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Absolute Identity Crisis (Review/Retrospective)

This January, I’m going to take a look at some of DC’s biggest “events.” This week I’ll be taking a look at Brad Meltzer’s impact on the DC universe.

Identity Crisis is the first in the trilogy of stories that built off the original Crisis on Infinite Earths to offer a fairly significant reevaluation of the modern DC universe, examining where the characters and the fictional landscape was as compared to where it had been decades before. I’ve argued that Marvel went through a similar period of introspection from House of M through to Siege, but DC seemed to engage with the concept on a more direct level. Written by best-selling novelist Brad Meltzer, Identity Crisis is an attempt to explore the rather fundamental changes that occurred in superhero comics during the nineties, often as a direct response to The Dark Knight Returns or Watchmen, giving us a more cynical depiction of the concepts and characters that we take for granted. It’s controversial – as any similar reimagining would be – and, to be frank, it’s a bit of a mixed bag.

However, it’s always fascinating, even if it is grimly so.

Time to hang it up?

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Ultimate Spider-Man – Vol. 4-6 (Hardcover)

It’s probably hard writing the same comic with the same artist for the bones of a decade. Setting things up years in advance only to have them pay off down the line, trying to put a new slant on an existing mythology while updating it for a new audience. This middle section of the Bendis/Bagley run on Ultimate Spider-Man isn’t necessarily bad per se, but it lacks the energy and reckless fun which defined the start of the run and the sense of resolution that approached at the end of the run. It just is.

Not that there’s anything wrong with that.

Your spidey-sense should be tingling...

Your spidey-sense should be tingling...

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Ultimate Spider-Man – Vol. 7-9 (Hardcover)

Five years in and the Ultimate Universe is starting to look a little cluttered. In fairness, it was a little bit inevitable, with so many classic storylines to play out and so many classic characters to reimagine in a relatively short space of time. Bendis tries to keep the toys from cluttering up the pram through various means, and none of these new characters seem forced (though some do feel gratuitous). I suppose that if the Ultimate line is supposed to offer a mirror to the mainstream history of Marvel, it’s only natural it should become cluttered. Still, like playing with your favourite toys, it’s only natural to make a bit of a mess…

No claws for alarm...

No claws for alarm...

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