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Wolverine: Enemy of the State (Review)

Wolverine is a bit of an odd character. He’s a bit of an odd character to have endured the sheer amount of publicity that he has and to remain a big gun at Marvel. He was introduced as an opponent in The Incredible Hulk, before ending up drafted on to Chris Claremont’s revised Uncanny X-Men roster. After that, he was lucky enough to earn his own miniseries (written by Claremont and drawn by Frank Miller), which became his on-going series which led to him featuring as a leading character in multiple team books and a title character in several solo series, all at the same time. Only Spider-Man can compete with that level of exposure, and Spider-Man arguable has a better claim to it as a richly layoured, complex and pseudo-realistic character (in the sense of being “Peter Parker: Schmuck”, rather than “Your Friendly Neighbourhood Spider-Man”… you get the idea). On the other hand, Wolverine’s defining trait is that he is very, very good at killing things.

Even an unstoppable killing machine can stop to pet the dog...

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Wolverine: Old Man Logan (Review)

What is it about the X-Men and crapsack futures? Mark Millar has taken everybody’s favourite feral anti-hero and dropped him in his own particular horrible future. Old Man Logan takes a familiar Millar conceit – “what if the bad guys won?” – and applies it to the familiar Marvel Universe. Of course, this being Millar, he’s piled even more horror and crappiness on top of that, giving us an inbred Hulk family and wild dinosaurs, but it’s an idea that many will recognise from his own Wanted, among other works. Of course, this being a Wolverine book, we follow the familiar antihero as he attempts to navigate post-apocalyptic America (divided into four kingdoms) while delivering a mysterious package with former Avenger Hawkeye.

A hulkin' good time...

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Non-Review Review: X-Men Origins – Wolverine

Well, at least it’s an action movie that acknowledges its pointlessness. It isn’t a spoiler to point out that – since Wolverine doesn’t remember his origin in X-Men and has to reminded in X-Men II – none of the events here have any real importance to the character development of the Canadian superhero. The audience knows buying a ticket that anything he learns will be erased and lost and that the film itself is just an explosion-filled flashback which, even if had something worth saying, would be pointless anyway. That said, it does deliver somewhat convincing action sequences and two very good leading performances.

The other man of steel...

The other man of steel...

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Brian Michael Bendis’ Run on Ultimate X-Men – Vol. 4 (Hardcover)

Talk about a change of pace. Apparently it was originally conceived that Bendis would be in charge of both Ultimate Spider-Man and Ultimate X-Men during their run. Instead he’s spent almost a decade at this stage with the web-spinner, but he did migrate over to the sister title for a year at the end of Mark Millar’s run. The run is unfortunately too short to fully develop the potential of Bendis on the title, but it represents a massive upwards swing in the quality of the book from the crazy illogical and teen-angst-filled Millar run. It’s still far from a classic, but – read in the context of the entire series – it is perhaps a better representation of what Ultimate X-Men could have been.

And he still doesn't shave...

And he still doesn't shave...

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Summer 2009 in Review…

So, how was it for you? 

Long after the movies of summer are gone...

Long after the movies of summer are gone...

 

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Non-Review Review: X-Men II

I wrote in my review of the original X-Men that the first film in the saga still holds up quite well, even after a decade of superhero movies built off the back of it. It is by no means as spectacular as some of those that followed, nor is it as bad as some of those that followed. X-Men II is something similar. It wasn’t quite as revolutionary, but it did jumpstart another style of summer blockbuster, arguably a subgenre of the type sparked by the original film: the bigger and better superhero sequel.

No need to get your claws out...

No need to get your claws out...

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Magneto’s Magnetism…

Another day, another superhero movie. Still, the long-rumoured X-Men Origins: Magneto is a project which has aroused quite a bit of my interest, if only because it has the potential to be unlike any other film in that genre. And if – as it appears – the superhero film is here to stay, we should at least welcome those that are willing to deviate from the norm, even a little bit and even if they don’t work out. Still, I wholeheartedly accept that it could end up being as pointless and soulless as Wolverine was, so I won’t be priming my hopes too much.

"You shall not recast!"

"YOU SHALL NOT RECAST!"

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Non-Review Review: X-Men

It’s the movie that started it all. We wouldn’t have this tight-spandex-wearing superhero craze in Hollywood today were it not for Bryan Singer’s ambitious adaptation of the Marvel wonder team (okay, Sam Raimi’s Spider Man played a part too). I don’t know what’s more surprising: that it worked at the time or that it still holds together quite well today.

No claws for alarm...
No claws for alarm…

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The Incredible Avengers…

The Avengers has gone form being the movie project I was most skeptical about to one of my most anticipated movies of the comic years. Indeed, the summer of 2011 is looking to be one for the books with a whole rake of massive cult and comic book films coming out – Thor, Captain America, Green Lantern and, should Gary Oldman be believed, Batman 3. However, the culmination of Marvel’s planning within the cinematic world will be the release of The Avengers in 2012. I’ve never been much of a Marvel fan, but I will concede that they have pulled off an amazing movie-making feat. They have created a fully-integrated film universe from a variety of disparate sources building to to a clear target.

Avengers Assemble...

Avengers Assemble...

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Green Lantern… The Other, Other Hot DC Comics Property

Everyone knows Batman and Superman. Those dudes – and their supporting casts – are the nearly the only ambassadors for DC Comics to the world of mainstream cinema. With the exception of the odd stand-alone project, such as Watchmen or Road to Perdition, DC seems to be having a hardtime transitioning its properties to film. Marvel has managed to secure franchises for many of their lights, both greater and lesser – ask the X-Men, Spiderman, Fantastic Four, Blade, Iron Man, The Hulk and even The Punisher – leading me to wonder why DC has taken so long to get out there. Sure, perhaps Superman and Batman (and Wonder Woman) are the most iconic of their stable, but I’d also suggest that the Flash and Green Lantern also carry name recognition (though not to the same degree). I’m greatly anticipating Green Lantern as the second-biggest superhero event of next year (because Iron Man II has one of the best casts… ever), but I’m left to wonder: what the hell took you so long?

Doesn't he know that domino masks are sooooooo Silver Age?

Doesn't he know that domino masks are sooooooo Silver Age?

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