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June in Review

It’s been a heck of a month. It has also been while since I’ve done one of these “wrap up” posts, which are probably more for myself than for anybody else, when I pop onto the blog in my old age and want to laugh at what a foolish young man I was with all manner of crazy and poorly-thought-out ideas. So I try to post one of these at the end of point out some of the stuff that I wrote that I’m kinda happy with – the stuff that I might want to read first if I ever look back on this so I don’t despair of the man I was. Or some nonsense like that.

Anyway, just last night I was delighted to submit a last-minute article on Transformers 3 to the superb Morality Bites blogathon. It’s always great to be asked to take part, even if I’m rarely the most organised person taking part.

Anyway, this was the month when I was lucky enough to end up on the IMDb Hit List twice… in the space of a single week. I still can’t understand how that happened, but am genuinely humbled by it. As I’ve said before, it’s an honour to be noticed by the kinda people who love what you love – it’s a huge source of pride that the on-line film resource thought that my hastily-collected gibberish was worthy of attention, and I am still a little bit giddy and star-struck. There’s nothing like being acknowledged by the guys who do what you do… but 1,000,000x better. Sorry, this is a long rambling waffle.

The first post to be selected was a post on this year’s Comic Con that wondered if the move away from the event could foreshadow a fading interest in the geek audience

Then, a few days later, I happened to get up there again for a piece I am honestly glad that people noticed, something about Pixar. Because I genuinely love Pixar, and I don’t get to talk about them often enough. And because Cars 2 is getting a lot of criticism, and sometimes I worry we ignore the really good stuff in life…

… I was especially honoured when the wordpress team also freshly pressed the very same article. The guys are exceedingly wonderful to let myself and all the other bloggers a platform to share our (sometimes haphazardly formed) thoughts with the world, and it’s really great when they do notice something you’ve written. It’s good to know that maybe the people who work hard to offer you a service like this one got a little enjoyment from your effort – like you’re giving a very tiny something back. It is an absolute joy to be listed in such a way.

But that’s the end of the month. Plenty of stuff happened before hand.  I was really looking forward to Green Lantern, only to be a little let down by it. I also wrote a geeky article for another site I occasionally write for about the links between Grant Morrison and Christopher Nolan’s Batman, which I’m also a little bit geeky proud of.

Outside of nerdy stuff, I wondered about classic films I hadn’t seen (one (and a bit) to cross off: Apocalypse Now and Apocalypse Now Redux), and if even a great film can be far too long. Oh, and when we start thinking of the family of famous celebrities as their own individuals rather than extensions of their relatives.

So, it was an awesome month. I can only hopt the next is nearly half as good.

Can a Good Film Be Too Long?

Man, I watched Apocalypse Now Redux last weekend, and my butt is still a little bit numb. Clocking in at well over three hours, I couldn’t help but find my attention wandering, despite the fact that I was deeply interested in the story unfolding in front of me. Terrence Malick’s Tree of Life, which I am very much looking forward to, hasn’t opened over here yet, but there are already rumours circulating at a cut of the movie over six hours long. As much as I want to see the film, and as much of the director’s vision as I might want to take in, I can’t help but feel that 360+ minutes might just be too long for a single sitting.

You could nearly grow a tree during the length of Malick's proposed six-hour cut...

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Non-Review Review: The League of Extraordinary Gentlemen

The League of Extraordinary Gentlemen is a wasted opportunity. The superb graphic novels by Alan Moore are among the best that comics have to offer, and even the basic concept of picking a variety of public domain character to base an action adventure around has a sort of pulpy thrill to it. It could have been a very witty and a very clever film, or it could have just been an effective big-budget blockbuster. In the end, unfortunately, the film is neither – it ends up feeling more like a waste of effort for all involved.

I feel like shredding this film...

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For Freedom! The Politics of Transformers 3…

This is part of the “Morality Bites” blogathon being hosted by the always awesome Ronan over at filmplicity and Julian at dirtywithclass. It is, as ever, a joy to be asked to take part.

There’s a right way and a wrong way to tackle politics (or any thorny issue) in cinema. Documentaries are the obvious exception, but very few people go into a major motion picture (or even an indie one) expecting a personal diatribe of the creator’s controversial political opinions construed as absolute fact. It’s often more interesting to hear a rant in spoken form rather than structured into three acts at well over an hour with awkward plotting and characterisation designed to outline a particular world view. Don’t get me wrong, many great film makers have used their films as clever points of interest on a particular topic, but those that succeed often do so through clever construction, honest analyse and a decent amount of subtlety. However, such an approach is far too rare in Hollywood, as I thought to myself emerging from Michael Bay’s Transformers 3. I’d made my piece with the fact I was attending a two-and-a-half hour toy commercial, but I didn’t expect it to be a two-and-a-half-hour toy commercial delivered as a declaration on American foreign policy.

Transformers: Politics in Disguise...

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Y: The Last Man – The Deluxe Edition, Book V (Review)

In an effort to prove that comic books aren’t just about men in spandex hitting each other really hard, this month I’m reviewing all of Brian K. Vaughan’s superb Y: The Last Man. In April, I took a look at all the writer’s Ex Machina.

You know, I think I’m not entirely sure what to make of the conclusion to Brian K. Vaughan’s superb Y: The Last Man, which wraps up here after sixty issues. It’s strange, as if the saga wraps up almost more than I expected, while still remaining the wonderfully intimate adventure that roped me in from the start.

Colour me sad that it's coming to an end...

Note: As we’re reaching the end, expect spoilers. Lots of them. And big ones too. If you want a recommendation… well, go read one of the earlier reviews, or just pick up the first collection and give it a shot.

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Non-Review Review: Transformers 3 – Dark of the Moon

Here’s the thing: I don’t really expect a lot from Transformers: Dark of the Moon. It’s a movie about two rival factions of robots who engage in civil war on Earth. It’s not the stuff of epic tragedy or cinematic masterpieces. It’s designed to offer knock-down brawls, superb CGI, stunning action and a handful of fist-pumping moments. I’m cool with that. I don’t expect any more than that, and – to a certain extent – the movie meets my basic needs. However, despite a superb supporting cast and some superb special effects, the movie feels a little too self-important and po-faced to ever really engage. The final forty minutes are something to behold, but there’s just too much mundane plotting and pompous pseudo-philosophical rambling in the first two hours to really justify it.

Jump in my car...

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Don’t Leave Us Hanging: Going Out on a Cliffhanger…

So, I saw the final episode of V last night. Talk about disappointing. The series throws us a giant big cliffhanger and then… boom! It’s cancelled by the network in what has been referred to as a “bloodbath.” What makes it more frustrating, though, is the fact that the cancellation was quite probable even as early as last year, so it wasn’t as though the series was cut down in its prime without any warning. The cast and crew knewthat there was a fairly significant chance that this episode would be the last to see the light of day… and they ended on a whopping big cliffhanger anyway. I can’t help but feel a little bit disappointed.

After two years, the visitors are sent packing...

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Pixar and the Weight of Expectation…

Well, it probably had to happen. I know it’s probably not statistically impossible, just highly improbable – but I guess that I always knew (deep down) that Pixar’s batting average was too good to last. I mean, I (at the very least) really like all of their films, and I genuinely love the majority of them. And that fact is borne out by the Rotten Tomatoes ratings of the various films. The vast majority rank in the 90% to 100% range, something any studio would kill for: Toy Story (100%), A Bug’s Life (91%), Toy Story 2 (100%), Monsters Inc (95%), Finding Nemo (98%), The Incredibles (97%), Ratatouille (96%), Wall-E (96%), Up (98%), Toy Story 3 (99%). Even the single film that ranks lowest, the only one not in the range, still had mostly positive reviews, Cars with 74%. However, Cars 2 looks to have bucked that winning trend, with reviews that not only fall far short of Pixar’s impressive average, but is actually pretty negative.

I can’t help but feel more than a little bit sad.

Do Pixar need to get in gear?

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Non-Review Review: The Next Three Days

The Next Three Days is actually, when it gets down to it, quite a clever and inventive little prison break movie, with a strong central performance from Russell Crowe, with a smart script and a great supporting cast. However, the problem is that, for a prison break movie, the actual prison break only takes up a relatively small amount of the film. While it’s clear a great deal of care and research went into the production, and it feels like Paul Haggis is really showing his work, it throws the pacing off a bit, and feels almost like we’re watching the episodic adventures of a guy planning to break his wife out of prison.

This couple really needs a break...

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On Second Thought: Apocalypse Now (Redux)

I wrote in my review of the original version of the movie that the two-and-a-half-hour cut captured a great deal of the insanity that seems to have been a defining characteristic of the Vietnam War, with the movie feeling like a crazed surrealist trip into madness, a collection of abstract meditations on the American condition that felt compressed at over two hours. If that is the case, Apocalypse Now Redux captures another aspect of the conflict. It’s now less insane, but the instability and absurdity appear more systemic and endemic. It’s bloated, terrifying, harrowing and seemingly eternal.

Much like the war itself.

Back into the Heart of Darkness...

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