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New Podcast! The X-Cast – Season 7, Episode 7 (“Orison”)

With The X-Cast moving on to coverage of the seventh season of The X-Files, and the legacy of Millennium lingering on, I was thrilled to be invited back on to talk about the episode Orison, which feels in many ways like Millennium folding back into The X-Files – it marks the first X-Files script from former Millennium showrunner Chip Johannessen and the return of the serial killer (“death fetishist”) Donny Pfaster.

Orison marks one of the rare times that The X-Files has returned to a pre-existing monster outside of the mythology; the only other major examples are the first season episode Tooms and the fifth season episode Kitsunegari. However, what’s particularly striking about Orison is that Donnie Pfaster is just one facet of an episode that has a lot going. In many ways, it feels like a companion piece to Johannessen’s third season scripts for Millennium, episodes like Saturn Dreaming of Mercury and Bardo Thodol.

You can listen to the episode here, or click the link below.

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New Podcast! The X-Cast – Season 7, Episode 4 (“Millennium”)

With The X-Cast moving on to coverage of the seventh season of The X-Files, and the episode Millennium fast approaching, it seemed like a good time to resurrect the Time is Now podcast. So I joined Kurt North to talk about the controversial episode.

Millennium is a very strange episode of television. It is designed to serve as a de facto series finale for Chris Carter’s Millennium while folding it into the mythology of The X-Files. However, it is an episode where two of the three credited writers have never worked on Millennium, and which builds to a climax of the mythology of Millennium which doesn’t really fit with anything that appeared on screen. However, it is also the episode that builds to the first on-screen kiss between Mulder and Scully, which creates an interesting tension in terms of the episode’s priorities.

You can listen to the episode here, or click the link below.

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New Podcast! The X-Cast – Season 7, Episode 2 (“Amor Fati X-tra: The Last Temptation of Mulder”)

With The X-Cast moving on to coverage of the seventh season of The X-Files, I was thrilled to join Kurt North and Marlene Stemme to discuss the seventh season premiere – The Sixth Extinction and The Sixth Extinction II: Amor Fati – in the context of Martin Scorsese’ The Last Temptation of Christ.

Scorsese’s biblical epic was one of the most controversial major studio releases of the late eighties, attracting death threats and protests for its portrayal of Jesus Christ. It formed the basis for Mulder’s journey in The Sixth Extinction II: Amor Fati, with the two-parter directly lifting several scenes from the film. It’s interesting to interrogate, in large part because – despite the influence of seventies cinema on The X-Files – it feels like the show’s only real point of intersection with one of the most influential filmmakers of the seventies.

You can listen to the episode here, or click the link below.

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New Podcast! The X-Cast – Season 6, Episode 22 (“Biogenesis”)

Coinciding with The X-Files‘ move from Vancouver to Los Angeles, there has also been a shift at The X-Cast. Tony Black is no longer running the show, but it is instead now being run by Sarah Blair, Kurt North and Carl Sweeney. I was thrilled to join Carl to talk about the sixth season finale: Biogenesis.

Following Two Fathers and One Son in the middle of the sixth season, Biogenesis is a very odd season finale for The X-Files. It’s the only season finale that doesn’t have the luxury of hanging on the central mythology and which isn’t designed to serve as a potential finale for the series as a whole. As a result, it’s a very odd episode of television, and offers an interesting prism on the tropes and conventions of The X-Files.

You can listen to the episode here, or click the link below.

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New Escapist Video! On “WandaVision” and the Death of Ambiguity…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with every second Monday article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film channel – so if you can throw a subscription our way, it would mean a lot.

This week, following the end of WandaVision, it seemed like an appropriate time to take a look at what the show said about contemporary pop culture, in particular the show’s approach to its “mystery box” format and its insistence on explaining every ambiguity without any willingness to leave space for interpretation. It’s a big, ambitious video essay that looks at everything from Lost to Twin Peaks to The X-Files to Doctor Who, and I hope you enjoy.

New Escapist Column! On “WandaVision” and the Death of Ambiguity…

I published a new In the Frame piece at The Escapist this evening. With WandaVision ending just over a week ago, I had some thoughts about art, ambiguity and meaning. You know, small things.

One of the more interesting aspects of WandaVision was the way in which it presented itself, and was received as, a “mystery box” show. It was framed and treated as a puzzle to be solved. What’s interesting about this is the care that the finale took to carefully explain and confront each possible fan theory and speculation, to communicate very simply and very straightforwardly not only what its audience was supposed to take from this story, but also how they were supposed to feel in response to certain key plot beats.

This is arguably a reflection of a larger trend in pop culture, in which there’s a strong rejection of the idea of ambiguity and an embrace of the idea that everything has a fixed meaning that can be clearly determined and objectively derived. This ignores the reality that art exists in ambiguity, that there’s no simple, single decoder ring and that meaning is often something derived from conversation between the art and the audience consuming it.

You can read the piece here, or click the picture below.

New Podcast! The X-Cast – Season 6, Episode 12 (“One Son”)

Coinciding with The X-Files‘ move from Vancouver to Los Angeles, there has also been a shift at The X-Cast. Tony Black is no longer running the show, but it is instead now being run by Sarah Blair, Kurt North and Carl Sweeney. I was thrilled to join Carl to talk about one of the most important episodes in the show’s history: One Son.

With One Son, the show closes the book on one of the most important chapters in its history. Kind of. Sort of. A little bit. Of course, it was also about drawing down the curtain in other ways. There’s a very credible argument to be made that this mid-season two-parter marked the last time that The X-Files was truly event television. This makes One Son an interesting and complicated piece of television, a bit of ambitious storytelling that has to cover a lot of ground very ruthlessly. The result is an episode that isn’t entirely successful, but is still fascinating.

You can listen to the episode here, or click the link below.

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New Podcast! The X-Cast – Season 6, Episode 11 (“Two Fathers”)

Coinciding with The X-Files‘ move from Vancouver to Los Angeles, there has also been a shift at The X-Cast. Tony Black is no longer running the show, but it is instead now being run by Sarah Blair, Kurt North and Carl Sweeney. I was thrilled to join Carl to talk about one of the most important episodes in the show’s history: Two Fathers.

Following the release of The X-Files: Fight the Future over the summer, and with the move to California, the show was in a clear state of transition. There was a strong sense that things were winding down; even with David Duchovny’s contract extension, the expectation was that the show would be wrapping up in its seventh season. As a result, there was a clear desire to begin wrapping up story threads. Two Fathers was something of a television event, promising to bring the show’s internal mythology to a satisfying conclusion. The results were more complicated.

You can listen to the episode here, or click the link below.

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New Podcast! The Time is Now – Season 3, Episode 13 (“Antipas”)

Last year, I was thrilled to spend a lot of time on The Time is Now discussing the second season of Millennium. Since the podcast has moved on to the third season, I have taken something of a step back as a guest. That said, I was flattered to get an invitation to discuss Antipas with guest host Tony Black.

Antipas is an interesting piece of television. It’s effectively a grabbag of the familiar horror movie tropes and clichés that writers Chris Carter and Frank Spotnitz love: it’s The OmenDon’t Look Now, The Shining and a few others. It’s effectively a gigantic homage to the huge influences on Carter’s work with both Millennium and The X-Files, even if it doesn’t exactly cohere as a story in its own right.

As ever, you can listen directly to the episode here, subscribe to the podcast here, or click the link below.

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New Podcast! The X-Cast – Fight the Future Minute #86 (“Well-Manicured Sacrifice”)

So The X-Cast reached the end of the show’s fifth season, and approached The X-Files: Fight the Future. This naturally meant it was time for another breathtakingly ambitious project, so the podcast is going literally minute-by-minute through the first X-Files feature film. I’m joining the wonderful Kurt North for two brief stretches featuring the Well-Manicured Man.

And so my time on the Fight the Future minute comes to an end. It has been a pleasure. I like to think that Kurt and I go out like the Well-Manicured Man himself, in a blaze of glory. We discuss everything from the Well-Manicured Man’s flare for the theatrical, to his somewhat unnecessary killing spree, to how exactly we imagine the local papers are going to cover the weird murder-suicide-in-an-alley sequence. It’s fun, it’s playful, it’s a recording I really enjoyed – and which I hope you enjoy as well.

You can listen to the episode here, or click the link below.