paris | the m0vie blog

Is It Just Me Or Does The Artist Backlash Seem a Little Half-Hearted?

Posted on February 7, 2012 by Darren

The annual Oscar race is a process so predictable that it could be a movie formula all of its own. You have your initial race to nominations, with various films falling at certain hurdles, leaving you with a fairly well-spaced field. You have the frontrunner surging ahead, but a dark horse waiting in the wings. And, every year, you have a very eager publicity industry ready to launch a very vehement attack on that frontrunner simply because it has the tenacity of pulling ahead. This year is no different, and The Artist seems to be seeing its share of controversies. However, these seem to be unfolding simply because it’s expected at this point in the race. I can’t help but feel like any of the attacks on The Artist are anything more than half-hearted.

Barking up the wrong tree?

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Filed under: Movies | Tagged: Academy Award, Academy Award for Best Picture, arts, avatar, backlash, Dujardin, film, france, Jean Dujardin, Michel Hazanavicius, Movies, oscar, oscars backlash, paris, poster, slumdog millionaire, Sports, the artist backlash, Woody Allen | 6 Comments »

My Best of 2011: Midnight in Paris & “Diet” Woody Allen…

Posted on December 28, 2011 by Darren

It’s that time of the year. To celebrate 2011, and the countdown to 2012, I’m going to count down my own twelve favourite films of the year, one a day until New Year’s Eve. I’m also going to talk a bit about how or why I chose them, and perhaps what makes this list “my” best of 2011, rather than any list claiming to be objective.

Midnight in Paris is number four. Check out my original review here.

I’ve been mulling this over since I had the chance to see the film back in August. I think that Midnight in Paris might (just might) be my own favourite Woody Allen film, without any of the usual qualifiers attached. It is my favourite Woody Allen film of the decade, and my favourite one set in Europe, but I’m growing increasingly comfortable just stating that as an absolute. I, personally, prefer it to Manhattan or Annie Hall. I can’t explain it. As I noted in my piece covering True Grit as my eighth favourite film of year, perhaps it’s just that my internal “quality Woody Allen film detector” is broken. After all, I liked – rather than loved – Vicky Christina Barcelona, so what do I know of Woody Allen?

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Filed under: On Second Thought | Tagged: Allen, best films of 2011, best of 2011, F. Scott Fitzgerald, favourite films of 2011, Gil, Midnight in Paris, my best of 2011, my favourite films of 2011, Owen Wilson, paris, wilson, Woody Allen | 2 Comments »

Non-Review Review: Superman II (The Theatrical Cut)

Posted on November 21, 2011 by Darren

I kinda feel sorry for Superman II. As a film, it’s overshadowed by the enormous controversy over the firing of director Richard Donner. Donner, who directed the original film, had begun work on the follow-up, when he was dismissed by the producers – reportedly for resisting the “campy” direction that the Salkinds where trying to force on the film. Richard Lester (who worked with the Salkinds as producer on The Three Musketeers, The Fourth Musketeer and as an uncredited producer on the original Superman) stepped in to fill the vacant position, and was ultimately credited on the finished product. While the film works relatively well, it suffers from the simple fact that Lester is nowhere near the craftsman that Donner was.

You'll believe a man can make a woman forget his secret identity!

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Filed under: Non-Review Reviews | Tagged: art, Brando, Christopher Nolan, Clark, clark kent, dark knight, Donner, Eiffel Tower, film, Filmmaking, jor-el, Lois, Lois Griffin, marlon brando, Movie, non-review review, paris, review, richard donner, Richard Lester, superman, superman ii, Superman IV: The Quest for Peace | 8 Comments »

Non-Review Review: The Illusionist (2010)

Posted on October 19, 2011 by Darren

It’s hard to fault The Illusionist on a technical level. The film is truly beautiful, not only capturing the beauty of its surroundings in wonderful animation, but also produced with a magical sense of artistry and genuine romanticism. Although one can readily spot the hints of CGI used to help realise director Sylvain Chomet’s vision, the animation feels remarkably and endearingly old-fashioned. The limited use of dialogue throughout adds a strange and ethereal (almost fairy tale) quality to the whole thing. Still, there’s something that feels a bit strange about the whole thing, as if the story – although trying to distract us with flair and bright colours and a clever wit – is a truly depressing saga. Some might suggest that it is “bittersweet”, but I couldn’t help but find the outer “sweetness”nothing but a superficial attempt to distract from a truly bitter core.

It's a kind of magic...

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Filed under: Non-Review Reviews | Tagged: animation, arts, Edinburgh, Jacque Tati, magic, paris, Scotland, Sylvain Chomet, The Illusionist, The Illusionist (2010) | 2 Comments »

Best Indecision Ever! Movie Reviewers & Fear of Absolutes…

Posted on October 3, 2011 by Darren

I had the pleasure of catching Midnight in Paris at the weekend, and I liked it. I really liked it. I confessed in my review that I thought it was Woody Allen’s best film of the past decade, and – as I left the cinema – I found myself wondering if perhaps it was the best of Allen’s films that I’ve seen. I’ll freely concede that I have yet to work my way through the director’s extensive filmography, but I have been a lot of his more famous and celebrated films like Annie Hall or Manhattan. Still, I feel reluctant to say that, which is admittedly quite strange. I am a movie reviewer (or, if you’ll allow me a hint of pretension, a “critic”) why am I so scared of superlatives?

Simply the best?

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Filed under: Movies | Tagged: Allen, Annie Hall, best, brazil, criticism, film, Manhattan, Midnight in Paris, paris, praise, review, reviews, Woody Allen | 4 Comments »

Non-Review Review: Midnight in Paris

Posted on October 2, 2011 by Darren

A special thanks to the IFI for sneaking us into an advance screening. If you’re interested, they’re hosting a season of actors-turned-directors through October, with Woody Allen’s Purple Rose of Cairo among those screening.

“You inhabit two worlds. So far, I see nothing strange.”

“Of course, you’re a Surrealist.”

– Man Ray takes Gil’s time-traveling confession quite well

Woody Allen has, to a greater or lesser extent, been heavily influenced by Europe in the past few years. Ignoring Whatever Works, he’s clearly been inspired by the great European cities. Vicky Christina Barcelona is perhaps the most obvious, if only because it was perhaps the most critically and commercially successful, but London has also produced works as diverse as Match Point and You Will Meet A Tall Dark Stranger. Still, if you’re going to work with the major European cities, it seems pointless to avoid Paris, the city of lights and lovers, home to generations of artists for decades upon decades, it has earned a reputation as one of the most powerful and inspiring locations on the face of the planet. Allen does his subject proud, producing what is certainly his best film since his trip to Barcelona, and one I’d rank considerably higher in my own estimation. It seems that even the cynical Woody Allen can become something of a romantic in Paris.

The importance of being Ernest...

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Filed under: Non-Review Reviews | Tagged: Allen, Ernest Hemingway, film, Gil, Match Point, Midnight in Paris, Movies, non-review review, Owen Wilson, paris, review, Woody Allen | 13 Comments »

Non-Review Review: Amélie

Posted on June 9, 2011 by Darren

I feel a little bit heartless in confessing this, but Amélie (or Le fabuleux destin d’Amélie Poulain, to use its original title), never really connected with me. Don’t get me wrong, I can appreciate the film’s wonderful visual style, and those amazing opening scenes with a young Amélie growing up the way she did thanks to the strange and particular set of circumstances around her, but I couldn’t maintain that emotional connection through the film. Which is a shame, because the movie is a wonderful technical accomplishment, from its heavily saturated primary colours through to its distinctive score, and the manner at which it plays with the fourth wall.

Making a splash...

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Filed under: Non-Review Reviews | Tagged: Amélie, arts, Audrey Tautou, film, Filmmaking, french cinema, Jean-Pierre Jeunet, Le fabuleux destin d'Amélie Poulain, Movie, non-review review, paris, review | 3 Comments »

Non-Review Review: Á Bout Portant (Point Blank)

Posted on March 1, 2011 by Darren

This film was seen as part of the Jameson Dublin International Film Festival.

Point Blank is another one of those movies which snuck up on me a little during the Jameson Dublin International Film Festival. I wasn’t expected to do anything more than kill a couple of hours with a French film, but was surprised at how energetic and engaging this little action movie is. In fact, it calls to mind some of Luc Besson’s earlier work, which is always a good sign.

A shot of adrenaline...

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Filed under: Non-Review Reviews | Tagged: á bout portant, film, films, french cinema, Hans Zimmer, jameson dublin international film festival, Klaus Badelt, luc besson, Movie, Movies, non-review review, paris, point blank, review, Samuel | Leave a comment »

Non-Review Review: Unknown

Posted on February 24, 2011 by Darren

This film was seen as part of the Jameson Dublin International Film Festival.

Unknown is not, despite what it may want you to believe, anything to do with Taken. I have a sense that audiences catching the film without that pre-existing expectation might enjoy it more than others, but I can’t help but feel the movie suffers by comparison to the earlier film in the “Liam Neeson as badass action hero” subgenre.

Taken for a ride?

Note: By its very nature, this review will involve the very slightest of spoilers. I will literally be discussing the first twenty or so minutes of the film, and I doubt it’s any more than you could discern from the trailers, but I figure it’s worth flagging with the spoiler-conscious out there.

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Filed under: Non-Review Reviews | Tagged: action, Berlin, Diane Kruger, facebook, films, identity theft, james woods, jameson dublin international film festival, Jaume Collet-Serra, liam neeson, liamneeson, Movies, non-review review, paris, review, Seine, taken, taken (film), thriller, Unknown, unknown (film) | Leave a comment »