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Non-Review Review: Unstoppable

I guess I’ve kinda marked Tony Scott as a more talented Michael Bay, in that he’s a director who manages all the tense and superficial elements of his action films particularly well, but that he also a strong eye for dramatic talent and seems to work much better with his leads – or, at least, draw stronger performances from them – than Bay. I was kinda thinking that as I was watching Unstoppable, pondering how Bay’s fascination with physical objects and explosions could have turned the film into a nigh-impossible mess, as the movie is literally based around the idea of a runaway train. Scott can’t quite find the human drama at the core of the story he’s telling, but he does try. And I think that effort alone makes the film watchable, if not remarkable.

Train-ing Day...

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Non-Review Review: The Change-Up

This movie was seen as part of Movie Fest, the rather wonderful film festival organise by Vincent and everybody else over at movies.ie. It was well worth attending, and I’m already looking forward to next year. Good job all.

Body swap comedies are pretty much a subgenre unto themselves. There’s a fairly standard formula, much like the conventional romantic comedy, but the success or failure of a given movie rests pretty much entirely on the execution of that formula. It’s finding the wit and energy to inject into a familiar structure, to produce an interesting and compelling result. It’s been done with considerable frequency. However, The Change-Updoesn’t really generate enough laughs consistently to make a memorable addition to this category of comedy.

Just kidding around...

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Non-Review Review: Drive

This movie was seen as part of Movie Fest, the rather wonderful film festival organised by Vincent and everybody else over at movies.ie. It was well worth attending, and I’m already looking forward to next year. Good job all.

Drive took home Best Director at the Cannes Film Festival, and it’s easy to see why. This pulpy retro crime thriller is an intense joyride featuring what might hopefully be a long over-due star-making role for Ryan Gosling.

Gosling has an impressive body (of) work...

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Non-Review Review: 30 Minutes or Less

This movie was seen as part of Movie Fest, the rather wonderful film festival organised by Vincent and everybody else over at movies.ie. It was well worth attending, and I’m already looking forward to next year. Good job all.

It’s kinda strange to watch 30 Minutes or Less. It’s an entertaining enough farce that is carried mainly by its superb primary cast, but it feels strange because the viewer gets the sense that the film might have worked better as a quirky caper film instead of a flat-out comedy. I enjoyed the movie, even if it wasn’t really in the same ballpark as Ruben Fleischer’s early film, Zombieland. I spent most of the movie with a smile on my face, rather than laughing out loud.

Banking on another great comedy...

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Non-Review Review: Fright Night

This movie was seen as part of Movie Fest, the rather wonderful film festival organised by Vincent and everybody else over at movies.ie. It was well worth attending, and I’m already looking forward to next year. Good job all.

Fright Night is great fun. It’s not a perfect film, but it’s one that’s produced with enough skill and charm that it feels well worth your time. A superb cast and confident direction make the film feel like a breeze, even with a slightly muddled middle section and some strange plotting and pacing. It’s also one of the best uses of 3D I’ve seen since Tron: Legacy, and I genuinely don’t say that lightly. All of adds up to a movie well worth sinking your teeth into.

Put the Fright one on...

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Non-Review Review: Final Destination 5

This movie was seen as part of Movie Fest, the rather wonderful film festival organised by Vincent and everybody else over at movies.ie. It was well worth attending, and I’m already looking forward to next year. Good job all.

Okay, if you’re reading this, I’m going to assume that it means you’re interested in the Final Destination series. I mean, at a fifth instalment, it’s hard to argue that the audience doesn’t know what to expect – especially in a series like this, which is build around a particular gimmick. In this case, the gimmick happens to be turning the entire world into a Rube Goldberg Machineof death. So the question isn’t really whether the film works as a self-contained entity, or whether the entire concept works. We’ve had four films to determine whether the very idea of Final Destination 5 appeals to you, so let’s just focus on – if you’ll pardon the pun – the execution this time around.

It's a grave matter...

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Non-Review Review: Cowboys & Aliens

This movie was seen as part of Movie Fest, the rather wonderful film festival organised by Vincent and everybody else over at movies.ie. It was well worth attending, and I’m already looking forward to next year. Good job all.

It’s a testament to Jon Favreau’s skills as a filmmaker that Cowboys & Aliens ends up as a watchable, if entirely forgettable, addition to an ever-growing summer schedule. The movie is plagued by fairly fundamental problems, from a miscast lead to a failure to follow through on an interesting premise, right down to being one of the more blandly predictable blockbusters in quite some time. Favreau plays the best hand he can with the cards he has been dealt, offering a passable imitation of Steven Spielberg, but the problem is that none of it adds up to a win.

Not quite a blast...

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Non-Review Review: Takers

The obvious point of comparison for Takers is The Town, Ben Affleck’s bank-robbing thriller that opened around the same time. However, I think it’s a misleading comparison, if only because Affleck’s film feels far more specific and nuanced in scope than this heist thriller. Instead, I think the best point of reference for this particular feature film is to consider is as Heat for the MTV generation.” Of course, any film’s going to come out quite badly from that synopsis, but I do think it’s fair, as it speaks to both the strengths and (perhaps more importantly) the weaknesses of this particular film.

Are the crew being taken for a ride?

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Non-Review Review: Ninja Assassin

I want to like Ninja Assassin. I want a nice, pulpy, old-school hyper-violent throw-back like the title suggested. The two words thrown together don’t necessarily evoke the imagery of classic cinema, but they at least promise a reasonably diverting action thriller. However, it seems that nobody told the writer and director this. Despite it’s surprisingly direct title, the movie is just one big bloated mess, which seems to aspire to a complexity that nobody expects of it, and fails miserably. There seem to be occasional moments where the film grabs the potential of the concept, acknowledging a sort of Tarantino-light nostalgic approach to pop culture trash, but most of the film takes itself far too seriously, but without the skill necessary to succeed as the film it seems to want to be.

All fired up...

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Non-Review Review: Green Lantern – Emerald Knights

In many ways, Green Lantern: Emerald Knights can be seen as a counterpart to the earlier Batman: Gotham Knight. Beyond the fact that both contain “knight” in the title, both animated films were released as promotional tie-ins to major motion pictures featuring the characters in question, and both are structured as vignettes rather than one continuous storyline. Don’t let that fool you. Unlike the incredibly uneven Gotham Knight, Emerald Knights is actually quite a worthy little movie.

Good to the Corps...

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