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Millennium – Goodbye to All That (Review)

This July, we’re taking a trip back in time to review the sixth season of The X-Files and the third (and final) season of Millennium.

Goodbye to All That is not a bad place to leave Millennium, truth be told.

Sure, the episode has its problems, but that is true of pretty much every third season episode. However, showrunners Chip Johannessen and Ken Horton do try to offer the show some sort of closure. While Emma betraying Frank before he rides off into the sunset might have been a nice set up for a new fourth season status quo, it also feels like a nice place to leave the show as well. Director Thomas J. Wright frames that closing shot beautifully, to the point where anything that follows does feel like a coda to the three-season show.

Don't be dark, Frank Black...

Don’t be dark, Frank Black…

More than that, there’s a curious magnanimity to Goodbye to All That. The episode seems to suggest that perhaps Millennium has finally resolved all its internal conflicts about its own history. As with Borrowed Time, The Sound of Snow or Collateral Damage, there is a sense that Goodbye to All That is trying to create a cohesive theory of Millennium – suturing together three very different seasons into something approaching a singular entity. The task is impossible, but Goodbye to All That makes a valiant effort.

Yes, the actual plotting is ridiculous and Goodbye to All That tries to do too much in a single forty-five minute episode, but these are far from the worst vices of the third season. It is too much to suggest that Goodbye to All That wraps up Millennium on a high, but it does allow the show to bow out with its head held high.

"You know, for a secret organisation, we sure do a lot of branding..."

“You know, for a secret organisation, we sure do a lot of branding…”

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Millennium – Via Dolorosa (Review)

This July, we’re taking a trip back in time to review the sixth season of The X-Files and the third (and final) season of Millennium.

And so, Millennium ends.

That is not entirely accurate. Via Dolorosa and Goodbye to All That are really the third ending to Millennium. Chris Carter’s oft-overlooked series famously reinvented itself in each of its three seasons. Every season finalé was a series finalé, bidding farewell to one version of the show before another arrives. In the first season, it was a serial killer procedural with ominous spiritual undertones. In its second season, it was the story of a family breakup that drew in all manner of religious conspiracy theories and eschatology. In its third season, it was…

"Did I tell you that I REALLY like The Silence of the Lambs?"

“Did I tell you that I REALLY like The Silence of the Lambs?”

Well, it is hard to tell what the third season was – or even what it wanted to be.

Nevertheless, Via Dolorosa and Goodbye to All That feel like an attempt to grant the series some sense of closure. In a way, these episodes typify the third season. They are messy and confused, awkwardly paced and drawn in broad strokes. At the same time, there are enough interesting ideas and clever concepts that one can see how they might have come together with a bit more craft. There is an outline of a great episode here, with Via Dolorosa and Goodbye to All That making a valiant effort to pull together messy strands of continuity from across the show’s run.

"Yep, it feels a little bit like that."

“Yep, it feels a little bit like that.”

The third season of Millennium was hampered by terrible decisions made out of the gate, but the final stretch of the season has no shortage of ambition and drive. It is no secret that the third season suffered from a number of serious problems at the start of the year. Maybe if those had been avoided, Via Dolorosa and Goodbye to All That would have an easier time drawing down the blinds. Still, it is impossible to know what might have been, and the truth is that Via Dolorosa and Goodbye to All That are a flawed conclusion to a flawed year.

Perhaps appropriately, Via Dolorosa and Goodbye to All That offer a rather disjointed conclusion to a rather disjointed year. Via Dolorosa and Goodbye to All That are written by two different teams of writers and directed by two different directors. Although the plot carries across both episodes, there are points where the transition seems rather inelegant or incongruous. Then again, this is about wrapping up the show’s troubled third season, so it is certainly representative.

"Take a picture. It'll last longer."

“Take a picture. It’ll last longer.”

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