review | the m0vie blog

Non-Review Review: Sinister

Posted on September 25, 2012 by Darren

Sinister is a few great ideas, wrapped in a hokey plot and executed in a reasonably efficient manner. To be fair, this latest movie from “the producers of Paranormal Activity and Insidious“ works best when it adopts a minimalist approach, with director Scott Derrickson and composer Christopher Young providing a suitably overbearing and overwhelming atmosphere. However, the movie runs into problems when it’s forced to play its hand, and when it feels the need to “follow through” on its scares with something more substantial. At that point, the movie becomes a bit clunky, which seems quite a shame – as Derrickson otherwise minimalist approach creates an unsettling canvas to set the story against.

Reel life…

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Filed under: Non-Review Reviews | Tagged: Christopher Young, Derrickson, Ellison, ethan hawke, Exorcism of Emily Rose, film, horror, iphone, James Ransone, Juliet Rylance, Movie, non-review review, paranormal activity, review, Scott Derrickson, Sinister, stephen king | 2 Comments »

Non-Review Review: Killing Them Softly

Posted on September 21, 2012 by Darren

There’s been a lot of talk about how Killing Them Softly is a critique of the Obama administration. It’s easy to see why. Obama might as well receive an “and” credit, given how frequently he appears and how deeply his influence seems to seep into the film. He’s there at the beginning, between moments of static, and he’s there at the end, interrupting exchanges between two primary characters. The film is set during the President’s first campaign, and released just in time for his second. Still, Andrew Dominik’s adaptation of Cogan’s Trade feels like a more rounded criticism of the American political system, with Obama serving as a focal point if only because the promise he offers, one of change.

At one point during the film, our leading hit man confronts one of the people on his list. “Not many people get what you have,” he assures the nervous and sweaty young man who seems way over his head. “You have a choice.” Of course, it’s not really a choice – everybody knows that. The young guy knows it, the assassin knows it, and we know. Sure, he can pick between two alternatives, but there are no happy endings here. Dominik’s Killing Them Softly feels like an older, harsher, more bitter Tarantino film, one jaded and numbed by the promise of a false choice. Cynically, it seems to suggest that elections – now and then – are like that offer made in a dive bar.

Sure, there’s technically a choice. But there’s not an opportunity to substantially improve anybody’s position.

Cogan’s run…

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Filed under: Non-Review Reviews | Tagged: Andrew Dominik, Barack Obama, brad pitt, Cogan, Cogan's Trade, film, George V Higgins, james gandolfini, John McCain, Killing Them Softly, Movie, New Orleans, non-review review, obama, Obama administration, review, Scoot McNairy, United States | 5 Comments »

Non-Review Review: Savages

Posted on September 19, 2012 by Darren

I am torn. Savages feels as if Oliver Stone somehow found a way to stream his thoughts on celluloid for the world to devour at their leisure. It’s bright, vibrant, random, illogical, contrary, obtuse, surreal and visceral – often all at the same time. It’s far too uneven to earn an unqualified recommendation, as it’s a disorienting mess of a film at the best of times. However, it’s also consistently interesting, a strangely compelling. Savagesmight be too all over the map to ever be consistently great (or even good), but it is never boring.

That’s a savage mask!

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Filed under: Non-Review Reviews | Tagged: Benicio del Toro, Blake Lively, business, Demián Bichir, film, john travolta, Materials and Supplies, Movie, non-review review, oliver stone, review, salma hayek, Savage, Stone, Taylor Kitsch, tom hardy | Leave a comment »

Non-Review Review: The Manchurian Candidate (1962)

Posted on September 18, 2012 by Darren

The Manchurian Candidate is a rather wonderful piece of Cold War paranoia, with a handy bit of social commentary and a rather surrealist perspective thrown in on top. John Frankenheimer’s vision remains unnerving because of its occasionally absurd and strange imagery and subtext, much of which remains unsettling long after the end of the Cold War. While The Manchurian Candidate remains a fascinating story, and one which has seeped into pop cultural consciousness, It’s Frankenheimer’s direction that elevates the film, managing to convince the audience that there is some meaning and purpose to all the bizarre imagery and interactions.

Play your cards right…

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Filed under: Non-Review Reviews | Tagged: Cold War, Eleanor, film, George Axelrod, John Frankenheimer, John Iselin, John Jay Iselin, Josie, Macy, Manchurian Candidate, McCarthyism, Movie, New Jersey, non-review review, Raymond, republicans, review, Russia, Soviet Union, United States, Yen Lo | Leave a comment »

Non-Review Review: Untouchable (Intouchables)

Posted on September 17, 2012 by Darren

Untouchable is that rare gem. It’s a sweet, life-affirming story that never overplays its hand. It never devolves into cheap melodrama, as stories like this tend to. The story of two people from two very different walks of life coming together and learning from one another is a well-travelled plot-device, but there’s a strong heart at the centre of Olivier Nakache & Eric Toledano’s comedy drama. It has soul, it has rhythm, and it refuses to wallow in tragedy or angst as it follows the unlikely relationship between a wealthy paraplegic and a street-smart welfare recipient.

Joy ride!

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Filed under: Non-Review Reviews | Tagged: arts, Driss, Dunkirk, Eric Toledano, fiction, film, François Cluzet, france, Ludovico Einaudi, non-review review, Olivier Nakache, Online Writing, paris, Philippe, Plot device, review, Short Stories, Untouchable | Leave a comment »

Non-Review Review: The House of Flying Daggers

Posted on September 17, 2012 by Darren

Yimou Zhang’s House of Flying Daggers is a wonderful visual and auditory experience. It’s a sumptuous feast for the eyes and the ears, a truly beautiful piece of film that really needs to seen to be fully appreciated. While its plots and characters aren’t quite as rich as the wonderfully saturated surroundings, House of Flying Daggers remains a film that really seems to bask in light and colour, almost soaking in those elements, with each frame seeming like a stunning work of art.

Bamboozled?

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Filed under: Non-Review Reviews | Tagged: arts, Arts and Entertainment, Blade & Soul, cgi, China, crouching tiger hidden dragon, film, House of Flying Daggers, Movie, Movies, NCsoft, non-review review, Raise the Red Lantern, review, Shopping, Siu-Tung Ching, South Korea, Tang Dynasty, Yimou Zhang, Zhang, Zhang Ziyi, Zhao Xiaoding | Leave a comment »

Doctor Who: A Town Called Mercy (Review)

Posted on September 15, 2012 by Darren

I see ‘Keep Out’ signs as suggestions more than orders.

– the Doctor

To be fair, it’s very clear that these two annual trips to North America have been an attempt for Doctor Who to “break” into the market place over there – to provide viewers with something recognisable as a gateway to a uniquely British television show. While the American backdrop of The Impossible Astronaut and Day of the Moon added some wonderful stylistic touches, and a nice juicy role for President Nixon, A Town Called Mercy feels like a more overt attempt to tell a distinctly “American” story within the framework of the show. Borrowing more than just its aesthetic from the setting, A Town Called Mercy is also decidedly American in theme and tone.

A gunslinger built…

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Filed under: Television | Tagged: a town called mercy, america, american mythology, archetypes, bbc, doctor who, doctor who: a town called mercy, old west, review, Television, toby whithouse, western | Leave a comment »

Non-Review Review: Stitches

Posted on September 14, 2012 by Darren

This movie was seen as part of Movie Fest, which was as much of a joy this year as it was last year. If not moreso.

Stitches is an interesting little Irish film. Featuring an interesting set up to parody the conventions of the supernatural slasher film, the movie finds itself falling prey to them just a little bit too often. Irish writer and director Conor McMahon creates a credible gory teenage bloodbath, but doesn’t really find a narrative hook to engage the audience. Never entirely sure how ironic it is trying to be, Stitches is a solid effort, albeit one far from greatness.

Not clowning around…

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Filed under: Non-Review Reviews | Tagged: art, arts, Cinema of Ireland, Clown, Conor McMahon, Cross-stitch, film, grabber, Horror film, irish, John Wayne Gacy, Movie, nightmare on elm street, non-review review, Performers, Performing Arts, Recreation, review, Ross Noble, Sewing, Slasher film, Stitch, Stitches, United States | Leave a comment »

Non-Review Review: Hit & Run

Posted on September 13, 2012 by Darren

This movie was seen as part of Movie Fest, which was as much of a joy this year as it was last year. If not moreso.

Hit & Run is just a mess. It is, like its protagonists, all over the map. It never seems to be entirely sure of what it wants to be. Is it a high-speed comedy, a road-trip adventure, or a romantic comedy about an unconventional couple? There are moments when the film seems to work, on the verge of coming together, but there are also moments where it misses the mark completely. The problem is that Dax Shepard is not quite as versatile as Dax Shepard seems to think that he is.

Tres Bell?

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Filed under: Non-Review Reviews | Tagged: arts, Beau Bridges, bradley cooper, Charles Bronson, comedy, David Koechner, Dax Shepard, film, Gay Lesbian and Bisexual, history, hit & run, hit and run, kristen bell, los angeles, Memorials, Michael Rosenbaum, Movie, movie fest, non-review review, Performing Arts, Recreation, review, Romantic comedy film, Shepard, Tom Arnold, United States, Zac Efron | Leave a comment »

Non-Review Review: Now is Good

Posted on September 11, 2012 by Darren

Now is Good wallows in all the clichés that we’ve come to expect in these stories of young lives cut tragically short. There are long sequences without dialogue, scored to music designed to cue our emotions, inviting the audience to contemplate the profundity of everything going on. There’s care not to dwell on this as a bleak or depressing story with an inevitable downer ending. However, despite the awkward and trite direction, the script itself is surprisingly sturdy. While it seems to check off all the items on the list – not that set down by our protagonist, but the one codified by other recent stories of child mortality – it does have a hint of humanity that shines through from time to time. “Life is a series of moments,” the narration is prone to remind us, and there are some nice moments to be found in Now is Good, slotted between the plotting and structure dictated by the genre.