The Mauritanian is an odd film in a number of ways.
In some ways, The Mauritanian feels like it has arrived late to the party. Obviously, the War on Terror is still a major defining event of the twenty-first century. Guantánamo Bay is still open and housing forty inmates. It’s possible to trace the xenophobia that defines so much of contemporary American politics back to the War on Terror, most obviously by looking at the countries affected by President Donald Trump’s infamous “travel ban.” So the War on Terror is very much an ongoing concern that merits discussion and exploration.
Maur, Maur, Maur…
However, it is also a period of American history that has been very thoroughly explored in film and television, particularly in the context of prestige awards-season releases. The Hurt Locker won Best Picture a decade ago. Zero Dark Thirty was a major awards contender a few years after that. The War on Terror has been dissected through the lens of forensic introspection in movies like The Report and through broad satire in movies like Vice. As such, any movie hoping to explore the War on Terror exists in the shadow of larger culture.
This is perhaps the biggest issue with The Mauritanian. Director Kevin Macdonald’s earnest exploration of the incarceration and torture of Mohamedou Ould Salahi feels like a movie that should have been released during the early wave of this cinematic excavation. Even allowing for the fact that Salahi was only released five years ago, those five years feel like a very long time. The result of all this is that The Mauritanian feels like a movie displaced in time, feeling like a retread of the earliest films grappling with the topic, like Lions for Lambs.
Interrogating the War on Terror.
Filed under: Non-Review Reviews | Tagged: Benedict Cumberbatch, enhanced interrogation, film, Guantánamo Bay, jodie foster, Kevin Macdonald, Movie, non-review review, review, tahar rahim, the mauritanian, war on terror | Leave a comment »
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