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Non-Review Review: Now is Good

Now is Good wallows in all the clichés that we’ve come to expect in these stories of young lives cut tragically short. There are long sequences without dialogue, scored to music designed to cue our emotions, inviting the audience to contemplate the profundity of everything going on. There’s care not to dwell on this as a bleak or depressing story with an inevitable downer ending. However, despite the awkward and trite direction, the script itself is surprisingly sturdy. While it seems to check off all the items on the list – not that set down by our protagonist, but the one codified by other recent stories of child mortality – it does have a hint of humanity that shines through from time to time. “Life is a series of moments,” the narration is prone to remind us, and there are some nice moments to be found in Now is Good, slotted between the plotting and structure dictated by the genre.

Their troubles are far afield…

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Non-Review Review: The Queen

The middle part of Peter Morgan’s “Blair” trilogy, sitting between The Deal and The Special Relationship, the movie is perhaps better known for its portrayal of the eponymous monarchy than of the controversial British Prime Minister. It’s also a rather wonderful exploration of the British monarchy, and how it struggles to remain in touch with the people that it (nominally, at least) rules, and yet remains heavily insulated from. Taking the death of Princess Diana, perhaps the most trying period in the reign of the current queen, as a jumping-off point, the film wonders what the public expects from their royal family, and how the public and private lives of those born into the family must be balanced.

A skilful portrait...

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