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Non-Review Review: Cleopatra

The big budget Cleopatra is renowned as something of a massive contradiction. It was panned mercilessly by critics, and yet picked up four Academy Awards (and five more nominations). It was the most financially successful movie of the year, and yet still turned a fairly substantial loss. It’s one of the last great Hollywood epics, and it almost killed Twentieth Century Fox. So there’s something strangely fitting about the final line, in which it was suggested that the movie’s subject was “the last of so many noble rulers.” In many ways, the film was the last of its kind, but perhaps the most lavish. Perhaps history has been kinder to the production than its initial release was, but it’s still a very flawed film.

I can see Cleo now...

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Non-Review Review: Darkman

This is a post as part of “Raimi-fest”, the event being organised by the always wonderful Bryce over at Things That Don’t Suck.

Spider-Man wasn’t Sam Raimi’s first foray into the world of superheroes. Darkman stands as one of the very few earnest superheroes created originally in the medium of film (as opposed to being adapted from comic books or other pulp fiction), and it’s certainly an interesting and entertaining feature. Going on to produce two direct-to-video sequels, some books, some comic books and even a computer game, the character is the very definition of “cult.”

The real Dark Knight?

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Non-Review Review: Spider-Man II

This is a post as part of “Raimi-fest”, the event being organised by the always wonderful Bryce over at Things That Don’t Suck.

Aside from Nolan’s two superb Batman movies, Spider-Man II was the only other comic book superhero movie to make my top fifty films of the last decade. There’s a reason for that. Part of it is the fact that the movie helped define what the second film in a superhero franchise should really look like, but a larger part of it is that this film represents the moment at which Sam Raimi seemed most at home with his beloved central character – and I think that genuine enthusiasm on the part of the director really shines through over the course of the film.

I reckon Spider-Man polls highly among superhero fans...

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Non-Review Review: True Romance

True Romance is one of those films I’m surprised never found a stronger audience, even retroactively. It features a screenplay from Quentin Tarantino which really put the future director on the map, but it also features a huge number of pre-stardom appearances from actors as diverse as James Gandolfini, Brad Pitt and Chris Penn. The movie holds together fantastically, but perhaps it works better as a collection of scenes than as a fully-realised movie – but, when the scenes are this good, that’s not necessarily a heavy criticism.

It's Whirley ride...

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Non-Review Review: Ronin

Ronin is the perfect example of a movie that knows exactly what it is. It’s a high-octane thriller which bends and curves and uncertainties and all manner of similar complications. There’s no tangential elements to the plot, like an awkwardly-inserted love-story or an attempt to humanise any of the people involved. It’s just a well-made thriller with fantastic locations and wonderfully-staged action. At one stage, the grizzled French mercenary Vincent remarks, “No questions, no answers. That’s the business we’re in.” It’s refreshing and honest, and frank.

DeNiro's the big gun here...

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Superman – New Krypton (Vol. I-IV), Last Stand of New Krypton (Vol. I & II) & War of the Supermen (Review/Retrospective)

March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way.

In fairness, it was too great an idea to ever ignore. At some point in the character’s publishing history, it was inevitable that Superman would be reunited with his people – the long dead planet Krypton. This storytelling opportunity forms the basis of the whole New Krypton saga, which crossed through the Superman line of comic books for well over a year. Unfortunately, despite having a rather wonderful core idea, it’s a ll a bit of a waste.

Up in the sky...

Note: This review contains what might be considered spoilers. But the title of the second sets of books in the header kinda give the game away.

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Non-Review Review: Thunderbirds Are Go!

I happened to be flicking through the channels when I stumbled across Thunderbirds Are Go! For those unfamiliar with the concept, Thunderbirds is basically the television series that Trey Parker and Matt stone affectionately spoofed when making Team America: World Police (in fact, it was really the only “affectionate” part of the production). Anyway, Thunderbirds Are Go! was the series’ first attempt at a theatrical motion picture, shortly after the first season finished and shot back-to-back with the second. As far as “movies based on television shows” go, the film is essentially a feature-length regular episode. However, in this case, I don’t think there’s anything wrong with that.

"They'll never see through my cunning disguise!"

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Non-Review Review: The Matrix Revolutions

Today I’m taking a look at the Matrix trilogy. All three films, all watched and reviewed in one day. Join us for the fun! All three reviews will be going on-line today.

I remarked in my earlier review of The Matrix Reloaded that I feel I’m in the minority in regarding the final part of the trilogy as a much stronger film than the second film in the cycle. I mean, if you look at the Rotten Tomatoes score, the second film is almost regarded as highly as the first (higher among top critics), while the third is very clearly “rotten.” On the IMDb, the second film scores higher among audiences than the third. However, while neither sequel comes close to matching the impact of the original, I do have a fondness for the third over the second. Perhaps my preference derives from the same reason many find it weaker – the fact that the only way to enjoy it is to really disengage from the underlying philosophical questions posed by the second film.

Whoa...

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Non-Review Review: The Matrix Reloaded

Today I’m taking a look at the Matrix trilogy. All three films, all watched and reviewed in one day. Join us for the fun! All three reviews will be going on-line today.

No, what happened happened and couldn’t have happened any other way.

How do you know?

We are still alive.

– Morpheus and Neo have one of the least obtuse conversations in the film

The reaction to the second and third films in The Matrix series has always somewhat surprised me. I don’t mean that I can’t see the criticism typically levelled at the films – I can see it and I agree with most of it. I mean that most viewers regard the second film as stronger than the third, while I always considered it the other way around. Rewatching all three films in one day just cemented that opinion – but I’m still curious about why cinema fans tend to favour the middle instalment over the last. Neither is as efficient or effective as the first film, but while I appreciate the sense of closure (and action) of the third film, I find myself regarding a significant portion of the second film as just idle padding – the franchise positioning itself for a final film, which would then go on to ignore a lot of what was suggested here.

Blade of glory?

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Non-Review Review: The Matrix

Today I’m taking a look at the Matrix trilogy. All three films, all watched and reviewed in one day. Join us for the fun! All three reviews will be going on-line today.

Part of me wonders if The Matrix has been somewhat tarnished by its two sequels and countless spin-offs, video-games, tie-ins and “expanded universe” material. I mean, you can pick any number of iconic pop culture moments from the original film (from “I know kung-fu” to “whoa” to “stop trying to hit me and hit me”), but you’re left with a third film in the trilogy that ultimately grossed less than the original. Watching the entire trilogy back-to-back helps the later films seem much stronger, but it also perhaps helps illuminate what was missing from the following two films that made the original such a classic.

Bending over backwards to make a good movie...

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