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Evening the Score: Ratings & Reviews…

I’ve been thinking a bit lately about how I write my “non-review reviews” and what I make of a given film and so on. In particular, I’ve been wondering if I should start offering some form of “grade” to my reviews, like some sort of overzealous teacher – “this film has Darren’s seal of approval!” The thing is, I’m not quite sure if I should.

Stars in my eyes...

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Non-Review Review: Demolition Man

I love Demolition Man. I know I shouldn’t, but I do.

Eye see you...

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Non-Review Review: Kick-Ass

Kick-Ass may be the action movie of the year. It will more than likely be the comedy of year. And it is currently among the best movies I’ve seen so far (and it’s been a very good March, might I add). Kick-Ass does what Watchmen should have, and takes superhero movies to the next level: working on the assumption that the genre is so well recognised that audiences will appreciate all the tiny little tropes, Kick-Ass picks apart the big budget superhero flick, but manages to avoid being mean.

Kick-Ass kicks... well, you see where this is going...

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Non-Review Review: Who Framed Roger Rabbit

I think you could argue that Who Framed Roger Rabbit (which doesn’t have a question mark at the end, because apparently marketing demonstrated audiences don’t respond to question marks) sits at the perfect midpoint on the Zemickis spectrum, balancing the fine and fun storytelling of the Back to the Future series with the early forefathers of the technical wizardry which would so fascinate the director in the years to come. However, Who Framed Roger Rabbit finds a way to match its technical wizardry with a genuinely fun and entertaining story.

Saw VII: Would Bob Hoskins rather saw his own arm off or spend the rest of the movie as the straight guy to Roger's plucky comic relief? Jigsaw, you fiend!

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Non-Review Review: The Imaginarium of Doctor Parnassus

The Imaginarium of Doctor Parnassus is a strange film, even with the concession that Terry Gilliam is a strange film director. Everyone knows the film is the last big screen work from the deceased Heath Ledger and it’s a shadow the film doesn’t feel entirely comfortable stepping out of. It’s almost paradoxical, but in watching it one gets the sense that the film may have bee the better for being less reverent of the actor – it would stand as a better testament to his memory if it could let go of his memory. In short, The Dark Knight will probably stand as the greatest testament to the actor’s ability and and rightly so. That doesn’t mean Parnassus is a waste of time – well, not all of it anyway.

Through the looking glass...

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Non-Review Review: I Love You, Phillip Morris

I Love You, Phillip Morris has ‘niche’ just oozing from every pore. Although it’s obviously comedic, there’s more than a hint of Carrey’s dramatic aspirations in the air. Cynical film viewers will suggest that this movie, with two recognisable actors in a gay romance, has missed Oscar season by a few months. It’s based on a true story, which rarely bodes well for a comedy. It’s a movie that’s it’s very easy to by smug and cynical about. Which is a shame, because it’s really a very charming and effective romantic comedy drama.

Carrey on...

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Non-Review Review: Taken

I don’t know who you are. I don’t know what you want. If you are looking for ransom, I can tell you I don’t have money. But what I do have are a very particular set of skills; skills I have acquired over a very long career. Skills that make me a nightmare for people like you. If you let my daughter go now, that’ll be the end of it. I will not look for you, I will not pursue you. But if you don’t, I will look for you, I will find you, and I will kill you.

– Bryan Mills

Let’s face it, if the above quote doesn’t appeal to you then you probably aren’t the audience for this action flick.

It's a little like that. Okay, it's a lot like that.

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Non-Review Review: Shutter Island

I’ll talk a bit about my more tempered analysis of the film in a moment, but I think it’s only really fair to open with my gut reaction – those few words that escaped my mouth as I turned to my girl friend as the credits started to roll.

“I want to see this again.”

Is your mind the scene of the crime?

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Is Picking a Bad Guy the Biggest Hurdle In Getting The Flash to Screen?

The rumour is that the Flash is the next Green Lantern. By which I mean the character looks set to move to the centre of DC’s universe – on panel and on screen – in the next few years. Geoff Johns relaunched Hal Jordan with Green Lantern: Rebirth about four years ago and since then he’s guided the character through arguably two of the best received event comics of the past decade (Sinestro Corps War and Blackest Night), launched a direct-to-DVD animated feature and is getting the big screen treatment from Martin Campbell, the man who saved Bond (twice). All this from what a character who was a second stringer a few years ago. It appears that the Flash is on a similar trajectory. A relaunch of the comic book was completed last month with the final issue of Flash: Rebirth and there are rumours of a big screen treatment already in the works. Part of me wonders, however, if the character’s foes are ready for the big screen?

They're either a bunch of supervillains, or a very committed eighties concept band...

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Non-Review Review: Zombieland

It takes a certain mindset to enjoy Zombieland. Not everyone can laugh at the fact that a zombie clown’s nose squeaks as you bash its head with a mallet. Fortunately, I discovered, I can.

Tallahassee goes to bat...

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