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New Escapist Column! On “No Time to Die”, and the Limits of a Changing Bond…

I published a new In the Frame piece at The Escapist this evening. With the American release of No Time to Die, it seemed like a good opportunity to take a look at the movie’s ending, now that everybody has had a chance to see it.

One of the big questions hanging over Daniel Craig’s tenure as James Bond is the extent to which the character can evolve or change, whether he can grow with the times or must remain fixed in stone. In contrast to Pierce Brosnan’s portrayal of James Bond as a professional who seemed to enjoy his work, Daniel Craig offered a more introspective version of the superspy, one who seemed to wonder about what he did and why he did it. As Craig’s final film in the role, No Time to Die has the opportunity to truly grapple with the question of whether Bond wants to change and whether he can change.

You can read the piece here, or click the picture below. Note that the piece contains major spoilers.

New Escapist Column! On “No Time to Die”, and the Strange Insecurity of the Modern James Bond Franchise…

I published a new In the Frame piece at The Escapist this evening. With the international release of No Time to Die, it seemed like a good opportunity to reflect on the larger Daniel Craig era of James Bond.

One of the more consistent recurring themes of these five movies has been the question of Bond’s enduring relevance in a rapidly changing world. Each of the five films tackles – whether directly or indirectly – the idea that James Bond is a character and an idea past his relevence. This is a very strange obsession for the franchise, particularly given the critical and (especially) commercial success of the recent films. Daniel Craig’s iteration of James Bond has outlasted most of his cinematic competitors, so why is the franchise so insecure?

You can read the piece here, or click the picture below.

New Escapist Column! On “No Time to Die”, and the Daniel Craig Era’s Understanding of James Bond as a Performance…

I published a new In the Frame piece at The Escapist this evening. With the looming release of No Time to Die, it seemed like a good opportunity to reflect on the larger Daniel Craig era of James Bond.

One of the more striking aspects of Craig’s enure as the suave secret agent has been an understanding that James Bond is a performance as much as an actual human being. Bond is set of mannerisms and conventions, coming with a set of expectations and weight. Throughout Craig’s time playing the secret agent, there has been a fascination with that level of performance, and the question of what it entails to be trapped within that framework. It’s a very clever and very self-aware approach to a franchise that is almost sixty years old at this point.

You can read the piece here, or click the picture below.

 

New Escapist Video! “No Time to Die is Too Haunted By Its Past”

I’m thrilled to be launching movie reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute review of No Time to Die, which is in British and Irish theatres now, but will be released in America next week.

Non-Review Review: No Time to Die

There is perhaps some irony in the fact that a movie titled No Time to Die is the longest movie in the James Bond franchise.

No Time to Die is an interesting mess of a movie. It’s a film that contains a variety of interesting and intriguing elements that never coalesce into something completely satisfying, and are often lost in a mess of continuity accrued from the previous four entries in the franchise. As the final film in the franchise to star Daniel Craig, No Time to Die finds itself tasked with turning off the lights at the end of the night, serving as something of a series finale to the actor’s previous adventures.

Drinking it all in.

The biggest challenge facing No Time to Die is the simple fact that the previous four films in the franchise don’t really form a single or cohesive narrative. They were four separate movies, with each shaped and informed by the reaction to the prior entry. When Casino Royale proved that audiences could accept a modern take on the James Bond franchise, Quantum of Solace doubled down on tweaking the character to fit into the modern action thriller landscape. When that didn’t work, Skyfall course-corrected for a more traditional approach. Following that success, SPECTRE tried clumsily to tie it all together.

No Time to Die spends far too much of its impressive runtime trying to reconcile these films to each other. As a result, the film never really finds space to play with its own more interesting and compelling ideas.

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New Escapist Column! On the Understated Power of Pierce Brosan’s Bond…

I published a new In the Frame piece at Escapist Magazine last week. With the release of No Time To Die pushed out, and St. Patrick’s Day relatively understated, I thought it was worth taking a look at Pierce Brosnan’s tenure playing James Bond.

Brosnan is often overlooked in assessments of the James Bond franchise, largely overshadowed by the (deserved) reappraisal of Timothy Dalton’s vulnerability in the role and the (deserved) celebration of the emotional complexity that Daniel Craig brought to the icon. This is a shame, because there’s a lot to like about Pierce Brosnan’s interpretation of the superspy. Most obviously, there’s a sense in which Brosnan’s interpretation of the character refused to be tormented and tortured by the work that he did. Brosnan played Bond as a man uniquely attuned to the demands of his job, an unchanging man in a rapidly changing world. The result is a character who seems unflinchingly brutal, but who also collapsed his patriotism into satisfaction of his more personal vices.

Whether intentional or not, Brosnan’s interpretation of the character makes the audience uncomfortable, particularly the joy that he takes in violence and the sense in which little really matters to him beyond satisfying his own urges. It’s a provocative approach to the character, one that stands in marked contrast to the more considered introspection of the the two performers either side of him. Brosnan’s Bond often seems to be challenging the audience, asking whether we enjoy the callous violence and detached brutality as much as the protagonist does, without offering us the “get out of jail free” card that Dalton and Craig’s more solemn portrayals afford viewers.

You can read the piece here, or click the picture below.

New Escapist Column! On COVID-19 and a Globalised Film Industry…

I published a new In the Frame piece at Escapist Magazine last week. Ironically, it’s probably already well out of date.

In the time since the article was published last Monday, the COVID-19 pandemic has only escalated further. Movie and television studios have halted production and distribution of various major titles. However, all of this illustrated how incredibly globalised the modern film industry truly is, both in the stories that we tell and the manner in which we are telling them. These are films that rely on global audiences, and so an outbreak in Japan and China has major repercussions within Hollywood itself.

You can read the piece here, or click the picture below.

New Escapist Column! “No Time to Die” and that Missing Killer Instinct…

So the trailer for No Time to Die, the new James Bond movie, dropped yesterday.

I wrote a bit about my reaction to it at Escapist Magazine, primarily how I was a little underwhelmed by how generic it all felt. It lacked the strong statement of purpose that defined the trailers for movies like GoldenEye, Casino Royale and Skyfall. It seems to be designed to assure audiences that all the required plot elements are in place, but it never actually makes any strong statements about what the movie is supposed to be.

You can read the piece here, or click the picture below.