Total Recall, to quote the lead character, whoever or whatever he may actually be, might just be “the best mind%&@! yet.”
"Dammit Cohagen, give these people some air!"
Filed under: Non-Review Reviews | Tagged: Arnold Schwarzenegger, film, Len Wiseman, mars, michael ironside, Movie, non-review review, Paul Verhoeven, Philip K. Dick, review, ridley scott, Ronny Cox, Sharon Stone, total recall | 4 Comments »
A large part of me has tremendous respect for Francis Ford Coppola, even if his stock was considerably diminished by the twin misfires of The Godfather, Part III and Bram Stoker’s Dracula in the nineties. However, it takes a significant amount of courage to pretty much turn your back on major movie studios and produce a string of relatively independent and relatively experimental films, especially when you could legitimately be described as one of the main architects of modern cinema. Part of me wonders what would happen if George Lucas and Steven Spielberg attempted something similar to the string of low-budget arthouse releases Coppola has directed in recent years. His latest film, Twixt, comes with a gimmick that would put 3D to shame. The director is taking it on tour, and will apparently “remix” it for each and every audience. There’s no guarantee that two different audiences will see the same film.
Mixmeister Coppola...
Filed under: Movies | Tagged: Ben Chaplin, Bram Stoker's Dracula (Collector's Edition), Elle Fanning, francis ford coppola, george lucas, richard donner, ridley scott, steven spielberg, Twixt, val kilmer | 6 Comments »
The Duellists is the first film from director Ridley Scott. While it certainly isn’t his best remembered or the most highly rated, it is a cracking piece of historical cinema that manages to do a lot with very little. It’s a simple little concept, set against an epic backdrop, elevated by two leads, a wonderful sense of historical fidelity, and a young director with a long career ahead of him.
Ridley Scott's first stab at directing...
Filed under: Non-Review Reviews | Tagged: arts, Duel, dueling, europe, films, france, harvey keitel, historical drama, history, Keith Carradine, Louis Theroux, Movie, napoleon, non-review review, Pete Postlethwaite, review, ridley scott, The Duellists | Leave a comment »
So, the rights to Blade Runner have been sold. However, us on-line film nerds are being told to breathe easy, because the rights that were sold explicitly do not include the option to remake or “reimagine” or “reboot” the classic Ridley Scott film. However, is that really that much of a comfort? Surely a terrible sequel can tarnish an original film just as much as a terrible remake?
Concept art from Blade Runner by Syd Mead
Filed under: Movies | Tagged: Alcon Entertainment, batman, blade runner, christian bale, Darth Vader, gus van sant, ridley scott, starsky & hutch | 5 Comments »
We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “cyber noir” – the unlikely combination of sci-fi and film noir to make an oh-so-tasty film.
Nobody’s entirely certain who it was that came up with the idea of combining peanut butter and jelly. It isn’t exactly a logical leap, after all. The most popular theory seems to be that it was American soldiers, who had been issued with ration packs containing peanut butter and jelly during the Second World War. With these two items in their packs, the soldiers decided to pair them up and eat them as part of the same sandwich. However, though this might suggest that the two were thrown together by coincidence, they stayed together because they just work so well. So it is with science-fiction and noir, that most unlikely of combinations which can’t help but go down a treat.
The alpha and the omega?
Filed under: Movies | Tagged: arts, Christopher Nolan, Film noir, films, For the Love of Film Noir, For the Love of Film Noir blogathon, For the Love of Film Noir: The Film Preservation Blogathon, Movies, ridley scott, science fiction, Soylent Green, Star Trek: The Motion Picture, The Sound of Fury (film) | 4 Comments »
We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “cyber noir” – the unlikely combination of sci-fi and film noir to make an oh-so-tasty film.
Blade Runner is arguably more of a film noir than a science-fiction film. Sure, it features robots and flying cars, but the atmosphere is set by a constant downpour in the streets, while characters wandering around in trenchcoats and questions of identity and moral ambiguity hang heavily in the air. Though the funky Vangelis soundtrack may lead you to believe otherwise, Blade Runner is perhaps one of the most faithful films in the neo-noir film movement. The flying cars are just on top of that.
Facing the facts...
Filed under: Non-Review Reviews | Tagged: blade runner, California, Counties, Do Androids Dream of Electric Sheep?, Film noir, films, For the Love of Film Noir, For the Love of Film Noir blogathon, For the Love of Film Noir: The Film Preservation Blogathon, hollywood, LA Noire, los angeles, Movies, non-review review, review, rick dekkard, ridley scott, roy batty, science fiction, United States, Vangelis | 17 Comments »
So, what exactly is Ridley Scott’s upcoming Prometheus? The director was all set to make an Alien prequel a few months ago, but all the rumours coming out of the production seem to be throwing me for a loop – I’m not quite sure what to make of them. To quote Scott himself:
While Alien was indeed the jumping off point for this project, out of the creative process evolved a new, grand mythology and universe in which this original story takes place. The keen fan will recognize strands of Alien’s DNA, so to speak, but the ideas tackled in this film are unique, large and provocative. I couldn’t be more pleased to have found the singular tale I’d been searching for, and finally return to this genre that’s so close to my heart.
We’ll spot “strands of Alien’s DNA”, but it’s a “new, grand mythology”? I’m not quite sure what to expect of it. And that, to be honest, excites me quite a bit.
Great Scott!
Filed under: Movies | Tagged: alien, DNA, Ellen Ripley, Girl With the Dragon Tattoo, HR Giger, Michael Fassbender, Noomi Rapace, Prometheus, ridley scott, shared universe, Space Jockey | 6 Comments »
Ignoring the fact that, in practice, the Best Director Oscar simply exists to be a “runner-up” award in a really tight Best Picture race (like with Crash and Brokeback Mountain), with there being a huge overlap between the winners in both categories, I have been thinking a bit recently about whether there should be a more practical distinction between the two. Perhaps we should divorce the two awards, and decouple them in public consciousness. Of course, this is a purely academic argument (as the Academy voters will continue to associate them), but is the link between the two yet another indication of Hollywood’s director-centric culture?
Is it two for one?
Filed under: Movies | Tagged: Academy Award, academy award for best director, Academy Award for Best Picture, academy awards, best film, best picture, Brokeback Mountain, Christopher Nolan, Hurt Locker, jim carrey, Movie, Oscars, ridley scott | 10 Comments »
I was reading an interesting article on Rope of Silicon which pondered whether Scott Pilgrim vs. The World was our generation’s iteration of The Big Lebowski. Much like the comparisons between The Social Network and Citizen Kane, it doesn’t matter whether the question is downright ridiuclous or even improper, it simple serves to illustrate the type of movie that people think of when they see these modern films. That people would even utter “Scott Pilgrim” and “The Dude” in the same sentence is a huge compliment to the latter, no matter what the literal result of the comparison. Of course, this is small comfort to the studio which is no doubt disappointed by the less than stellar box office returns. However, ignoring the obvious immediate and practical impact of box office receipts, do they speak at all to a film’s longevity?
Does the box office disappointment mean "game over" for Scott Pilgrim?
Filed under: Movies | Tagged: Big Lebowski, box office, Citizen Kane, Eat Pray Love, film, Frank Capra, Movie, Movies, ridley scott, scott pilgrim, scott pilgrim vs. the world, the social network | Leave a comment »
My name is Maximus Decimus Meridius, commander of the Armies of the North, General of the Felix Legions, loyal servant to the true emperor, Marcus Aurelius. Father to a murdered son, husband to a murdered wife. And I will have my vengeance, in this life or the next.
– Maximus sums up the plot in case you were sleeping for the first hour and a half
The general who became a slave. The slave who became a gladiator. The gladiator who defied an emperor. Striking story!
– Commodus also reiterates the plot in case you weren’t paying attention
I think a lot of the appeal of Ridley Scott’s Gladiator rested on the fact we hadn’t seen a film quite like this in over a generation. In the years since we’ve witnessed a rejuvenated genre, with historical epics becoming more and more common. It’s easy to forget the impact of the Ridley Scott’s swords-and-sandals epic in the wake of films like King Arthur, Robin Hood or even Kingdom of Heaven – let alone 300 or shows like Spartacus: Blood & Sand. And yet, even after all these big all-action historical endeavours, there’s still something special about Gladiator.
It's the eye of the tiger...
Filed under: Non-Review Reviews | Tagged: best picture oscar, Commodus, djimon hounsou, epic, film, gladiator, Gladiators, Hans Zimmer, history, Joaquin Phoenix, Marcus Aurelius, maximus, Movie, non-review review, oliver reed, review, richard harris, ridley scott, russell crowe | 5 Comments »
the m0vie blog 