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Star Trek: Deep Space Nine – … Nor the Battle to the Strong (Review)

“The world breaks everyone and afterward many are strong in the broken places.”

– Hemingway, A Farewell to Arms (1929)

Far a field.

Far afield.

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Non-Review Review: Midnight in Paris

A special thanks to the IFI for sneaking us into an advance screening. If you’re interested, they’re hosting a season of actors-turned-directors through October, with Woody Allen’s Purple Rose of Cairo among those screening.

“You inhabit two worlds. So far, I see nothing strange.”

“Of course, you’re a Surrealist.”

– Man Ray takes Gil’s time-traveling confession quite well

Woody Allen has, to a greater or lesser extent, been heavily influenced by Europe in the past few years. Ignoring Whatever Works, he’s clearly been inspired by the great European cities. Vicky Christina Barcelona is perhaps the most obvious, if only because it was perhaps the most critically and commercially successful, but London has also produced works as diverse as Match Point and You Will Meet A Tall Dark Stranger. Still, if you’re going to work with the major European cities, it seems pointless to avoid Paris, the city of lights and lovers, home to generations of artists for decades upon decades, it has earned a reputation as one of the most powerful and inspiring locations on the face of the planet. Allen does his subject proud, producing what is certainly his best film since his trip to Barcelona, and one I’d rank considerably higher in my own estimation. It seems that even the cynical Woody Allen can become something of a romantic in Paris.

The importance of being Ernest...

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