Non-Review Reviews | the m0vie blog

Non-Review Review: You Only Live Twice

Posted on January 7, 2011 by Darren

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

You Only Live Twice was my favourite when I was younger. It was energetic, witty, bright, colourful and adventurous. The stakes were ridiculously high – no less than the Third World War. Bond’s trip to Japan painted the country as an exotic wonderland to a mind as young as my own. The script was smart and the action was fast-paced – the movie still breezes along even today. The cost of the speed is that the movie is ultimately fairly light – it doesn’t carry anything particularly heavy or thought-provoking. This means that it ends up feeling relatively light-weight when measured against some of Sean Connery’s earlier outings like From Russia With Love or Goldfinger, which worked at least as much with suspense as with action.

Is Bond turning Japanese?

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Filed under: Non-Review Reviews | Tagged: blofeld, bond, casino royale, Chitty-Chitty Bang-Bang, ernst stavro blofeld, film, GoldenEye, Goldfinger, ian fleming, james bond, james bond january, japan, Movie, non-review review, on her majesty's secret service, oriental, quantum of solace, review, roald dahl, Roger Moore, sean connery, you only live twice | 8 Comments »

Non-Review Review: Thunderball

Posted on January 6, 2011 by Darren

Thunderball perhaps gets a bit of a bad wrap because it’s perhaps not quite as good as From Russia With Love or Goldfinger. I’d argue that very few Bond films are. Thunderball perhaps represents the first moment that the series came to a rest – the first three installments had been built around establishing the character, his world and the tropes and clichés that viewers could expect from movie to movie. Sometimes concepts evolved gradually (for example, the novelty henchmen grew from the three blind assassins to Klebb and her knifey boots to Oddjob), while sometimes they were introduced suddenly (Bond’s Aston Martin), but by the time the fourth film came around, all these elements had been fairly firmly established. As such, the fourth film seemed to be more intent on consolidating the series than in breaking new ground. Not that there’s necessarily anything wrong with that.

Bond isn't washed up... yet...

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Filed under: Non-Review Reviews | Tagged: Aston Martin, Aston Martin DB5, casino royale, film, From Russia with Love (film), Goldfinger, james bond, james bond january, Movie, nato, non-review review, nuclear wepons, Pussy Galore, review, sean connery, spectre, thunderball | 2 Comments »

Non-Review Review: Goldfinger

Posted on January 5, 2011 by Darren

Even though it was the third movie in an already iconic and hugely successful franchise, I think that Goldfinger is perhaps the film most responsibly for defining the shape of the archetypical Bond film we’ve been watching for fifty years now. Don’t get me wrong, I love Dr. No and From Russia With Love, but this film defined what an audience could expect from a Bond film. It’s big, it’s bold, it’s confident and it’s flamboyant. It’s also a wonderfully fun cinematic experience which manages to be consistently entertaining but never veering too far into the realm of the ridiculous.

A Golden Girl…

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Filed under: Non-Review Reviews | Tagged: 007, Aston Martin, auric goldfinger, Bond girl, film, gert forbe, Goldfinger, ian fleming, james bond, james bond january, Movie, non-review review, oddjob, Paul McCartney, Pussy Galore, review, sean connery | 7 Comments »

Non-Review Review: From Russia With Love

Posted on January 4, 2011 by Darren

Dr. No demonstrated that Ian Fleming’s suave British secret agent could make it to screen. Sean Connery’s James Bond was on the pop culture map, but perhaps just short of becoming a pop culture icon – that was a sequel or two away. Of course, a second movie was pushed into development, with a rich library of Fleming’s novels to adapt – as faithfully or as loosely as the producers might like. When President Kennedy, one of the other “coolest men of the sixties”, announced that From Russia With Love was his ninth favourite novel of all time, it seemed th choice had been made. Rumour has it that Alfred Hitchcock was at one point intended to direct the film, but Terrence Young’s From Russia With Love is still a wonderfully iconic Bond film, which represents a pretty large step from “an entertaining espionage movie” to “globe-spanning spy franchise”.

Bond was already making a splash at this stage of his career...

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Filed under: Non-Review Reviews | Tagged: alfred hitchcock, Cuban Missile Crisis, espionage, films, From Russia With Love, ian fleming, james bond, james bond january, Movies, non-review review, review, Roger Moore, sean connery, terrence young | Leave a comment »

Non-Review Review: Dr. No

Posted on January 3, 2011 by Darren

Sure, there’s an opening scene involving the murder of a British agent stationed in the Caribbean, but the start of the movie that everybody remembers takes place in a late-night British casino over a game of card. A beautiful young woman is losing to the suave cigarette-smoking stranger on the opposite side of the table. “I admire your luck, Mister…?” she remarks, locking eyes with the figure. He coyly lights a cigarette.

“Bond,” he introduces himself. “James Bond.”

The rest is cinematic history.

You know the name… You know the number…

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Filed under: Non-Review Reviews | Tagged: British Empire, Caribbean, Dr. No, films, GoldenEye, Honey Rider, james bond, james bond january, List of James Bond villains, Movies, non-review review, quantum of solace, review, reviews, Roger Moore, sean connery | 4 Comments »

Non-Review Review: Batman – Gotham Knight

Posted on December 16, 2010 by Darren

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. This is one of the animated feature films involving the characters from the creators of the original animated shows.

Batman: Gotham Knight was somewhat misleadingly advertised as a “missing link” between Batman Begins and The Dark Knight. Released in the run-up to Christopher Nolan’s superhero sequel, the film was clearly intended to call to mind the Animatrix, with a strong sense of anime flavouring the variety of shorts on display here. Each was produced by a different studio in a different style from a different author. The result is, as you’d expect, a mixed bag. Some stories are good, some stories are bad – there are interesting stories let down by poor animation and strong stories featuring weak animation. It’s a very mixed bag, which never really seems necessary or exceptional.

Yes, that is a batarang in his hand. And yes, he is happy to see you...

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Filed under: Non-Review Reviews | Tagged: animation, anime, anthology, arts, batman, batman begins, batman: gotham knight, cartoon, Christopher Nolan, Crispus Allen, film, gotham knight, gothic, kevin conroy, Lucius Fox, Movie, Movies, non-review review, review, Sal Maroni, The Dark Knight, tim burton | 3 Comments »

Non-Review Review: Superman/Batman – Apocalypse

Posted on December 15, 2010 by Darren

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. This is one of the “stand-alone” animated movies produced by the creative team that gave us the television shows.

Prompted by the massive success of Superman/Batman: Public Enemies, Superman/Batman: Apocalypse is the first direct sequel in this line of animated films. It adapts the second arc of Jeph Loeb’s Superman/Batman run, and contains several direct references to the first film (including a news report covering “President Luthor’s impeachment”). While the first film worked on the sheer fun of a super-powered buddy cop film, there’s admittedly less to endear this particular movie to an audience – most notably because this same production team had already animated it as Little Girl Lost, an episode of Superman: The Animated Series.

Some looks CAN kill…

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Filed under: Non-Review Reviews | Tagged: andre braugher, animated, batman, Batman in film, clancy brown, darkseid, dc animated universe, dc universe, dcau, dcu, Ed McGuinness, film, kevin conroy, Movie, new gods, non-review review, review, summer glaue, superman, superman/batman, superman/batman: apocalypse, Susan Eisenberg, Warner Brothers, wonder woman | Leave a comment »

Non-Review Review: Wonder Woman

Posted on December 14, 2010 by Darren

Did you… did you stop Ares?

No. I didn’t. I couldn’t.

What? Why not?

I had to save you.

(slap!)

Ow!

– Diana clarifies to Steve that she isn’t a damsel in distress

I have to confess, I’ve never been grabbed by Wonder Woman as a concept. Is she a feminist? A socially conscious superhero? A female superman? A superhero who is willing to take a life if it’s necessary? A diplomat? She’s been all these things and many more, which is perhaps why it’s hard to get a handle on her – which is perhaps why it’s difficult to care for her. Her origins cannot be summed up in a single sentence like Batman (an orphaned “rich kid with issues… lots of issues”) or Superman (who Grant Morrison managed to sum up in eight words) – her origin will likely eat up at least a paragraph of this review. As such, you can understand my surprise that Wonder Woman is perhaps the best DC comics animated adaptation they have produced to date.

Taking a swing at the character...

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Filed under: Non-Review Reviews | Tagged: alfred molina, amazons, ares, batman, dc, dc animated universe, dc universe, dcau, feminism, greek, hades, joss whedon, keri russell, nathan fillon, Paradise Island, rosario dawson, Steve Trevor, superhero, virginia madsen, wonder woman | 4 Comments »

Non-Review Review: Justice League – Crisis on Two Earths

Posted on December 13, 2010 by Darren

Okay, well maybe it’s not quite “stand-alone”, seen as it’s based off a script that was intended to bridge the two animated series Justice League and Justice League Unlimited. Anyway, some of these movies – such as Justice League: New Frontier – are excellent examples of Western animation in their right. Some – such as Wonder Woman – are spectacular introductions to characters that perhaps never really got the attention that they so sorely deserved. On the other hand, some are just animated versions of a Jerry Bruckheimer blockbuster production.

Justice League: Crisis on Two Earths is one of those.

Owlman is a bird of prey...

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Filed under: Non-Review Reviews | Tagged: batman, crime syndicate, crime syndicate of america, crisis on two earths, dc animated universe, dc universe, dcau, dcu, grant morrison, green lantern, Greenlantern, hal jordan, james woods, Johnny Quick, justice league, justice league of america, Justice League: Crisis on Two Earths, Justiceleague, Martian Manhunter, non-review review, owlman, power ring, review, superman, william baldwin, wonder woman | Leave a comment »

Non-Review Review: Superman – Doomsday

Posted on December 10, 2010 by Darren

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. This is the very first of the “stand-alone” animated movies produced by the creative team that gave us the television shows.

Superman: Doomsday is the first entry in the range of animated DC films featuring their iconic superheroes. The line has since ballooned to feature a wide range of other heroes, with movies focusing on Batman, Wonder Woman, Green Lantern and even the Justice League itself, but Superman seemed a logical place to start. Of course, the fact that the movie came from the minds that brought us Batman: The Animated Series and the rest of the animated universe (even if it didn’t share continuity) was also a solid indication. However, there’s very much a sense of a production team attempting to find their footing. Although it’s solidly entertaining on its own terms, the film feels like perhaps the weakest entry in the selection of films.