peter parker | the m0vie blog

Dan Slott’s Run on The Amazing Spider-Man – Ends of the Earth (Review)

Posted on August 29, 2012 by Darren

While Ends of the Earth might not work quite as well as Dan Slott’s other epic from his Amazing Spider-Man run, Spider-Island, it does succeed in playing to the writer’s strengths with the character. It seems like Slott is fascinated with how Spider-Man interacts with the world – both in terms of the other fictional constructs of the shared Marvel Universe, but also in how the character tries to make his world a better place through more than beating up bad guys. Apocryphally, Stan Lee once argued that comic book fans don’t want change, but “the illusion of change”, and Slott manages to do something which almost seems impossible. He offers a take on the web-crawling wonder that is by turns classic and yet boldly new.

The last sand…

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Filed under: Comics | Tagged: Andrew Garfield, Avenger, brian michael bendis, Dan Slott, Doctor Octopus, Earth, Emma Stone, fantastic four, Gwen Stacy, marc webb, Peter, peter parker, Silver Sable, Slott, spider man, stan lee | Leave a comment »

Dan Slott’s Run on The Amazing Spider-Man – Spider-Island (Review/Retrospective)

Posted on August 8, 2012 by Darren

Dan Sott’s Amazing Spider-Man run has been pretty well received by fans. Credited with giving the title a sense of fun after the continuity-tangling mess of One More Day, Slott has managed to inject some fun back into the franchise. Or so I’ve heard. Despite being a fan of Slott’s Mighty Avengers, I remain somewhat disappointed that there’s been no effort made to collect his Amazing Spider-Man run into either an omnibus or an oversized hardcover collection. Still, I recently had the pleasure of devouring Slott’s Spider-Island plotline in a nice oversized hardcover, and I have to admit that I was more than a little impressed with Slott’s epic “event” comic book.

New York, New York, it's a hell of a town!

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Filed under: Comics | Tagged: Amazing Spider-Man, Andrew Garfield, arts, avengers, Bank of America, clone saga, Dan Slott, Flash mob, Flash Thompson, green goblin, J. Jonah Jameson, luke cage, marc webb, peter parker, Randy Robertson, Slott, spider man, Spider-Island, the amazing spider-man, ultimate spider man | 2 Comments »

Stan Lee and Steve Ditko’s Spider-Man – The Amazing Spider-Man Omnibus, Vol. 1 (Review/Retrospective)

Posted on August 3, 2012 by Darren

It’s hard to believe that Spider-Man first appeared fifty years ago. The character is arguably Marvel’s most iconic comic book creation, and his appearance and iconography is instant recognisable all around the world. As such, fifty years after his first appearance, it’s fascinating to look at just how much of Spider-Man is firmly rooted in the initial thirty-eight issues of the title, written by Stan Lee and illustrated by Steve Ditko. While I am normally quite wary of older material (Will Eisner’s The Spirit being the exception that proves the rule), it’s amazing how well Lee and Ditko’s Amazing Spider-Man holds up.

Animated by Kerry Allen.

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Filed under: Comics | Tagged: Amazing Spider-Man, AndrewGarfield, Ditko, Doctor Octopus, EmmaStone, fantastic four, green goblin, Human Torch, J. Jonah Jameson, jack kirby, Kirby, lizard, marvel, Marvel Comic, marvel comics, mysterio, peter parker, sinister six, spider man, stan lee, Steve Ditko, thor | 14 Comments »

The Amazing Spider-Man by David Michelinie & Todd McFarlane Omnibus (Review/Retrospective)

Posted on August 1, 2012 by Darren

The Amazing Spider-Man by David Michelinie & Todd McFarlane Omnibus is a fun comic book collection. Todd McFarlane was one of the rising stars at Marvel in the late eighties, and it’s no exaggeration to suggest that his work on The Amazing Spider-Man (along with Jim Lee’s work on Uncanny X-Men) had a massive influence on how the company would develop during the nineties. McFarlane’s artwork still looks absolutely superb, but it’s easy to forget that McFarlane worked for an extended period with author David Michelinie, crafting stories for the iconic web-crawler. While the stories and characterisation might not have been as strongly influential as McFarlane’s artwork, they still remain impressive until today. This might not be the finest or most important collection of Spider-Man adventures ever collected, but it reads incredibly fluidly and has a great sense of fun behind it.

Itsy-bitsy Spider...

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Filed under: Comics | Tagged: Amazing Spider-Man, David Michelinie, Erik Larsen, General Strike 1926, history, image comics, jim lee, justin hammer, marvel, Mary Jane Watson, Mary-Jane, McFarlane, Miners' Strike 1984-5, Peter, peter parker, Red Skull, Seth MacFarlane, spider man, Strike action, Todd McFarlane, Venus Butterfly, Working Class | Leave a comment »

The Amazing Spider-Man 101: Ultimate or Amazing…

Posted on June 26, 2012 by Darren

Hey. With about a week to go until the release of The Amazing Spider-Man, we thought we’d publish a quick introductory guide to the latest adventure featuring the webcrawler, for those looking for a bit more trivia on the latest pending superhero release. I’ve had the pleasure of seeing it and, while reviews are embargoed until Friday (unless you’re a major publisher like The Guardian or The Hollywood Reporter apparently), here’s the skinny.

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Filed under: Movies | Tagged: Amazing Spider-Man, Andrew Garfield, anne hathaway, arts, avengers, Beenox, Dark Knight Rises, Emma Stone, games, Gwen Stacy, Hollywood Reporter, lizard, marc webb, Mary Jane Watson, peter parker, rhys ifans, sam raimi, samuel l. jackson, sony, spider man, Video game | 9 Comments »

Does Whatever a Spider Can: Do Chronicle and Kick-Ass Render The Amazing Spider-Man Moot?

Posted on February 6, 2012 by Darren

We still have a few months to wait before Marc Webb reboots Sony’s Spider-Man franchise with The Amazing Spider-Man. Despite some tonal worries, I’ll admit Webb has quite a talented crew assembled – Andrew Garfield is on the cusp of stardom, and Emma Stone is a bit ahead of him. However, I can’t help but wonder if Webb’s film might be a few months too late. After all, haven’t Kick-Ass and Chronicle offered a fairly solid deconstruction of the iconic web-slinging superhero? Is there really enough left to be said in the Spider-Man origin story when we’ve already seen it picked apart and subverted so often and skilfully?

Webb's Spider...

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Filed under: Movies | Tagged: Amazing Spider-Man, Andrew Garfield, batman, bryan singer, clark kent, Emma Stone, fantastic four, Gwen Stacy, kick-ass, lizard, marc webb, mark millar, Peter, peter parker, sam raimi, sony, spider man, stan lee | 4 Comments »

Non-Review Review: Spider-Man III

Posted on April 2, 2011 by Darren

This is a post as part of “Raimi-fest”, the event being organised by the always wonderful Bryce over at Things That Don’t Suck.

Spider-Man III has a lot of problems. I’ll get to a couple of them in a moment. However, the single biggest issue with the movie seems to be that nobody seems especially interested in making it. It’s a feeling that it’s hard to back up with substantive evidence, but there’s just this general sensation that the film wasn’t the product of the same love and enthusiasm that made the first two films so refreshing. It almost seems like the movie was made out of a sense of obligation, rather than because anyone wanted to be there. It seems that they didn’t really care.

Back in black?

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Filed under: Non-Review Reviews | Tagged: Avi Arad, brian michael bendis, Christopher Young, danny elfman, films, flint marko, green goblin, harry osborn, hollywood, Movies, peter parker, sam raimi, sandman, spider man, spider-man 3, spider-man iii, stan lee, symbiote, venom | 7 Comments »

Does Whatever a Spider Can: How Sam Raimi “Got” Spider-Man…

Posted on March 30, 2011 by Darren

This is a post as part of “Raimi-fest”, the event being organised by the always wonderful Bryce over at Things That Don’t Suck.

Watching all three of Sam Raimi’s Spider-Man trilogy back-to-back, it becomes increasingly obvious that the director harbours an honest and genuine affection for the source material. In fairness, it’s hard to believe that the cult director seemed like a safe option for a multi-million dollar movie franchise, but it worked out remarkably well – just look at the box office figures and the critical acclaim (of at least the first two films). So what is it about Raimi that really “clicks” with Spider-Man? How does the director get the character so well?

Goblin it all up…

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Filed under: Movies | Tagged: atomic age, Comics, green goblin, harry osborn, J. Jonah Jameson, monster movies, monsters, peter parker, pop culture, pulp fiction, sam raimi, spider man, spider-man comics, spider-man trilogy, stan lee, Steve Ditko | 2 Comments »

Non-Review Review: Spider-Man II

Posted on March 27, 2011 by Darren

This is a post as part of “Raimi-fest”, the event being organised by the always wonderful Bryce over at Things That Don’t Suck.

Aside from Nolan’s two superb Batman movies, Spider-Man II was the only other comic book superhero movie to make my top fifty films of the last decade. There’s a reason for that. Part of it is the fact that the movie helped define what the second film in a superhero franchise should really look like, but a larger part of it is that this film represents the moment at which Sam Raimi seemed most at home with his beloved central character – and I think that genuine enthusiasm on the part of the director really shines through over the course of the film.

I reckon Spider-Man polls highly among superhero fans...

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Filed under: Non-Review Reviews | Tagged: Andrew Garfield, arts, Aunt May, bruce campbell, bryan singer, Comics, films, j.k. simmons, Movies, non-review review, peter parker, Raimi, review, sam raimi, spider man, stan lee, Steve Ditko | 6 Comments »

Ultimate Spider-Man Collection (Hardcover Volumes #1-3) (Review/Retrospective)

Posted on August 19, 2009 by Darren

In 2000, Marvel did something genuinely bold with one of its pop culture icons. Of course, the early part of the last decade saw a breath of fresh air at the House of Ideas, with iconic and influential (and occasionally iconoclastic) runs on books like New X-Men, Fantastic Four, Amazing Spider-Man, X-Statix, Punisher and other titles like Daredevil or Alias. However, the formation of the Ultimate line of comics was perhaps the most significant creative gamble taken at the time. The idea was simple, and the timing perfect. With Sam Raimi’s Spider-Man around the corner, and Bryan Singer’s X-Men proving that superheroes were the stuff of summer blockbusters, it seemed like a perfect opportunity to launch a line of books that would be easily accessible to new readers, free from decades of tangled continuity and plot developments.