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The “Twitter” Effect

I don’t have a twitter account. Until earlier this year, I didn’t have a blog. I’m not a slow technological adapter, but I don’t pretend that I am the fastest either. I don’t do facebook, linkedin or bebo, among others. Apparently I am way behind the times. Anyway, it’s always fun to watch the sociological impact of these new multimedia methods of keeping in touch and how they find themselves harnessed (whether intentionally or not) to the service or detriment of established traditional media. Paranormal Activity is the latest movie to benefit the Twitter Effect.

Is it a phantom effect?

Is it a phantom effect?

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What Does it Take to Force You to Turn Off a Movie Halfway Through?

I’ve been thinking about this for quite some time – ever since snuggling in to watch the eighties sci-fi spectacular Enemy Mine only to discover that it was an experience which managed to flawlessly recreate the experience of being repeatedly hammered on the head by a blunt metallic object of some sort. The fact that the movie actually forced me to give up on it is a rare experience – I can normally grit my teeth and bare it. In a world that features so, so many terrible, terrible films, how come I don’t switch off more?

Yes, even he couldn't get me to switch off...

Yes, even he couldn't get me to switch off...

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Ultimate Spider-Man – Vol. 4-6 (Hardcover)

It’s probably hard writing the same comic with the same artist for the bones of a decade. Setting things up years in advance only to have them pay off down the line, trying to put a new slant on an existing mythology while updating it for a new audience. This middle section of the Bendis/Bagley run on Ultimate Spider-Man isn’t necessarily bad per se, but it lacks the energy and reckless fun which defined the start of the run and the sense of resolution that approached at the end of the run. It just is.

Not that there’s anything wrong with that.

Your spidey-sense should be tingling...

Your spidey-sense should be tingling...

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Freefall (Ulster Bank Dublin Theatre Festival)

It has been a while since I’ve worn my ‘theatre reviewer’ hat, but I’m blowing the cobwebs off on this one. My girlfriend is a huge fan of the Corn Exchange theatre group and we decided to give their new work, playing as part of the Ulster Bank Dublin Theatre Festival, a go. I’ve had very mixed luck when it comes to seeing performances in the project theatre, and while I was quite impressed with the technical aspects of the play – I couldn’t help feeling that something was missing.

Not quite a stroke of genius...

Not quite a stroke of genius...

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Mark Millar’s Run on Ultimate X-Men – Vol. 1-3 (Hardcover)

There’s a reason you don’t hear a lot of people talk about this particular addition to Mark Millar’s bibliography. Very simply, it’s not very good. It’s as if Mark Millar has taken the usual explosive energy that underpins his work and turning it up so high that all we can discern is just a screeching noise. It doesn’t help that the book manages to turn just about every strength he demonstrated during The Ultimates into a weakness.

Because it wouldn't be an X-Men book without Wolverine on the cover...

Because it wouldn't be an X-Men book without Wolverine on the cover...

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Ultimate Spider-Man – Vol. 7-9 (Hardcover)

Five years in and the Ultimate Universe is starting to look a little cluttered. In fairness, it was a little bit inevitable, with so many classic storylines to play out and so many classic characters to reimagine in a relatively short space of time. Bendis tries to keep the toys from cluttering up the pram through various means, and none of these new characters seem forced (though some do feel gratuitous). I suppose that if the Ultimate line is supposed to offer a mirror to the mainstream history of Marvel, it’s only natural it should become cluttered. Still, like playing with your favourite toys, it’s only natural to make a bit of a mess…

No claws for alarm...

No claws for alarm...

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Growing Old in Hollywood…

Is it possible for an actor to age gracefully? The Guardian has been very fruitful in providing food for thought this week and the article that grabbed my attention today is a discussion of Heath Ledger’s potential had his life not been cut so tragically short. I don’t intend to dwell on what could have, should have or would have been, but the article does raise some interesting assertions about the ageing of great actors:

If you want to propose Pacino, De Niro and Nicholson as the outstanding figures of the 70s and 80s, who can be resigned about what has happened to them? They have become pastiches of what they once were.

So, is that what really awaits our truly great actors at the end of their careers?

Grumpy - but cool - old men...

Grumpy - but cool - old men...

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Policing Product Placement…

Product placement. Sponsorship. Payola. Image branding. Advertising. Astroturfing. The use of media – old and new – to sell products to people – whether they know you’re selling it to them or not. It has always been a bit of a thorny issue – with laws popping up against the legendary, but ultimately unproven, “subliminal advertising” – the flashing of words and images between the stills of a movie so fast that the audience couldn’t actually see them (though some would claim that these images made a subconscious impression, it has been difficult to consistently reproduce – but it was still banned). The last few decades in particular have seen a flurry of rules and regulations attempting to regulate what you can sell to who and how. But is advertising that easy to regulate?

"The Mac - for the insufferable genius in all of us..."

"The Mac - for the insufferable genius in all of us..."

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Who Lies About Seeing Dirty Dancing?

This was an interesting piece of news last week – a large number of us lie about the films we’ve seen, as demonstrated by a survey in the UK. Basically, a large number of us pretend to have seen movies which we haven’t in order to avoid appearing ‘uncultured’. There was a fair bit of focus on the fact that the most lied about film is The Godfather, but it seems to have gone unnoticed that the second most lied about film is Dirty Dancing. Even keeping Patrick Swayze’s recent death in mind (which probably happened after the survey was complete), why would you lie about Dirty Dancing? It takes a stuck-up film snob to judge you for not watching The Godfather or The Shawshank Redemption, two indisputable classics, but who in their right mind would complain that you haven’t lived until you’ve seen Dirty Dancing?

The time of your life, indeed...

The time of your life, indeed...

Is Anton Chigurh an Angel?

Yes, you read the title right. Is Anton Chigurh, the sociopathic hitman from No Country For Old Men who kills his victims an instrument used to cull cattle, an instrument of divine will? I stumbled across an interesting argument on-line which proposed that McCarthy (who is – apparently – staunchly conservative) wrote the character as an angel who was sent down to purge all those connected in anyway with the money from the drug trade – bringing on the old-school biblical wrath which you don’t see too often these days. Talk about executing your purpose with zeal.

Everytime Chigurh kills somebody, an angel gets its wings. It's pretty crowded up there, too.

Everytime Chigurh kills somebody, an angel gets its wings. It's pretty crowded up there, too.

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