Welcome to the m0vie blog’s zombie week! It’s a week of zombie-related movie discussions and reviews as we come up to Halloween, to celebrate the launch of Frank Darbont’s The Walking Dead on AMC on Halloween night. So be sure to check back all week, as we’ll be running posts on the living dead.
They’re coming to get you, Barbara!
– Barbara’s brother tempts fate
The kids in the audience were stunned. There was almost complete silence. The movie had stopped being delightfully scary about halfway through, and had become unexpectedly terrifying. There was a little girl across the aisle from me, maybe nine years old, who was sitting very still in her seat and crying… It’s hard to remember what sort of effect this movie might have had on you when you were six or seven. But try to remember. At that age, kids take the events on the screen seriously, and they identify fiercely with the hero. When the hero is killed, that’s not an unhappy ending but a tragic one: Nobody got out alive. It’s just over, that’s all.
– Roger Ebert discusses the impact of the film on his first viewing
It’s interesting to look back on a film and see that it created a whole new genre from scratch. The Night of the Living Dead is a humble, small and effective little black-and-white effort that doesn’t even seem aware of the impact that it would have. As shrewdly as it creates the monster which defined the latter half of the twentieth century (and the first few years of the twenty-first), there’s nothing pretentious about George A. Romero’s production. In fact, it consciously harks back to all manner of influential and paranoid fifties horrors (with a dash of science fiction). Still, there’s a reason the film has endured for so long. Although it never pretends to be anything more than a gloriously trashy B-movie, The Night of the Living Dead is committed to being the best gloriously trashy B-movie it can be. The only thing more fascinating than its pop culture impact is how well (mostly) it still hold up today.
Barbara's in grave danger...
Continue reading →
Filed under: Non-Review Reviews | Tagged: actor, b-movie, Day The Earth Stood Still, Duane Jones, film, george romero, Invasion of the Body Snatchers, Living Dead, Movies, night of the living dead, non-review review, review, roger ebert, social commentary, zombies | 1 Comment »
the m0vie blog 
Non-Review Review: The Night of Living Dead (1968)
Welcome to the m0vie blog’s zombie week! It’s a week of zombie-related movie discussions and reviews as we come up to Halloween, to celebrate the launch of Frank Darbont’s The Walking Dead on AMC on Halloween night. So be sure to check back all week, as we’ll be running posts on the living dead.
It’s interesting to look back on a film and see that it created a whole new genre from scratch. The Night of the Living Dead is a humble, small and effective little black-and-white effort that doesn’t even seem aware of the impact that it would have. As shrewdly as it creates the monster which defined the latter half of the twentieth century (and the first few years of the twenty-first), there’s nothing pretentious about George A. Romero’s production. In fact, it consciously harks back to all manner of influential and paranoid fifties horrors (with a dash of science fiction). Still, there’s a reason the film has endured for so long. Although it never pretends to be anything more than a gloriously trashy B-movie, The Night of the Living Dead is committed to being the best gloriously trashy B-movie it can be. The only thing more fascinating than its pop culture impact is how well (mostly) it still hold up today.
Barbara's in grave danger...
Continue reading →
Filed under: Non-Review Reviews | Tagged: actor, b-movie, Day The Earth Stood Still, Duane Jones, film, george romero, Invasion of the Body Snatchers, Living Dead, Movies, night of the living dead, non-review review, review, roger ebert, social commentary, zombies | 1 Comment »