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(Big) Daddy’s (Hit) Girl: Kick-Ass Controversy & The Art of Completely Missing the Point…

Last week I remarked on how ridiculous it was that people were getting freaked out by the use of a certain c-word (and, no, it’s not a misspelling of the words “kick ass”) by a certain pint-sized assassin in a certain superhero spoof movie. In said article, I had the audacity to state that – although I wouldn’t agree with it – I could understand if they were upset by the gratuitous violence the little kid commits, rather than her choice of language. It appears my appeals to sanity within the moral guardian community has been somewhat answered and various commentators have begun decrying Kick-Ass for the way it treats and portrays Hit Girl, the eleven-year-old sidekick to wannabe Batman by the name of Big Daddy.

Opening Soon: The Nicolas Cage School of Parenting - Enroll Now!

Note: This article contains slight spoilers for the movie and probably bigger spoilers for the graphic novel. You have been warned. But don’t worry, if you want to wait to see the film, this article will be here when you get back.

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No Refunds for Ben Stiller…

This is one of those interesting stories from the weekend. And, by interesting, I mean “interesting to me”. Anyway, apparently cinemas in Los Angeles have stuck up notices for Ben Stiller’s new movie Greenberg, stating that they’ve had a huge number of patrons demanding refunds for the film and that they won’t be issuing refunds for those who stay more than an hour. I’m going to presume it isn’t a technical fault occurring at every single screening and it’s just the movie itself which is upsetting patrons. So, do you think it’s fair to demand a refund from the cinema because the movie is a bit crap?

He's got a lot on his mind...

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Non-Review Review: Perrier’s Bounty

Mark O’Rowe wrote a play that I had the pleasure of seeing last year called Terminus. The piece, featuring four characters narrating sensational events occurring in and around the city of Dublin in thick Northside accents and with distracting amounts of elloquence, obviously became something of a cult hit – so much so that it returned to the Abbey (our national theatre) earlier this year. I mention this purely because O’Rowe has very much fashioned the script for this Irish film from the same cloth as his theatrical success. The same elements which I enjoyed in Terminus I enjoyed in Perrier’s Bounty, and the same elements I didn’t enjoy were just magnified by the transition to film.

Parting shots?

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The Day That 2D Died…

I’m not going to bore you with another 3D post. In short, my opinion is thus: I’m not outright against it, but recognise it is a cynical money-making plow that has yet to really add anything to any movie (with the possible exception of Avatar). I just noticed something today which indicates we may have hit the tipping point. And it isn’t the news of an Oscar-baiting drama like Precious being rendered in 3D like I thought it might be. It’s the fact that Clash of the Titans is being advertised as “also in 2D”. It’s in small print in all the ads, but it seems to suggest that the standard movie-viewing experience has now become the smaller, optional one. Something for the cinema-completest rather than the default way of viewing the film. I remember not even last year when rendering a movie in 3D was a selling point of itself, a quirk. Now it appears that we should be treating it as standard for these films, with the 2D screenings being essentially sideshows and extras.

Some would rather stare at Medusa's face than watch the satndard 2D version...

I’m fairly sure that Avatar may have used the same “also available in 2D” line, but there’s a huge difference between Avatar and Clash of the Titans. It might not seem much (in fact, it likely seems very little), but this I think this may be the moment that the impact of 3D has truly sunk in for me, with 2D screenings now being a curiousity and an afterthought, with 3D the norm rather than a bonus.

“Concerned Parents’ Group”: The three most dreaded words in the English Language…

It looks like the moral guardians have been out in force. The New York Times yesterday featured an opinion piece focusing on the evils of red band trailers, just one of the more modern marketing gimmicks. Apparently – and brace yourself here – kids can lie about their age and watch these things. I am… shocked. Shocked and appalled. Next thing you know they’ll be lying to get their hands on booze. The second, and more predicable, piece of news that broke yesterday was parents groups campaigning against Kick-Ass. That’s sorta expected, seen as it features an eleven-year-old assassin. Surely we’d all been expecting some sort of objection to the pint-sized killer, but – and brace yourself again – she used “the c-word”. You’ll have to excuse me while I hyperventilate.

Kids these days are such c-words...

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Claudia Winkleman to Host Film 2010; Darren to Lose Faith in Humanity…

Claudia Winkleman? Claudia Winkleman? Claudia freakin’ Winkleman?

Okay, so I didn't have a picture of Winkleman handy...

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Uma Thurman’s Motherhood Makes £88 In It’s Opening Weekend…

It’s karma for Batman & Robin. It has to be.

Even the baby clearly wasn't on board for this marketing push...

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Silent Bob Strikes Back: Kevin Smith & The Perils of Twitter

I like Kevin Smith. I appreciate he’s been through a lot. He is a legend for taking a huge paycut to get Cop Out made the way that it should have been made, regardless of what you think of the result. That’s dedication to his art, no matter how you cut it and there’s not enough of that these days. He was also perfectly right in his recent airplane trouble and I can appreciate that Hollywood has repeatedly (and thoroughly) screwed him over time and again. He’s never had the mainstream success that his breakout talent deserved, and I’m fairly certain that most of that isn’t in any way his own fault. But he really needs to learn when to disengage.

Just keep those mikes pointed AWAY from Smith and it'll be okay...

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Iron Man 3 Before The Avengers?

A geek bombshell has landed. Apparently Iron Man 3 may be arriving in 2012. Not that it’s coming at us out of nowhere. Iron Man and Iron Man 2 were two years apart. There’s no reason to believe the same wouldn’t be true of Iron Man 2 and Iron Man 3. Also, The Avengers was the only major Marvel film planned for 2012… well, before the Spider-Man reboot got moved back to 2012, but that’s a co-production with Sony. Marvel have strived to get a bit of momentum going – Iron Man and The Incredible Hulk were released in 2008 as a double-act and Thor and Captain America will have the same partnership next year. The Avengers is big enough to open by itself, but it seemed likely that Marvel would have some other support feature designed to lead into it a month or two before release (in case audiences forgot about Captain America: The First Avenger in the year since its release). I like the idea of Iron Man3 in 2012.

Looks like Tony might not be taking any well-deserved time off...

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How Has New Media Affected Cinema?

The Internet has given everybody in America a voice. For some reason, everybody decides to use that voice to bitch about movies.

– Holden McNeill, Jay and Silent Bob Strike Back

There’s been a lot said about new media. Blogging and twitter and facebook and so on, this modern age of new media we live in. I took up blogging as a hobby fairly recently (just under a year), so I’m rather late to the party. There’s a whole host of stuff written about how social networking and the internet have drastically altered civilisation as we know it, so I thought I’d just ponder about cinema and the old, established media.

Where there's a Will, there's a way...

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