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New Podcast! The Time is Now – Season 3, Episode 13 (“Antipas”)

Last year, I was thrilled to spend a lot of time on The Time is Now discussing the second season of Millennium. Since the podcast has moved on to the third season, I have taken something of a step back as a guest. That said, I was flattered to get an invitation to discuss Antipas with guest host Tony Black.

Antipas is an interesting piece of television. It’s effectively a grabbag of the familiar horror movie tropes and clichés that writers Chris Carter and Frank Spotnitz love: it’s The OmenDon’t Look Now, The Shining and a few others. It’s effectively a gigantic homage to the huge influences on Carter’s work with both Millennium and The X-Files, even if it doesn’t exactly cohere as a story in its own right.

As ever, you can listen directly to the episode here, subscribe to the podcast here, or click the link below.

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Millennium – Antipas (Review)

This July, we’re taking a trip back in time to review the sixth season of The X-Files and the third (and final) season of Millennium.

Antipas is the second of three scripts written by Chris Carter and Frank Spotnitz over the third season of Millennium. It is also the first of Lucy Butler’s two appearances during the third season, although she has little more than a cameo in Saturn Dreaming of Mercury. This is actually the second time that Chris Carter has written for the character of Lucy Butler, having scripted her début back in Lamentation towards the end of the first season. Antipas feels like a conscious effort to connect back to that first appearance.

To be fair, Lucy Butler has been radically different in each appearance. It is difficult to get a read on the character or to suggest a “definitive” take. Finding the “real” Lucy Butler is as difficult as identifying the “real” Millennium Group or as arbitrary as naming the “real” version of Millennium. That said, there are thematic throughlines. Four of her five appearances are tied into children, for example; the show fairly consistently portrays Lucy as a demonic mother figure in contrast to Frank as a loving father.

Here's Lucy!

Here’s Lucy!

While the idea of Lucy as a creepy mother ties Antipas into A Room With No View just as much as Lamentation, the script seems to hark more firmly back to Lucy’s character motivation in Lamentation than to her scheming in A Room With No View. In Antipas, Lucy is once again obsessed with biological motherhood, trying desperately to conceive – and even to claim another child as her own. In Lamentation, she sought to mother a child with Doctor Ephraim Fabricant; in Antipas, she seems to aspire towards Frank Black.

Along the way, Antipas is packed with fevered dream imagery and uncanny visuals. As with a lot of the episodes around it, Antipas feels like a very odd piece of television. When Carter wrote Lamentation, this oddness was enough of a break from the norm to power an entire episode. Antipas lacks the sort of strong centre that a piece of television like this needs to ground it. The result is an intriguing and unsettling, if not quite compelling and engrossing, episode of television.

A-mazing nanny...

A-mazing nanny…

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