Well, Fire is probably Chris Carter’s strongest script since The Pilot. I suppose we should be grateful for that, at least.
All fired up…
Filed under: The X-Files | Tagged: 20th Century Fox, Arthur Conan Doyle, Carter, chris carter, Dana Scully, david duchovny, Fox Mulder, Lone Gunmen, Mark Sheppard, mulder, Oxford, scully, sherlock holmes, United States, Windlesham, X-File | Leave a comment »
And so we go from what is possibly the strongest episode of the first season to what is definitely the worst. Space is a colossal failure of an episode, with even writer and creator Chris Carter conceding that it was “one of our most unloved episodes.” However, none of these spectacular failures occur for any particularly interesting reason. It’s the wrong idea with the wrong script with the wrong director, and a result that can’t even claim to be “so bad it’s good” like so many of the series’ other lesser hours.
At best, it’s a cautionary tale, a firm establishment of what The X-Files isn’t. Like The Jersey Devil, it’s an indicator that maybe Chris Carter should have been focused more on show-running than writing. Even factoring in the quite decent pilot, Carter is hardly batting a thousand here. However, it also offers some small measure of proof that – despite show’s fixation on extraterrestrials and UFOs – The X-Files is not really a show about space.
… and the stars look very different, today…
Filed under: The X-Files | Tagged: chris carter, Dana Scully, Ed Lauter, Fox Mulder, gillian anderson, Hubble Space Telescope, mulder, Mulder and Scully (song), NASA, scully, Space Shuttle, star trek: the next generation, Susanna Thompson, United States, X-File | 3 Comments »
The X-Files is somewhat fascinating as a historical artifact, a prism through which the viewer might explore the United States in that gap of time between the end of the Cold War and the start of the War on Terror. The show serves as something of a travelogue through the American subconscious, a vehicle for the nation’s fear and anxieties. It might be quaint now to look back on the show’s depiction of mobile phones and the internet, but The X-Files offers a snapshot of an America just on the cusp of that technological revolution, when there were still dark shadows and corners of the continent to be probed and explored.
One of the more interesting aspects of The X-Files is the way that it deals with faith in the nineties. Scully’s attempts to reconcile her religious beliefs with a rational approach to the universe are surprisingly insightful and nuanced, but Mulder’s belief system also offers a vehicle to explore the form that faith might take. “I want to believe,” Mulder confesses at the end of Conduit, with the iconic poster turning the sentiment into a motto. It doesn’t matter that Mulder chooses to invest his faith in aliens or conspiracies, The X-Files is still an exploration of what faith meant in the nineties.
Why is Mulder so driven?
Filed under: The X-Files | Tagged: chris carter, Christian Right, Cold War, Dana Scully, Federal Bureau of Investigation, Fox Mulder, gillian anderson, Gulf War, IDW Publishing, mulder, Mulder & Scully, scully, United States, world war ii, x-files | 3 Comments »
Deep Throat was filmed in August 1993, more than a year after the production of The Pilot in March 1993. In a way, Deep Throat feels like the first proper episode of the show’s first season, even carrying the production number 1×01. It cements a lot of the themes and ideas suggested in The Pilot, more firmly establishing arcs and characters. Indeed, The Pilot ended with a glimpse at the massive government conspiracy surrounding encounters with alien life forms, but Deep Throat serves to demonstrate just how deep that conspiracy goes.
The episode builds on countless ideas and conspiracy theories, delving into the popular suggestion that the United States military has been reverse-engineering alien technology for its own purposes. This suggests that Mulder isn’t just dealing with modern interactions between aliens and humanity, he’s digging into something that is rooted far deeper. As the eponymous informant teases him at the end of the episode, “Mr. Mulder, they’ve been here for a very long time.”
The truth is up there…
Filed under: The X-Files | Tagged: All the President's Men, Barry Sussman, Bob Woodward, Central Intelligence Agency, Deep Throat, Erlenmeyer Flask, Fox Mulder, James Franco, Jerry Hardin, Lone Gunmen, mulder, New Mexico, nixon, Paranormal, richard nixon, roswell, scully, Seth Green, United States, Washington Post, Watergate Scandal, white house, X-File, x-files | 5 Comments »
The title just about says it all. I want to believe in The X-Files. I want to believe in Mulder and Scully. I want to believe in Chris Carter. But I’m looking for proof. Proof that the franchise that held the entire world’s attention for a few minutes in the mid- to late-nineties still has some life in it. Proof that a ridiculous complicated and illogical and poorly written final few seasons on the air had not sucked the marrow entirely from the bones of a once unique pop cultural entity. So, what does the movie give me? Not concrete proof, but a little hint of faith. The film is not as bad as the final two years of the show. That’s the good news. The bad news is that it isn’t as good as the first five.
"X" doesn't mark the spot...
Filed under: Non-Review Reviews | Tagged: billy connelly, chris carter, david duchovny, films, franchise, gillian anderson, i want to believe, ludacris, Movies, mulder, non-review review, review, scully, series, Television, the x-files, the x-files: i want to believe, x-files | 2 Comments »
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