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New Escapist Column! On “No Time to Die”, and the Strange Insecurity of the Modern James Bond Franchise…

I published a new In the Frame piece at The Escapist this evening. With the international release of No Time to Die, it seemed like a good opportunity to reflect on the larger Daniel Craig era of James Bond.

One of the more consistent recurring themes of these five movies has been the question of Bond’s enduring relevance in a rapidly changing world. Each of the five films tackles – whether directly or indirectly – the idea that James Bond is a character and an idea past his relevence. This is a very strange obsession for the franchise, particularly given the critical and (especially) commercial success of the recent films. Daniel Craig’s iteration of James Bond has outlasted most of his cinematic competitors, so why is the franchise so insecure?

You can read the piece here, or click the picture below.

Non-Review Review: xXx iIi – The Return of Xander Cage

Perhaps the most endearing aspect of xXx iIi: The Return of Xander Cage is how absurd the movie feels, on just about every level.

xXx iIi is the third in a trilogy of films that launched in 2002. xXx is highly unlikely to rank as anybody’s favourite Vin Diesel film, sitting somewhere below The Fast and the Furious and Pitch Black on the “viable Vin Diesel movie franchises” scale. The movie was very much part of that turn-of-the-millennium attempt to craft an American answer to the highly successful James Bond franchise, and as such had arguably been rendered redundant by The Bourne Identity two months before it was released.

Quite Cagey on the matter.

Quite Cagey on the matter.

In fact, xXx was such an underwhelming Vin Diesel vehicle that the performer did not return for the sequel three years later. In xXx II: State of the Union, the extreme sports daredevil was replaced by a veteran marine played by Ice Cube. As such, it seems strange that the third film in the trilogy should be released fifteen years after the original and more than a decade following the only sequel starring a substitute lead. It is very hard to argue that the world was crying out for a xXx sequel promising the return of a low-tier Vin Diesel persona.

In its best moments, xXx iIi actively embraces that absurdity and swivels into the insanity. There are points at which xXx iIi ultimately collapses under its own ridiculousness, as it struggles to fill the gaps between admirably over the top set pieces with terrible dialogue delivered by a fairly weak cast. However, there are also moments when xXx iIi works much better than it should, if only because it recognises the absurdity of its own existence and just runs with it.

It's good to be back.

It’s good to be back.

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