter Soldier”…

I published a new In the Frame piece at The Escapist this evening. As The Falcon and the Winter Soldier winds down its season, it seemed like a good opportunity to consider the show’s approach to the character of Baron Helmut Zemo. The villain was introduced in Captain America: Civil War, but the streaming series offered something of a soft reboot of the character.

On paper, Helmut Zemo is the most compelling villain imaginable for a superhero story. He is a man who has suffered at the hands of these super-powered individuals who act without respect or consideration for due process or collateral damage. Zemo is comparable to a character like Billy Butcher from The Boys, a man with a reasonable and grounded critique of a culture built around the unquestioning fetishisation of power.

However, Civil War could never explore Zemo’s perspective, because that would mean asking uncomfortable questions about the power fantasies of superheroism. More to the point, Zemo’s motivations were very much at odds with the purpose of a movie where a large part of the appeal was watching these supermen cause untold property damage. The MCU could not support Zemo as an antagonist, so Civil War marginalises and minimises him. In contrast, The Falcon and the Winter Soldier cannily reinvents the character.

You can read the piece here, or click the picture below.

New Podcast! The Time is Now – Season 3, Episode 22 (“Goodbye to All That”)

Last year, I was thrilled to spend a lot of time on The Time is Now discussing the second season of Millennium. Since the podcast has moved on to the third season, I have taken something of a step back as a guest. That said, I have been a bit more active in the second half of the third season. I was flattered to get an invitation to discuss the show’s final episode, Goodbye to All That, with host Kurt North and guest Chris Knowles.

The series finale of Millennium is a strange beast. It tries to do a lot, and doesn’t always accomplish what it attempts with particular grace or finesse. Still, it does represent an attempt to reconcile the show to itself, to bring the characters and the narrative to a place where something resembling closure is within reach. It doesn’t entirely work, but it is a valiant effort.

As ever, you can listen directly to the episode here, subscribe to the podcast here, or click the link below.

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New Escapist Video! “A Marvelous Escape” – Falcon and the Winter Soldier – “The Whole World is Watching” Discussion…

With a slew of Marvel Studios productions coming to Disney+ over the next six months, The Escapist has launched a weekly show discussing these series. I’ll be joining the wonderful Jack Packard and the fantastic KC Nwosu to break down WandaVision, Falcon and the Winter Soldier and Loki as they come out.

This week, we take a look at the fourth episode of Falcon and the Winter Soldier, which I continue to really like, even with some caveats about possible “both-sides-ism.” It’s continues to be an interesting and clever reworking of certain flawed elements of both Captain America: The Winter Soldier and Captain America: Civil War.

New Escapist Column! On the Legacy of “Game of Thrones”…

I published a new In the Frame piece at The Escapist this evening. With the tenth (or “iron”) anniversary of Game of Thrones coming up, it seemed like a good opportunity to take a look at the show’s enduring legacy – in particular, the disconnect between the internet’s narrative of that legacy and the reality of it. To listen to the internet, Game of Thrones ended in such a way as to erase its cultural footprint and any residual cultural goodwill towards it. It’s not uncommon to hear people talk, at length, about how nobody talks about Game of Thrones anymore. However, there’s a fascinating dissonance here, because Game of Thrones appears to be thriving by any quantifiable measure. You can read the piece here, or click the picture below.

New Podcast! The Time is Now – Season 3, Episode 21 (“Via Dolorosa”)

Last year, I was thrilled to spend a lot of time on The Time is Now discussing the second season of Millennium. Since the podcast has moved on to the third season, I have taken something of a step back as a guest. That said, I have been a bit more active in the second half of the third season. I was flattered to get an invitation to discuss the show’s penultimate episode, Via Dolorosa, with host Kurt North and guest Chris Knowles.

The series finale of Millennium is an episode that I’m admittedly divided on. It’s a two-parter that attempts to a staggering amount: to tell one last serial killer of the week story, to pull back and look at the bigger picture around these monsters, to wrap up the major character arcs for both the season and the show, and to serve as a satisfying conclusion to an uneven season and to a wildly disjointed series as a whole. It’s a lot to ask of a two parter, and Millennium certainly makes a valiant – if imperfect – effort.

As ever, you can listen directly to the episode here, subscribe to the podcast here, or click the link below.

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New Escapist Video! “A Marvelous Escape” – Falcon and the Winter Soldier – “Power Broker” Discussion…

With a slew of Marvel Studios productions coming to Disney+ over the next six months, The Escapist has launched a weekly show discussing these series. I’ll be joining the wonderful Jack Packard and the fantastic KC Nwosu to break down WandaVision, Falcon and the Winter Soldier and Loki as they come out.

This week, we take a look at the third episode of Falcon and the Winter Soldier, which I really liked. It’s an interesting and clever reworking of certain flawed elements of both Captain America: The Winter Soldier and Captain America: Civil War.

New Escapist Column! On “Invincible” and the Future of Superheroic Storytelling

I published a new In the Frame piece at The Escapist this evening. With the release of the first three episodes of Invincible on Amazon Prime on Friday, I thought it was worth taking a look at what the new show means.

Invincible makes a big step forward for Amazon. As Warners and Disney continue consolidating their superhero content under their established brands, other studios are going to have to find ways to compete in the superhero content wars. Invincible is a fascinating testcase: a lavish adult-skewing hour-long animated series that aims to deliver superhero spectacle with a character largely unknown to the larger public. If the chow can make an impact, it bodes well for studios without their in-house intellectual property farms.

You can read the piece here, or click the picture below.

New Escapist Video! On “WandaVision” and the Death of Ambiguity…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with every second Monday article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film channel – so if you can throw a subscription our way, it would mean a lot.

This week, following the end of WandaVision, it seemed like an appropriate time to take a look at what the show said about contemporary pop culture, in particular the show’s approach to its “mystery box” format and its insistence on explaining every ambiguity without any willingness to leave space for interpretation. It’s a big, ambitious video essay that looks at everything from Lost to Twin Peaks to The X-Files to Doctor Who, and I hope you enjoy.