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Non-Review Review: Redbelt

You have to admit that the premise, at least, is intriguing. Maybe the execution is less so, but the basic premise (a martial arts movie directed by maestro wordsmith David Mamet) deserves at least a little consideration. In fairness, the movie plays its cards pretty well. It’s populated with kind of deceit and self-deceit which we have come to expect from the characters which Mamet presents to us on a regular basis. It’s a grim and dark and seedy world, even underneath those bright lights. The problem is that the movie’s core appeal (articulated in its title, premise and marketing) of a martial arts movie simply cannot deliver in that environment. These two facets of the movie lock themselves in mortal combat like two prize fighters in the ring: Mamet’s cynicism and human drama facing off against the requisite showiness and razzle-dazzle of martial arts. At one point a character suggests that the money is in a draw (since a rematch is a huge moneyspinner), and maybe that’s why we get no winner here. We don’t even get an entertaining struggle.

The blows come as quick as the dialogue and are almost as sharp...

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Non-Review Review: Step-Brothers

Is just me, or are the Judd Atapow machine comedies getting crasser and crasser? Sure, The 40-Year-Old Virgin and Knocked Up weren’t exactly incredibly clean pieces of comedy, but they certanly demonstrated far more maturity than most of the recent output from that particular comedy factory – for better or worse. It’s just hard to find bodily function jokes and profanity funny for their own sake, and – if that is the measure of humour these days – that sort of humour is a dime-a-dozen these days. That’s not to say that Step-Brothers is entirely without charm (it has more than a few engaging moments), but just that it seems to think that appealing to the lowest common denominator is a legitimate form of comedy when it can’t think of anything better to do.

Brothers in arms...

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Non-Review Review: Batman

I have to admit, I have a soft spot for Tim Burton and Michael Keaton’s Batman. I mean, I hate what the series became with Batman Forever and Batman & Robin, but I think that Burton managed to craft a unique and yet suitable visual and design aesthetic for the character and his world, while Keaton managed to embody a tragic Batman who really seems quite distinct from most iterations either before or since. While I wouldn’t argue this take on Batman should be “definitive”, or that it fits as comfortably as Nolan’s Batman Begins or even Batman: The Animated Series, I do think it’s a valid and intriguing exploration of one of pop culture’s most enduring and evolving characters.

Full moon…

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Non-Review Review: The Shining

My mum can’t watch horror films. She just can’t. Even if they aren’t that scary. Even if they are horror-comedies or versions of stories she’s heard before. She can’t even be in the same room when they’re on – even if nothing actually horrific is happening. It turns out that – in her youth, while an au pair in Belgium – one of her friends convinced her to see a movie playing in the local cinema. A film about a family in a hotel over the winter, starring Jack Nicholson. That movie scared her to death, and has arguably scared her ever since.

That movie is – if you haven’t gathered from the title of this post and the plot description – The Shining.

Baby, it's cold outside...

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Non-Review Review: What Lies Beneath?

What we’ve got here is a solid, old-fashioned ghost story with more restraint and grace than any number of Hollywood shockers. A slow, moody and intense look at the collapsing marital relationship between Claire and Norman Spencer after their daughter goes to college, it takes its time getting were it’s going, but manages to seem a classy flick.

I was also shivering a bit after watching the movie...

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Non-Review Review: Toys

What an odd film. It’s bright and colourful and simplistic and airs on Sky Family and full of Robin Williams flailing around in a way that is sure to impress small children. On the other hand, it features a lot of curse words, some rather disturbing violence and fairly explicit sexual references (including a father-son-nurse romantic triangle, escalated by a pity shag). It’s arguably too plain and niave to draw in an adult audience (with Barry Levinson of all people pioneering the MTV school of film-making for audiences with ADHD) and yet too adult and sophisticated for children.  Who is going to want to play with these toys?

Oh, ball(s)...

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Battlestar Galactica: Season 2

This isn’t about Sharon. It’s about something much bigger than that. It’s about the long term survival of the Fleet. It’s about the way we conduct ourselves in all of this.

Laura Roslin, Sacrifice

You know, when we fought the Cylons, we did it to save ourselves from extinction. But we never answered the question, why? Why are we as a people worth saving? We still commit murder because of greed, spite, jealousy. And we still visit all of our sins upon our children. We refuse to accept the responsibility for anything that we’ve done.

– Commander Bill Adama, Miniseries

This year, mankind is its own worst enemy. The remnants of humanity are driven to the bring of civil war not once, but twice. The series lands in its sophmore season running, though it seems to run into a bit of bother balancing itself over a full year. That isn’t to say that it isn’t still spectacular television – far from it – but that there are moments here when the series appears to lose focus (if only for an episode or two at a time). Still, it remains one of the most interesting and dynamic television dramas ever conceived.

bsgstorm

It's some kinda storm out there...

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Non-Review Review: Batman Returns

I adore Batman Returns. It tends to be a rather polarising film, and certainly a polarising Batman adaptation. It was famously too dark and too weird for mainstream audiences, with too much creepy and freaky stuff serving to distress the parents of children who gobbled up Batman-themed Happy Meals. I think it holds up the best of the four Burton and Schumacher Batman films, because it finds a way to balance Burton’s unique approach and style with that of the Caped Crusader. While Burton’s Batman occasionally struggled to balance the director’s vision with a relatively conventional plot (to the point where Vicki Vale stuck out like a sore thumb, and the movie wasn’t the most coherently plotted of films), here there’s a much greater sense of balance at play, and a feeling that Burton isn’t compromising, and yet is working with the characters.

Shine a light…

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The Starman Omnibus, Vol. 3

What makes a hero? Is it a cosmic rod and a kick-ass pair of glare-reducing goggles? Is it being a “grim avenger full of hate for the bad” (one of Robinson’s more subtle jabs at Batman during this run)? Or is it simply “doing what’s right because it is”? Is it the honest desire to make the world a better place with “no vengeful motivation” or “nothing ulterior”? We may be getting ahead of ourselves here, but James Robinson really digs into what constitutes a ‘true’ hero here, looking at the classic simplistic conception of the superhero, rejecting the violence of the anti-hero or the deconstruction which has crept into comics over the past few years (mostly in lieu of character development or to seem darker and edgier). Is that what a hero is?

I don’t know, but I find myself agreeing with Batman. No matter how you cut it, Jack Knight is a hero.

A knight in shining armour...

A Knight in shining armour...

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Doctor Who: The Waters of Mars

Of all the people to survive, he’s not the one you would have chosen, is it? But if you could choose, Doctor, if you could decide who lives and who dies… that would make you a monster.

– Mr. Cooper, Voyage of the Damned

The Waters of Mars is a lot more intense than I was expecting. It started out as a standard base under seige story with more than an echo of the era of the fourth Doctor about it, but then something happened. The Doctor made the decision that he’s made before – and which he explicitly compares in the episode to the decision to watch Pompeii burn in The Fires of Pompeii – the decision to walk away. And then the episode kicks it up a notch and becomes a fantastically appropriate penultimate story for this incarnation of The Doctor.

waters

A Mars attack...

Note: There are naturally spoilers for the episode under discussion below. If you want a recommendation, then here it is: this is the best episode of the new series since Midnight over a year ago. It has some pacing issues and a very standard opening half. But the finalé is a perfect dovetail of the core themes of Davies’ run on the show.

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