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Legends of the Dark Knight: Marshall Rogers (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I do appreciate these nice hardcover collections that DC are putting out, collecting the work of iconic artists on iconic characters. There have been a number of Legends of the Dark Knight and Tales of the Batman collections, and DC will soon be publishing an Adventures of Superman: Gil Kane collection. So it is great to have pretty much all of Marshall Rogers’ work on Batman collected in one nicely-sized hardcover for the reader to digest, especially considering the monumental impact that some of his work has had on the character and his mythology. That said, there are unfortunately some production issues with the hardcover that take away from the experience of having all these stories released in a high-quality format in one place.

Na na na na na na na… Batman!

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Batman: Dark Victory

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. We’re winding down now, having worked our way through the nine animated features, so I’m just going to look at a few odds-and-ends, some of the more interesting or important episodes that the DC animated universe has produced. Earlier today we looked at the Emmy-winning Robin’s Reckoning, so I thought we might take a look at the comic book origin of Robin that it inspired.

“And while the Maronis and the Falcones have often been bitter rivals, they all now share a common enemy,” Batman narrates at one point in the sequel to The Long Halloween“Extinction.” Dark Victory is the story of the death of “the gangster element of Gotham City” as the organised crime families attempt one last struggle against the emerging freaks. It closes the book on the story threads that Frank Miller introduced in his revision of Batman’s origin in Year One, which continued through Loeb and Sale’s The Long Halloween (which itself provided the basis of Christopher Nolan’s The Dark Knight). The book serves as an origin story for Dick Grayson, and thus offers a nice bookend for the early years of Bruce’s crimefighting career.

Face the facts...

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Batman: The Animated Series – Almost Got ‘Im

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. Given that we looked at Batman: Gotham Knight earlier today, I thought we might take a look at another series of vignettes related to the Batman – this time from the perspective of his bad guys.

Greetings, Batman! You have taken the bait, as I knew you would. Now, prepare to meet your end, within my Aviary of Doom

Aviary of WHAT?

Yeesh, Pengers! How corny can you get?

Fah! Just because you mundane miscreants have no drama in your souls! Anyway, there he was in my av… uh, big birdhouse…

– The Penguin, Poison Ivy and the Joker discuss the state of theatricality amongst modern supervillains

Batman: The Animated Series perhaps represents the best adaptation of the Batman mythos in any medium outside of comics. No other iteration of the character has successfully managed to take in virtually all facets of the Caped Crusader without breaking a sweat – the show can do drama, action, gothic thriller and even comedy. Almost Got ‘Im is a fun little episode which centres around a bunch of supervillains trading stories about that one time that they almost killed the Batman. It’s mostly entertaining just to watch Batman’s eclectic selection of bad guys sitting around and playing cards while talking about business and “you know who”, but each of the schemes is a wacky and crazy death trap straight out of a hokier comic (from a giant dollar coin to exploding pumpkins to laughter-powered electric chair). The episode works because it treats all of this like it’s a regular occurence in Gotham, and these ridiculous plots are just what the villains get up to when there’s nothing better going on.

Card-carrying villains...

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Batman: Arkham Asylum – A Serious House on a Serious Earth

Batman’s not afraid of anything.

It’s me. I’m afraid.

I’m afraid that the Joker might be right about me. Sometimes… I question the rationality of my actions. I’m afraid that when I walk through those asylum gates… When I walk into Arkham and the doors close behind me…

It’ll be just like coming home.

– Batman explains his unease at going into Arkham Asylum to Jim Gordon

I have to admit, I was somewhat surprised to hear recently that Grant Morrison’s Arkham Asylum is a somewhat “divisive” book. It is, one hand, highly critically praised and the best-selling graphic-novel of all time, yet Morrison scholars are quick to describe it as “much maligned”. I’ll admit that I took my time getting around to reading it – partially due to the fact that DC refused to keep the hardcover in print – but I eventually buckled and got myself the softcover 15th Anniversary Edition. What I found was one of the most densely challenging, cleverly constructed and brilliantly gothic depictions of the Dark Knight I have ever encountered (indeed, it might even be “simply the most” rather than a safer “one of the most”). It’s beautiful, it’s dark and it’s tough – but it’s also immensely rewarding. Come with me into the Asylum.

Batman comes home…

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Non-Review Review: Batman Forever

Was that over the top? I can never tell!

– Edward Nygma, aka The Riddler

Yes, Edward, that was over the top.

“Yeah, Tommy, you got something juuuust here….”

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Should Harvey Dent Return in Batman 3?

I’m having what might be termed ‘a Batman day’. I finally managed too tear open and read my copy of Absolute Batman: The Long Halloween and I’m a little giddy about it – and the fact Batman was just named Britain’s favourite superhero. In fact, it reminds me of just how much I want a sequel to The Dark Knight to at least be announced officially – the steady stream of increasingly inane rumours (Eddie Murphy, Megan Fox, yeesh) aren’t quite satiating my thirst. There’s been (understandably) a lot of discussion about the villains in the new film. I honestly don’t know who Nolan will pick (though my money is on Catwoman if only to adjust the gender ratio), but I am fascinated by the on-line discussion surrounding whether the characters of Harvey Dent and The Joker will (or should) return. My opinion of the Joker is simply: if he does, he does. Heath Ledger won an Oscar and gave us a fantastic portrayal of the character. If Nolan wants to bring him back recast, I’m cool. On Dent, I’m more sure: I don’t want to see him again.

Bringing back Harvey is a half-brained idea...

Bringing back Harvey is a half-brained idea...

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Absolute Batman: The Long Halloween (Review)

Say what you will about the Caped Crusader, as well as having the finest rogues gallery in comicdom, he also gets most of the best storylines and plots. The Long Halloween is widely considered a classic, a true Batman story for the ages and a perfect companion to Frank Miller’s Batman: Year One. In many ways, both stories heavily influence the two Christopher Nolan Batman movies (Batman Begins and The Dark Knight) to the point where the notoriously shy-about-his-work Nolan actually provides the introduction to this collection. There’s a mark of quality right there. The story is so highly regarded for a reason, and has helped define one of the most enduring depictions of the Batman.

Batman might not be able to leap buildings in a single bound, but that won't stop him trying...

Batman might not be able to leap buildings in a single bound, but that won't stop him trying...

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Non-Review Review: The Dark Knight

Even four years after is original release, The Dark Knight casts a pretty big shadow. Not only is it the best Batman movie ever produced, and easily one of the best stories to feature the character in any medium, it’s also a wonderful piece of cinema on its own terms. Christopher Nolan is an astounding craftsman, and one who constructed his superhero sequel without ever feeling the need to dumb down. The Dark Knight is a wonderfully effective and stunningly constructed piece of popcorn cinema, but it’s also the most profound and engaging (and, importantly, even-handed) meditations on the War of Terror that Hollywood has produced. It’s bold and accessible, but it’s also intelligent and engaging. More than an astoundingly impressive blockbuster, it’s just a superb piece of cinema.

It all goes up in flames…

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