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Non-Review Review: The King of Kong – A Fistful of Quarters

I think part of the reason that The King of Kong: A Fistful of Quarters works so well is because it takes any number of well-loved and popular story-telling tropes concerning the conflict between a hard-working underdog and an exclusive and elitist authority, and then plays them out against one of the most brilliantly ridiculous backdrops possible. Professor Wallace Sayre, a political scientist at Columbia University once made the observation that “in any dispute the intensity of feeling is inversely proportional to the value of the issues at stake.” So perhaps we shouldn’t be so surprised that a competition over a videogame world record should capture these ridiculous grand themes with such skill, and a wonderful sense of humour.

Steve's game for a challenge...

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Non-Review Review: The Ring

The Ring is actually a surprisingly effective horror when measured on its own terms, as well as being perhaps the most successful American adaptation of a Japanese horror. I would make the case that the film isn’t a patch on the original Ringu, but it’s to director Gore Verbinski’s credit that he attempts to subtly distinguish his film from the one that inspired it, while remaining true to the spirit of that classic cult horror.

Watts going on here?

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Non-Review Review: Unstoppable

I guess I’ve kinda marked Tony Scott as a more talented Michael Bay, in that he’s a director who manages all the tense and superficial elements of his action films particularly well, but that he also a strong eye for dramatic talent and seems to work much better with his leads – or, at least, draw stronger performances from them – than Bay. I was kinda thinking that as I was watching Unstoppable, pondering how Bay’s fascination with physical objects and explosions could have turned the film into a nigh-impossible mess, as the movie is literally based around the idea of a runaway train. Scott can’t quite find the human drama at the core of the story he’s telling, but he does try. And I think that effort alone makes the film watchable, if not remarkable.

Train-ing Day...

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Non-Review Review: The Change-Up

This movie was seen as part of Movie Fest, the rather wonderful film festival organise by Vincent and everybody else over at movies.ie. It was well worth attending, and I’m already looking forward to next year. Good job all.

Body swap comedies are pretty much a subgenre unto themselves. There’s a fairly standard formula, much like the conventional romantic comedy, but the success or failure of a given movie rests pretty much entirely on the execution of that formula. It’s finding the wit and energy to inject into a familiar structure, to produce an interesting and compelling result. It’s been done with considerable frequency. However, The Change-Updoesn’t really generate enough laughs consistently to make a memorable addition to this category of comedy.

Just kidding around...

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Non-Review Review: Drive

This movie was seen as part of Movie Fest, the rather wonderful film festival organised by Vincent and everybody else over at movies.ie. It was well worth attending, and I’m already looking forward to next year. Good job all.

Drive took home Best Director at the Cannes Film Festival, and it’s easy to see why. This pulpy retro crime thriller is an intense joyride featuring what might hopefully be a long over-due star-making role for Ryan Gosling.

Gosling has an impressive body (of) work...

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Non-Review Review: Takers

The obvious point of comparison for Takers is The Town, Ben Affleck’s bank-robbing thriller that opened around the same time. However, I think it’s a misleading comparison, if only because Affleck’s film feels far more specific and nuanced in scope than this heist thriller. Instead, I think the best point of reference for this particular feature film is to consider is as Heat for the MTV generation.” Of course, any film’s going to come out quite badly from that synopsis, but I do think it’s fair, as it speaks to both the strengths and (perhaps more importantly) the weaknesses of this particular film.

Are the crew being taken for a ride?

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Non-Review Review: Ninja Assassin

I want to like Ninja Assassin. I want a nice, pulpy, old-school hyper-violent throw-back like the title suggested. The two words thrown together don’t necessarily evoke the imagery of classic cinema, but they at least promise a reasonably diverting action thriller. However, it seems that nobody told the writer and director this. Despite it’s surprisingly direct title, the movie is just one big bloated mess, which seems to aspire to a complexity that nobody expects of it, and fails miserably. There seem to be occasional moments where the film grabs the potential of the concept, acknowledging a sort of Tarantino-light nostalgic approach to pop culture trash, but most of the film takes itself far too seriously, but without the skill necessary to succeed as the film it seems to want to be.

All fired up...

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Five More Creative Ways to Make Green Lantern 2 A Better Film (Rather Than Just “Darker and Edgier”)…

Green Lantern was a disappointment. Along with Marvel’s Daredevil, the Green Lantern series has been perhaps the strongest mainstream superhero title published in the past decade, and Warner Brothers couldn’t manage to produce a decent film. This was supposed to be the company’s first superhero franchise outside of the tried-and-tested Batman and Superman properties, and it fell flat. Nevertheless, Warners have vowed to press on with the sequel, daring to produce a “darker and edgier” follow-up to the film. Ignoring the fact that not all superheroes need to be “darker and edgier”, it still ignores the fact that the problems with Martin Campbell’s would-be franchise launcher had very little to do with being too light or soft. Here are five pieces of advice that the executive would do well to take on board, before deciding to simply “go darker.”

The sequel... Dark Green Lantern...

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Non-Review Review: Green Lantern – Emerald Knights

In many ways, Green Lantern: Emerald Knights can be seen as a counterpart to the earlier Batman: Gotham Knight. Beyond the fact that both contain “knight” in the title, both animated films were released as promotional tie-ins to major motion pictures featuring the characters in question, and both are structured as vignettes rather than one continuous storyline. Don’t let that fool you. Unlike the incredibly uneven Gotham Knight, Emerald Knights is actually quite a worthy little movie.

Good to the Corps...

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Non-Review Review: Bolt

I really enjoyed Bolt. Being entirely honest, Disney’s track record with its own CGI was hardly encouraging, with Chicken Little and Meet the Robinsons hardly measuring up to the work of the company’s other animation division. Bolt might not be quite as good as Tangled, but – at its very best – it manages to hit on those big, shared emotions and themes that have helped Pixar set the standard for modern animation. For most of its run, it’s a solidly entertaining and diverting family film, but it also has moments of powerful emotional connection.

His bark's worse than his bite...

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